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#emma – @sarahthecoat on Tumblr
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SarahTheCoat

@sarahthecoat

mostly Sherlock. The New Semester my dreamwidth
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High Anxiety: Jane Austen's _Emma_

So, for most of my grown-up life, the only Jane Austen novel I'd ever read was Pride and Prejudice. Last week, though, I got very frustrated with the amount of time I was spending on my phone and decided to start re-training myself to read actual books during my downtime. So I grabbed Emma off a shelf of the bookcase in the kitchen and decided to read it for pleasure.

It's a really different experience. I mean, in terms of the world in which it's set, it looks and acts very much like the worlds of Pride and Prejudice and Sense and Sensibility. But the fact that almost the entire novel is narrated through Emma's perspective really changed, for me, how reading it felt. With Pride and Prejudice, the characters you sympathize most with are the ones that are in some way marginal to the social machine with which the novel is preoccupied. You start P&P with the Bennetts, and especially Lizzie, who already feels like she's sort of lost the game by being born into a family with five daughters and an entailed estate; so even though you can't really fairly call her an outsider, she's at least got enough distance from it to talk about it critically. Emma Woodhouse, on the other hand, is (at least from her perspective) the biggest fish in a pretty small pond. Her family is landed and rich; her only sister has already married into the only family in the vicinity that could claim to outrank her own; and she's young and beautiful and deferred to by most of the women she sees socially. And I know this is ostensibly the point: that Emma's privileges have warped her view of both herself and the world around her, and the novel is all about her discovering how her own egotism has led her astray, and how many things she's been wrong about.

All I can say is that Austen World, as filtered through Emma's consciousness but also as constructed for us by this plot, feels very different from the way it does in Pride and Prejudice. In fact, for me as a reader, Emma's social world just feels straight-up dystopian. Which I recognize may entirely be a desired effect.

Spoilers for Emma (the novel; I haven't seen any adaptations of it) follow.

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sarahthecoat

thanks for this detailed discussion! i have so far only watched the movie (movies? the one i recall is with jonny lee miller as mr knightly, but there may be another, i forget. library dvd), but this motivates me to add it to my librivox to-listen list. i did get so much more out of pride & prejudice, listening to a full cast reading on librivox. even just being aware of where the chapter breaks are adds so much.

i also could not live in a world with such high stakes placed on such subtle social minutiae. jr high and high school was bad enough that way, and thankfully time limited.

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Jane Austen. We're having a Ball.

(aka, it’s a truth universally acknowledged, that an angel in possession of a good bookshop, must be in want of touching his husband’s hand)

I have been asked to explain to those who are not familiar with Jane Austen whether I think there are references or parallels between her works and our Crowley and Aziraphale. It’s gonna be a long post - sorry in advance - so take a nice cupperty and make yourself comfortable. Before starting, let’s keep in mind that we’re talking about some visual parallels and loose references in the plot. We are not dealing with a retelling or anything like that. It’s just something niche that you may find interesting or somehow entertaining.

A brief introduction to contextualize Jane's novels. She lived in the Regency era (wouldn't you like to see a Regency GO flashback?), her six novels were published between 1811 and 1818 (posthumously). She may or may not have been a brandy smuggler or the mind behind the 1810 Clerkenwell diamond robbery, but she was certainly quite an interesting personality. Despite having written some of the most famous love stories of all time, she never married and had little experience of the world. But she was very cultured and an avid reader. At the time, gothic novels were spreading: overly dramatic stories, usually set in the Middle Ages, in places such as monasteries, abbeys, or haunted castles. The main characters were pure, innocent heroines, classic villains and fearless heroes. Jane read these novels - she even made some parodies of them - and thought, nope, that's not me.

“I could not sit seriously down to write a serious romance under any other motive than to save my life […] No, I must keep my own style and go on in my own way.”

Basically, I’m doing my own thing, get over it. Jane was primarily a great observer of society, with its many ridiculous rules, and of human behavior, with all its contradictions. People's emotions, a great dose of irony and society’s criticism are the core of her novels.

Okay, but what does this have to do with Crowley and Aziraphale? Now we get there. I will talk briefly about the novels Emma and Persuasion, before the main course Pride and Prejudice. I apologize to all the Janeites out here, but I need to simplify the plots as much as possible to stay stick to the points that I believe are relevant as references for Good Omens.

1. Emma. The titular character, Emma, ​​believes to have a real talent as matchmaker: she’ll spend the entire novel looking for the perfect husband for her friend Harriet, with disastrous results. She’ll come to realize to be not such a good reader of people as she thought she was.

Why should we care? Aziraphale mentions Jane Austen for the first time thinking about how to make Nina and Maggie fall in love. Like Emma, ​​Azi and Crowley will try to play the matchmakers, with disastrous results.

More parallels: Emma herself appears to be not interested in romantic love and desire, until she has a big love epiphany moment. Rings any bell?

Relevant quote: I cannot make speeches. If I loved you less, I might be able to talk about it more. But you know what I am.”

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The New S2 Poster Details

Terry's hat and scarf ❤ With an ook pin! ❤

Crowley's old glasses on the statue. The statue itself is the Marly Horses by Guillaume Coustou the Elder.

Aziraphale's bow tie on the floor 👀

The cardboard box - long ago Neil shared on his instagram: Game on! There are mysteries, histories, secrets revealed and Something Too Terrible To Be Revealed on the way. Also a cardboard box.

Three feathers. One white, one blac and one white with a bluish/grey tinge (if it's not a shaddow)?

The angel mug is back 🥰

'The Resurrectionist' matches with skull and crossbones. In the previous poster there was a The Resurrectionist leaflet.

Again the Eccles cakes (already were in the previous poster)

Feather duster with dark gray/black feathers

On this shelf there books also in the previous poster, but at different place 🤔: The Crow Road, Catch-22.

And: The Curious Incident of the Dog in the Night-Time by Mark Haddon, from wikj: mystery novel by nritish writer Mark Haddon. Its title refers to an observation by the fictional detective Sherlock Holmes in the 1892 short story The Adventure of Silver Blaze

And: No Woman No Cry: My Life with Bob Marley by Rita Marley a memoir of Bob Marley by wife, Rita.

Also heard the people say that the right one of the Catch-22 they see Gabriel García Márquez on the spine (I can't read it :)).

Lord Jim and Treasure Island have also been identified in the previous poster but now are in a different place 🤔👀.

Three books by Jane Austen: Persuasion, Pride and Prejudice and Emma. We have already seen Pride and Prejudice in the previous poster but it was a different edition so Aziraphale has more than one :).

Candy?

Again geckos! :) 🦎 (there were three in the previous poster)

The Buddy Holly Everyday was also in a different place in the previous poster. And there is a note on it

The Ressurectionist, 66. Goat Gate, Edinburgh 👀.

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