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Czeslaw Milosz, New and Collected Poems: 1931-2001
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source: To a Dusky Maiden, the Pittsburgh Courier, August 6th, 1927.
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ykno the thing about poetry is that 99% of it is bullshit and the other 1% will cut you like a material knife, and for every person that 1% is a different section of the whole. this is probably true about all art.
@sashayed these tags feeling pretty materially knifey for me
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Selected Books of the Beloved, Gregory Orr
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birth-day by Lucille Clifton
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BRIGHT STAR
2009, dir. Jane Campion
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helenstroy
“Lord Byron gets up at two. I get up, quite contrary to my usual custom … at 12. After breakfast we sit talking till six. From six to eight we gallop through the pine forest which divide Ravenna from the sea; we then come home and dine, and sit up gossiping till six in the morning. I don’t suppose this will kill me in a week or fortnight, but I shall not try it longer. Lord B.’s establishment consists, besides servants, of ten horses, eight enormous dogs, three monkeys, five cats, an eagle, a crow, and a falcon; and all these, except the horses, walk about the house, which every now and then resounds with their unarbitrated quarrels, as if they were the masters of it… . [P.S.] I find that my enumeration of the animals in this Circean Palace was defective … . I have just met on the grand staircase five peacocks, two guinea hens, and an Egyptian crane. I wonder who all these animals were before they were changed into these shapes.”
— Percy Bysshe Shelley on the lifestyle of Lord Byron (via timemarauder)
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“Summer arrives in a strawberry, sweet, juicy. As long as you feel its flesh on your tongue you’re unaware how. One minute inches into the next. But how could you observe awareness anyway? Or, for that matter, a thought? It grows in you, not as a sensation. (Nor like a baby or tumor.) An experience that you can’t hold on to. Any more than to the smell of lilac. Though it soothes emptiness.”
— Rosmarie Waldrop, from “Asymmetry (2)”, The Nick of Time: Poems
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When Death Comes
by Mary Oliver
When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox; when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it’s over, I want to say: all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it’s over, I don’t want to wonder if I have made of my life something particular, and real. I don’t want to find myself sighing and frightened, or full of argument. I don’t want to end up simply having visited this world.