"There's no hope for the future." And that's how they felt during the Atomic Age, during the World Wars, during the Enlightenment Revolutions, during thr plagues, during the Viking raids, during the fall of Rome.

Yet, we persisted.

CS Lewis had something to say about this

On Turning 60

When I was a child, someone told me: “Every life is a story.” I used to wonder what mine would be like; what adventures I would have. My favourite stories were from Rudyard Kipling’s Jungle Book, which my grandfather used to read to me:  thus I imagined my own story as a forest adventure in which I would run wild with my friends, and pick fruit by the wayside. I never imagined growing old, just as I never imagined the adults around me ever being young. And death, if I thought of it at all, was a monster that kept to the shadows, and never dared to show its face outside of the scariest stories.

I was four years old when I first encountered the monster. It was in France, when my great-grandmother died, having been taken suddenly ill as she and I were playing a game. I still remember that suddenness, and my mother’s tears, and the whispers of “not in front of the children”, and the various well-meaning relatives trying in their different ways, to explain to me why I shouldn’t be sad, how at sixty-five, Mémée was old, how death was completely natural, and that she was watching us from above. These stories varied considerably, from the fanciful to the macabre. Even at four, it didn’t take long for me to understand that the grown-ups were as much in the dark as I was about the whole affair. Children are analytical. They process information according to what they have been told. And at four, I concluded, both with certainty and a singular horror, that Mémée’s story was over, that death happened to everyone, and that I had more or less sixty years of life before it happened to me. For years after that, I would lie awake at night and think of the monster waiting for me in the dark, and tell myself that sixty years was a very, very long time, and that this suffocating fear would pass with age and experience.

Now I’m approaching sixty. At sixty, we’re meant to examine our lives, and think about mortality. And yes, it seems like a very long time. It also feels as if no time at all has passed since the night my great-grandmother died, and I first encountered the truth that lives at the heart of all fairytales. That was when I decided, with relentless, childish logic, that if death was the ultimate monster, then perhaps I could only hope to keep them at bay with stories.

And so I began to tell stories, first to myself, in secret, and then to anyone who would listen. Of course it took me a long, long time to understand that what I was really doing was trying to make sense of the world. In a universe of chaos, stories give a shape to our lives. They teach us to believe in love; to mistrust what is too easily won; to know that every stranger could be a deity in disguise. They teach us that happy endings exist; that kindness can sometimes bring reward; that life, like so many of the stories we read as children, is a journey through the woods, where anything can happen.

This is the advice I’d give my younger self, if I could. Life is like a story with a beginning, a middle, an end. It is not always as structured or as ordered as a story might be, and some are longer than others, but the journey is ours in part to direct. We can choose the paths we take, the places in which to linger. We can choose the people we travel with, the ones we make a part of our lives. Choose wisely, I would tell my younger self at the start of my journey; not everyone who seems friendly is a friend. True friends are not easy to come by; always cherish the ones you find. And bear in mind that the journey matters more than the destination. We live in a world where everything seems focussed on the future; events to plan; deadlines to meet; months and seasons flashing by. Time seems to accelerate as we get older; and yet there are ways to slow it down. We don’t have to rush through everything in order to rush through something else. We can exist in the moment. Stop. Pick the flowers. Feel the sun. Remember we only pass this way once, and that every step is a privilege.

These woods are filled with obstacles, and challenges, and wonder. Not all paths through it are easy. Stay curious, I would tell myself. Never stop asking questions. Wear your achievements lightly, and don’t be afraid of failure. Failures are a sign you tried; markers on the road to success. And as a teacher of 15 years, one thing I have learnt is this: There are no teachers, just pupils. We are able to learn from every angle, every stage of our lives. Elders may speak from experience, but some of the most important things I have learnt have been from younger people. Bringing up my son has been the lesson of a lifetime; I learn new things from him every day. So take your lessons where you can, and pay them back to others in kind. And don’t be afraid to make mistakes: mistakes are part of your story too, every one a lesson learnt, every one a challenge.

