Michael Banning, Light at the Top of the Stairs, 2024, Oil on canvas over panel
Michael Banning (American, 1966)
Michael Banning, Light at the Top of the Stairs, 2024, Oil on canvas over panel
Michael Banning (American, 1966)
Lisa Frankenstein (2024)
i fly like paper get high like planes
My Life Changed When I Discovered Peer-to-Peer File Sharing at Age 10 by heart__rot
28x28
Acrylic on Canvas
Antti Laitinen, 2D Tree (3), 2017.
Morvern Callar (2002)
Conrad P. Clarke "Sand bank", 2020, oil on canvas. Lives and works in Cheltenham, Gloucestershire, England.
baskets by john mcqueen in handmade in america: conversations with 14 craftmasters - barbaralee diamonstein (1983)
Natalia Rybka (Polish, 1988) - El (2022)
"It's one of the astronauts," he says.
I rub my fingers in my eyes. "Astronauts? What?"
He leans in, grateful for his moment. He tells us that occasionally there are men and women who wander through Hell in thin processions, wearing heavy gray robes and bearing lanterns to light their way. They are invariably chained together and led through the burning canyons by a loping demon: some malformed, tooth-spangled pinwheel of limbs and claws. They tour safely because they are shuttered against the sights and sounds of Hell by the iron boxes around their heads, which give them the appearance of strange astronauts on a pilgrimage through fire.
– Nathan Ballingrud, from “The Atlas of Hell,” Wounds: Six Stories from the Border of Hell (Saga Press, 2019)