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Rufio Xavier Cinnamon Very-day

@rxcv / rxcv.tumblr.com

All the Cinema News fit to Print
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Unexpected codas are terrific. Coppola dishes it out in the best interview I’ve seen in years. Primarily about The Death of Michael Corleone (Part III redux and remixed) he springboards into everything and anything on his mind. A true raconteur, and one of the greats. Lovely, Goodbye.

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I was surprised to see I enjoyed Home Alone a lot more on a recent re rewtach. Not as enthusiastic as the video above, it does cover a number of fascinating points.

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Fascinating video (that is digging at my mind) about how escapism films are combating cell phones by not noting they exist.

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Spooky good bit about how the textures of film itself can be another time, another place.

Being somewhere else for our eyes is a treat, and “Mandy” fully binges on it.

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Thinking about one of my favorite films of the 21st century “ The Wolf of Wall Street” reminded me about how some people are unnerved by a lack of verbal cue on whether something is good or bad.

Forgetting that cinema is a visual medium, able to tap into a person’s mental state.

The clues are all there.

Not that the filmmaker has to reveal their hand at all.

Their attitudes are theirs to show or not.

But It’s not to much to ask that cinema be visual, and that the feeling is there, if you take a moment to listen.

Hear that... we are hypocrites if we say we don't know the answers.

we know.

we may not like what we know, but we know

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But I'll ask myself: What is my favorite film? Or I'll skew the question slightly: What film would I most like to see again right now? Right now, this moment, the answer that would spring most quickly to mind is Fellini's "La Dolce Vita" (1960). I've seen it, oh, at least 25 times, maybe more. It doesn't get old for me. Age has not withered, not custom staled, its infinite variety. I've grown so worked up just writing this paragraph that I want to slide in the DVD and start watching immediately. People asked me a few years ago why I included the movie in my annual Ebertfest, since it was, they said, hardly "overlooked," and the festival showcases films that deserve more attention. I said it was unlikely that more than a few dozen in the 1,600-seat theater would ever have seen it in a pristine 35mm print on a truly big screen. In gloomier moments, I wondered how many in the audience would never have seen it at all. What better definition of an overlooked film is there, than one want to drag everybody else to?

Roger Ebert

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Wonderful list but I am so very fascinated by the pick of Matt Zoller Seitz, of  Close Encounters of the third Kind as his choice. Very very compelling.

Also amusing that it does include Truffaut, whose own Day for Night is often thought of as well.

Cinema is wonderful

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Wonderful interview between Edgar Wright and Spielberg about his still amazing film “ Duel”.

The tension, the pacing, the almost silent film like presence...

just two entertaining artists shooting the breeze and loving it

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One of the best video essays I have ever seen.

The idea of aspect to aspect and ignoring time to explore space (and how said space notes our identity) are very close to my heart.

Brilliantly laid out and uncoiling in our memory. Bravo.

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