Welcome to the first entry in Sub-Cult, a series devoted to weirdly infectious cinematic oddities on the cusp of becoming the cult films of tomorrow. One of my inspirations for this column is my former colleague Scott Tobias’ wonderful AV Club column New Cult Canon, but this will not be about proposing a new cult canon. Instead, it will be about exploring movies that have caught on in unexpected ways, and have attracted devoted, even obsessive followings despite a widespread consensus that they are terrible.
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