I’ve been thinking lately about the Raphael headcanon and why I became so fond of it so quickly, why it’s still important to me. What it means to me. So this is my personal read and take on it and why it factors into some of my writing.
(Here’s a quick caveat that in this blog we love and support all headcanons! These are all fictional interpretations of fictional stories and I am here to celebrate all toys and sandboxes. <3)
For some background, I’ve always been a big fan of Paradise Lost and Raphael was always the most approachable angel in the Bible (and therefore my favorite), so I was more than a little fond of him to start.
I like the Raphael headcanon because I think that Crowley is incredibly average. This is why:
I love that both Crowley and Aziraphale are, for all intents and purposes, not that important in the grand scheme of things. They are no princes nor dukes. They don’t have any particularly special powers. They can be disposed of and it really won’t matter. Not really. Heaven and Hell both make that abundantly clear. They’re just - people, really. Just an angel and just a demon. Stuck on Earth and grunting through their jobs (that they’re not even particularly good at) and mostly thinking about the next meal or drink. They file paperwork and look for shortcuts. They’re just so wonderfully normal and it’s a delight to me that they are. They, as normal and not especially-powered or specially anointed beings, get to save the world.
To think of Crowley as having once been an archangel (and more importantly, no longer being an archangel) parallels the story of so many kids that are told they’re gifted and talented. Told that they’re brilliant. That they can move the stars with their skills. Told that they, through no special work of their own, will do great things. It’s expected that they will be amazing. They will go to Ivy League schools, they will write the Next Great Novel. They will create masterpieces of everything they touch.
They will never need to work for it. They were born to this.
Eventually, as this lied-to child grows older, they begin to see through it. They see the privilege for what it is, that they’ve been placed on a dais, a pedestal, given laurels for nothing of their own. As they look around, they begin to see that they are not especially talented, that they must work for their own success.
That they are, in fact, normal and everyday people, despite what they’ve been told.
I like to see Crowley as this. He is told he will do great things, he is set up for success. But he’s a doubtful sort, his mouth has always been too full of questions (here they are, always spilling out). So he begins to ask why am I special? The answer that comes (because you are) is never satisfying. It doesn’t mean anything. It’s empty and rings hollow. He questions and questions and questions. He sees his cloud pedestal for what it is. Nothing. Useless. Something he was given and has not earned.
He is not special. He’s everyday. He’s average.
So he asks more questions. If that’s a lie, what else is? Eventually, we know where the story goes. Lucifer and the guys, a million-light-year freefall. And why should he get special treatment in Hell? A place that doesn’t give a damn for Heaven’s falsehoods? He isn’t special, so he isn’t made to be down there. He exists just as he truly is, a regular demon doing regular things.
We all look the same without a crown. Without a halo. He’s no different after all.
And this is why I love it. I love the idea that these two come to this story bringing their normalcy, found in different ways. Aziraphale has never been told he’s special (in fact, quite the opposite). With this headcanon, Crowley has (and found it to ring false).
In the end, they are somewhere in the middle. Normal and everyday. Like we’re all just human. Their specialness doesn’t lie in something they were born to or what they were expected to do. It doesn’t lie in what they were given or told. It doesn’t matter, none of that matters. It just matters that they exist and they love the world and everything in it.