Weirdly, last night’s “Broad City” was full of public servants: Not just special guest star Hillary Clinton, presidential candidate, but also employees of the New York State Department of Motor Vehicles, at various stages of disaffection. As Ilana (Ilana Glazer) searched for a new job after being fired two weeks ago, Abbi (Abbi Jacobson) braved the DMV to renew her license. As is always the case with “Broad City,” the everyday events of the 20-something women quickly wandered into the surrealism of sketch comedy. But this week, with a former First Lady and presidential hopeful on set, “Broad City”’s immature aimlessness read all the more poignant.
Abbi and Ilana represent the youthful enthusiasm that Clinton so desperately has tried and failed to capture in her campaign; their haphazard enthusiasm for Hillary Clinton as a feminist icon exists in a mirror universe to our own where Senator Bernie Sanders hasn’t captured the screaming-college-student vote. And yet it is kind of a tantalizing one. The campaign office Ilana walks into is sleek, modern, and colorful, with a “HILLARY” poster on one wall that looks a lot like the famous Shephard Fairey “HOPE” poster of then-candidate Barack Obama. The arrow-H logo of the campaign is rendered in different color palettes around the office, and one is blown up to corporate-logo size, behind front desk. Anyone who has actually worked on a campaign would marvel at the luxe and trendy facilities enjoyed by the Clinton volunteers, as well as the distinct lack of clutter.
But for Ilana, and for “Broad City”’s vision of Hillary Clinton, the world of politics is one of positive energy and possible change, of optimism and acceptance.