“Poetry is an awareness of the world, a particular way of relating to reality.” ― Andrei Tarkovsky, Sculpting in Time
“The director’s task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable. Of course an artist can lose his way, but even his mistakes are interesting provided they are sincere. For they represent the reality of his inner life, of the peregrinations and struggle into which the external world has thrown him.”
― Andrei Tarkovsky
On the set of Tarkovsky’s Ivan’s Childhood
Andrei Tarkovsky can be a difficult director to love. His films are intimidating monoliths, often slow, ponderous or obscure. Watching them is work. They require a degree of patience and a level of attention that can make them seem like artifacts from an alternate past in which film was developed at the same time as stained glass and Gregorian chant. Yet again, hardly anyone has been better at creating a believable future, one built on human frailty and decay as much as progress. But more than any other director he provides moments of visual revelation: things that are stunning because they could only be seen on a cinema screen. © Lars-Olof Löthwall and the Swedish Film Institute.
By Andrei Tarkovsky