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The Shining (1980) by Stanley Kubrick and American Horror Story S05E01 (Checking In)

The geometric-pattern carpet in the corridors of the Overlook Hotel is paid homage to in the carpet of the luxurious hall of the Cortez Hotel and in its corridors. In the film, the carpet had a hexagon pattern, in the tv show it has an octagon pattern.

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Edgar Wright (‘Shaun of the Dead’, ‘Hot Fuzz’) on Stanley Kubrick: ‘My most profound epiphany in cinema is the moment in “2001: A Space Odyssey” when the planets align with the monolith in some galactic equation. The sense of cosmic order floors me every time. But just as Kubrick inspires awe with his harmonic compositions, he can equally instil terror. The most chilling aspect of “The Shining” is the blunt symmetry of endless corridors and patterned carpets. A shot of an empty hall and a lone, red door disturbs you even before the blood starts to flow.‘It is these graphic images that keep me coming back. I was underwhelmed when I first saw “The Shining”. Perhaps I wanted the detail and the closure of the novel. But its eccentricity and ambiguity gnawed at me and forced me to re-watch. Its shattering images haunt me to this day.’

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Stanley Kubrick’s “The Shining” Behind-the-Scenes (Ten Photos)

The Shining is a 1980 British-American psychological horror film produced and directed by Stanley Kubrick, co-written with novelist Diane Johnson, and starring Jack Nicholson, Shelley Duvall, Danny Lloyd, and Scatman Crothers. The film is based on Stephen King’s 1977 novel of the same name, though there are significant changes.
In the film, Jack Torrance, a writer and recovering alcoholic, takes a job as an off-season caretaker at the isolated Overlook Hotel. His young son possesses psychic abilities and is able to see things from the past and future, such as the ghosts who inhabit the hotel. Soon after settling in, the family is trapped in the hotel by a snowstorm, and Jack gradually becomes influenced by a supernatural presence, descends into madness, and ultimately attempts to murder his wife and son.
Unlike previous Kubrick films, which developed an audience gradually by building on word-of-mouth, The Shining was released as a mass-market film, opening at first in just two cities on Memorial Day, then nationwide a month later. Although initial response to the film was mixed, later critical assessment was more favorable and it is now listed among the greatest horror movies, while some have viewed it as one of the greatest films of all time. Film director Martin Scorsese, writing in The Daily Beast, ranked it as one of the 11 scariest horror movies of all time. Film critics, film students, and Kubrick’s producer Jan Harlan, have remarked on the enormous influence the film has had on popular culture.
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