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I'm Whitney. 26. I heart books and writing.// Currently Reading: In Cold Blood
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drearyhours

unpopular opinion but i think the film and tv industries should have better labor laws even if it makes it harder or impossible to depict certain things

i dont care if it makes it harder to produce game of thrones or whatever, acting should not leave women traumatized

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squeeful

Okay I know this is about acting and people are getting more traction about it (sexuality safety coordinators are a job! yell about them. demand your shows get them) but

Any person who has worked on a set for more than a few years has at least one person they know who died.  

Not usually on set, but afterwards.  Because we don’t have anyone shutting down production for unsafe practices when “unsafe” means 16 hour days.  Or more.  For weeks.  Finishing a day before hour 12 (not including lunch) is considered an early leave.

I had teachers tell us not to, unless we absolutely had to, take music video gigs because they’ll work you for 24 hours and send you to drive home.  And if we had to work that, pull over and nap in our car because multiple people per year fall asleep at the wheel and go over the canyons around LA.

I know you mean acting but please.  Don’t forget the crew.  We have a shockingly high rate of suicide because these working schedules leave us with no sleep, no time outside of work, and it destroys lives, relationships, and families.  Burnout is high.  Chronic illness and broken bodies are common.  Cocaine use in order to get through a 20 hour day is rampant.  Every single one of your reality shows is fueled by cocaine.

The number of days that are scheduled to shoot a feature has shrunk dramatically in the past two decades.  Which means longer days.

Netflix shows are notorious for being poorly organized, understaffed, and long days.

There are labor laws but what they do is levy fines.  Those fines are either factored into budget, people are bullied into not reporting actual hours, or crew members see them as incentive to take those jobs because more money and cost of living is high.  (Also this industry has a crew culture of dick measuring by sticking your wang in a blender and boasting about how many 100 hour weeks you pulled.)

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alexazombie

this can be applied for people working in animation as well. Like I know people who work at Pixar and they straight up work 12 hour days and go into work on weekends to meet their deadlines. The incredibles 2 made over a billion dollars and Pixar still cut jobs due to “budget”. The entertainment industry is a business at the end of the day. There here to make money and they are going to do it at the expense of workers because they know no one is going to do anything about it.

This is why I get pissy when people have a go about British TV shows only producing 10-12 episodes per season at most, instead of 24. Do you know why? Because the UK has fucking labour laws.

When I worked on BBC Causalty, as soon as it hit 5pm, everything stopped. The producer/director etc would have a quick meeting to decide if we’d go into overtime or schedule it in later in the week. And I got an extra payslip in the mail for every minute of overtime I did, even though I was paid a weekly rate.

I don’t care if it means producing less content. I don’t care if it means it costs twice as much - if treating your creatives and your crew like shit is needed to make your show, then your show doesn’t deserve to get made.

And that’s aside from the fact that actors are often exploited, neglected, coerced into doing scenes they’re uncomfortable with etc or outright abused by directors for the sake of ~performance.

No art is worth that.

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stephrc79

@brendaonao3 @boopifer

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Basic rules for analysing fiction, an incomprehensive list jotted down in a hurry:

  1. The protagonist isn’t always right
  2. The protagonist isn’t always good
  3. The protagonist isn’t always written to be relatable or likeable
  4. The narrator isn’t always right
  5. The narrator isn’t always good
  6. The narrator isn’t always telling the truth
  7. The narrator isn’t always the author
  8. The protagonist’s moral compass, the narrator’s moral compass and the author’s moral compass are three entirely different things that only occasionally overlap
  9. Pay attention to what characters do and not just what they say
  10. Pay special attention when what the characters do is at odds with what they say
  11. A lot of the time the curtains are blue for a reason. If they aren’t, you should read better books
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jezifster2

You know. Reading is important. Because I'm like always trying to make every line I write this groundbreaking mindfucking art but like. A book is 90% just saying what happened. "I hugged him around the waist." "The chair was brown and overstuffed." "I woke up alone." Etc etc. Like normal ass lines. I just keep comparing my boring, necessary to set a scene lines, with famous authors' absolute best lines and like.... every line doesn't have to shatter the earth. Sometimes someone just sits in a chair and the lines that wreck you come later, one at a time, here and there. It's alright.

This is super common and I wish we were taught when we begin to write that those quoted lines are also in a sea of the same sort of setup we obsess over not being 'good enough'. I saw multiple people drop out of writing courses over this in college. Sure, sometimes you need a better way to describe something prevalent or to pinpoint an emotion, but if EVERYTHING was written in that sort of tone for a whole book it would prove utterly exhausting to read.

Also, if every single line in the book was hard-hitting and mindblowing, then it wouldn't be memorable because it would be drowned out.

The best lines are famous because they stand out.

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