Nor should you fear the changes that time imposes on us. Change is what drives your story. Sometimes it brings grief and loss; sometimes, unexpected joy. And don’t be ashamed of the signs of age: in a world in which youth is prized far above experience, it’s all too easy to feel diminished by wrinkles and imperfections. But your body is a living map of everything you have experienced. Everything leaves marks on you. Childbirth; laughter; damage; grief. Be proud of those marks. They are proof that you have lived. When I look at my face now I see the faces of my family. I see my mother, my grandmother. I carry their stories inside me, coiled as tight as DNA. And I have told them again and again, just as they were told to me. We process the world through stories. We learn to live through stories. Through stories we connect with the past and understand where we came from. I mostly know my great-grandmother from stories my mother told me. The story of the day she died; her life in rural, wartime France; her recipes; her sayings; her jokes. Through stories, my son can know her, even though they never met. And of course, you know her too: she was the prototype for Armande, the fierce old woman in Chocolat. Through stories, people can live on, and be loved and understood. This is one of the things I have learnt on my journey through the woods; perhaps the most important thing: Remember to tell your stories.

Now, after many stories, I’m reaching that part of the forest where monsters lurk in the darkness. Three years ago, I had a brush with a monster I called Mr C - an aggressive kind of cancer, which luckily was found early. I survived that encounter, thanks to the care and vigilance of the NHS, but one of the lessons it taught me is that life is fragile, and precious, and short - much shorter than we imagine. Over the past few years I have lost too many loved ones to Mr C. One of them was my grandfather. Another was my oldest friend. Some were writers: Iain Banks, Jenny Diski, Graham Joyce. I have carried their stories with me, just as I carry the stories of my parents and grandparents. I hope my son will do the same. We stay alive through stories.

But right now, at sixty, I don’t feel old. I doubt anyone who loves stories really ever does. I remember Ray Bradbury telling me, at 81, that when he looked in the mirror, he saw a ten-year old boy with inexplicably white hair. And he was still writing–furiously, sublimely - till the day he died. I can relate: time is speeding up, and there are stories left to tell. I sometimes find myself trying to calculate how many I’ll have time to get down, especially as they’re still popping up like mushrooms all around me. I am more conscious of time passing by. I feel the change of the seasons in a way I didn’t before. But my walk in the woods has been beautiful. I have fulfilled my greatest dreams. I do what I love for a living. I’ve travelled the world, and had many adventures, and met many interesting people. I’m married to someone I love, who loves me. I have a son who makes me proud, and who I love more than words can say. I’ve faced down monsters, and survived. I’ve learnt a lot, sometimes the hard way. But as the French author Jules Renard (a favourite of my grandfather’s) once said: “Aim to die with regrets, not remorse.” I think I’m on the right side of that. And in spite of what I thought at four, approaching sixty is nothing to fear. There are still unwritten chapters to my story to be lived; places to discover, new things to learn. I mean to explore all those things, and more. I want to climb mountains. To travel through space. To see the depths of the ocean. Some of those things I may never know except in stories, but books are the way in which we live our many alternative, possible lives. I feel I’m just beginning to understand what matters to me; to find my equilibrium in this vast, bewildering world. For so many years, being sixty felt like the end of a journey. Now I see that it’s only another clearing in the woods. Maybe I’ll sit here awhile. Enjoy the sunshine. Pick the fruit. But soon I’ll be on my way again, picking up stories wherever I go. Because no story ever ends, not really. It just travels somewhere else, picked up by another storyteller. So, to whoever picks up my story, good luck with it. Maybe give me a wave. But for now, I think I’ve seen a path at the end of the clearing. It’s new, and therefore exciting, and promises adventure. I think I’ll follow it awhile; see what fruits are growing there. Stories flourish along these paths. Let’s see which ones I can find. After all, that’s what I do. And those monsters won’t defeat themselves.

— Rachel Carson, The Sense of Wonder (via exhaled-spirals)

Oh, with you, I could conquer the world—oh, with you I could catch hold of the moon like a little silver sixpence.

I like such awfully unfashionable things and people. I like sitting on doorsteps, and talking to the old woman who brings quinces, and going for picnics in a jolting little wagon, and listening to the kind of music they play in public gardens on warm evenings, and talking to captains of shabby little steamers, and in fact, to all kinds of people in all kinds of places. But what a fatal sentence to begin. It goes on for ever. In fact, one could spend a whole life finishing it.