raadelma reblogged
Cynthia Cruz, from Hotel Oblivion
1894 James Jebusa Shannon - Diana MacDonald
(Brighton Museum & Art Gallery)
raadelma reblogged
Few more Jane Eyre characters, these huge skirts are real fun to draw 🌻
The Cherry Tree (study), 1891, Berthe Morisot
Medium: watercolor
raadelma reblogged
raadelma reblogged
Life on the Bayou by Laure de Chateaubourg
raadelma reblogged
Dressing Gown
c. 1840
Litchfield Historical Society
raadelma reblogged
Karese Burrows, “You Are Going To Live”, Eunoia Review, September 2024
raadelma reblogged
books I’ve read in 2024 📖 no. 135
Emily Wilde’s Map of the Otherlands by Heather Fawcett
“Rose asked me why I was not more surprised by your feat. I told him the truth: in order to be surprised, I could not have known already that you are capable of anything.”
SAOIRSE RONAN by Jack Davison for British Vogue, October 2024
raadelma reblogged
a girl who is a noir detective man and a guy who is a femme fatale
because @pegasusdrawnchariots pointed it out to me
literature moodboards: station eleven by emily st. john mandel
“i stood looking over my damaged home and tried to forget the sweetness of life”
raadelma reblogged
yeah “i can teach you” is kind and gentle and warm and comforting. it’s also hot. right
raadelma reblogged
I would say that there exist a thousand unbreakable links between each of us and everything else, and that our dignity and our chances are one. The farthest star and the mud at our feet are a family; and there is no decency or sense in honoring one thing, or a few things, and then closing the list. The pine tree, the leopard, the Platte River, and ourselves—we are at risk together, or we are on our way to a sustainable world together. We are each other’s destiny.
Mary Oliver, Winter Hours
