Manon Blackbeak, the last Crochan Queen

I miss this badass witch so much. Throne of Glass withdrawals require lots of fan art ❤️

Instagram: pallasillustration

Ko-fi: https://ko-fi.com/V7V0ST11

Aelin Ashryver Galathynius, Heir of Fire! Really enjoyed doing this portrait of everyone’s favorite fire-breathing bitch-Queen 👸

|| Instagram: pallasillustration ||

Well, I must say that I think he’s swoon-worthy enough! Rhys is still one of my favorite male characters in literature (though I do have a LOT of issues with ACOFAS...). He’s also one I’ve been dying to draw but have been afraid of messing up for the longest time, but I’m really happy with how this turned out!

|| Instagram: pallasillustration ||

She was fire, and light, and ash, and embers. She was Aelin Fireheart, and she bowed for no one and nothing, save the crown that was hers by blood and survival and triumph.

An older version of Peter pan 😊 I painted this piece a while back. This was commission. Hope you guys will like it xoxo

I was dying to share this artworks with you guys 😁 and finally can ❤️ this illustration is bit different from the original commission I did where she is with another character which is from other book series. (I will post him separately too) So I guess I don’t really need to tell you guys who she is. 😂 Hope you guys will like my yet another version of Aelin Ashryver Galathynius. Character is from Throne of glass series by @sjmaas

Sarah J Maas making fenrys’ last name up on the spot

Aelin: Got a hot date?

Lysandra: No but the boy I’m going on a date with does

Aedion: { starts making offended noises }

The bad quality picture of this artwork were shared everywhere. It didn’t have my signature on it. At first I thought no one would share it cuz it was taken picture from a IG story… I want to ask all of you who repost my work. Please don’t share it if I haven’t posted it yet. Especially if it doesn’t have my signature on it. This piece was commissioned by @enchantedbookbox hope you guys will like it even though everyone pretty much saw it already. Characters belong to the @sjmaas I will post feysand separately later.

Starfall. 🌌

I’ve been wanting to paint this scene for a loooong time, so I decided to just take a small break from freelance tonight and do a sketch. 😊 About two hours.

Prints are available on Redbubble.

the switch from ‘a girl worth fighting for’ to coming upon the decimated village in mulan is THE MOST kick-in-the-teeth mood change IN ALL OF CINEMA

That scene shift did more for our generation’s understanding of the horror of war in ten seconds than Game of Thrones did in eight seasons, and it did it without showing us a single dead body. 

OKAY BUT HOLD ON THOUGH.

I’ve spent the past… five? Let’s say five - the past five years analyzing the structure of Disney Musicals as part of the process to write my own/a parody of them, and the thing is that all the modern ones have roughly the same number of songs - except Mulan.

Mulan has about half, because after AGWFF ends with that unresolved final phrase, there are no more songs until the end credits, which isn’t even sung in-universe.

Mulan wasn’t even the REALM of fucking around - when they arrive at that village, when the true horrors of war are brought into the story, not only does it interrupt THAT song, it breaks the entire fucking mold - the movie’s damn genre changes; it is no longer a musical.

And the Huns represent this from the start - Jafar and Hades are notable for not having proper villain songs, but Jafar does get his Prince Ali refrain and Hades and his plan get sung ABOUT by the muses. No scene with the Huns has any singing, they are mentioned once in song (the second line of Man, natch), and they of all Disney Villains are probably the most serious - no jokes, no witty asides, no sassy delivery of dry humor. The Huns are an invading army who plan to straight up kill a fuckton of people, including children, and AGWFF’s sudden end is the moment when our happy go lucky MUSICAL protagonists finally come in contact with them and their work directly - and it breaks them. Because shit like the Huns cannot exist in happy go lucky musical world. They just exist in our world. The real world. And you can’t sing your problems away here.

The end of A Girl Worth Fighting For is a brilliant use of metanarrative sensibilities to convey a message. It is utterly perfect.

Daaaamn, Tony. That’s fucking deep, my guy

I didn’t spend two years and thousands of dollars on a Master’s Degree in literature to NOT over analyze every text I engage with.

Rhysand while he watched Feyre heat up the soup for him

characters who crave affection but at the same time have no idea how to respond to actually receiving it due to the fact theyve rarely ever experienced it are my absolute favourite

characters? bitch this is me 

Never posted my feysand babies