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QUEERKEIT▽COVEN

@queerkeitcoven / queerkeitcoven.tumblr.com

queer/trans-centered study & practice of Jewish magic, mysticism & folklore about FAQ links & resources
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When I spoke at Anshe Emet Synagogue for Pride, I challenged them to transform the memory of queer Jewish history into action... One of the new projects that they have taken on is honouring Ben Rosenstein, a transmasculine Jewish immigrant who died of tuberculosis in 1915, and is buried in Chicago in a pauper's grave without a headstone. 

The synagogue is raising money to remember this queer/trans ancestor by providing Ben with a proper headstone. This project is so important, especially in a time when the stories we tell about America, about migration, and about family, are ever expanding. The greatest kindness that one can do in the Jewish tradition is to give dignity to the dead. Will you help me honour the life and death of Ben Rosenstein?

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Orig­i­nat­ing from a broad range of geo­graph­ic and chrono­log­i­cal con­texts, these texts, many of them appear­ing for the first time in Eng­lish, offer the read­er a broad vision of what it has meant to be a queer Jew through­out histo­ry — even in con­texts where queer­ness has tra­di­tion­al­ly been assumed absent. Aca­d­e­m­ic and lay read­ers alike will dis­cov­er an aston­ish­ing vari­ety of per­son­al sto­ries, poems, and midrashim in the anthology... I have been fol­low­ing the project since Noam first decid­ed to pub­lish it as a book — and was delight­ed to dis­cuss it with him in more depth...
SL: What are your hopes for the book now that it’s been published?
NS: There’s almost no area of the Jew­ish world or aspect of Jew­ish life that is not touched upon in some way in the book — rab­binic lit­er­a­ture, Hebrew poet­ry, Jew­ish immi­gra­tion, sec­u­lar­iza­tion, mod­ern­iza­tion, and the development of the field of sex­ol­o­gy. I real­ly want oth­er schol­ars to run with all of those dif­fer­ent direc­tions. The hope I have mov­ing for­ward is that more people will be able to open up these his­tor­i­cal fields.
There’s def­i­nite­ly more aca­d­e­m­ic work to be pro­duced from the book. About a third of the mate­r­i­al in the book has nev­er been pub­lished in Eng­lish transla­tion. Some mate­r­i­al, sourced from archives, appears in this book for the very first time.
One rea­son why I chose to pub­lish it with a trade press rather than an acade­m­ic press is because I also want­ed it to have a wider audi­ence than just aca­d­e­mics. I want­ed a high school, even mid­dle school, stu­dent to be able to read it, and I very con­scious­ly tried to write in a way that was accessi­ble to laypeo­ple. I’m excit­ed to see the book serve as a resource for nonacademics: artists, film­mak­ers, play­wrights, graph­ic nov­el­ists and people who are doing oth­er kinds of Jew­ish pro­gram­ming. The sto­ries includ­ed in this book could make won­der­ful plays, art instal­la­tions, documen­tary films, com­ic books and graph­ic nov­els, children’s books, et cetera. I’m not the per­son to do that, but I’m real­ly excit­ed to put out the raw mate­r­i­al for oth­er peo­ple to work with.
SL: There’s a lot of talk right now among Jew­ish authors about what is out there for young readers that rep­re­sents the full spec­trum of Jew­ish experiences.
NS: It’s so rich and so much of it is unknown, and so real­ly this book is an excuse to get peo­ple to read pri­ma­ry sources from Jew­ish his­to­ry. If the fact that it’s about les­bians or about cross-dress­ing stow­aways or about Yeshi­va stu­dents sleep­ing with each oth­er gets peo­ple excit­ed to read that, great — but what’s equal­ly excit­ing to me is that this might be a con­duit for some­one to learn­ing about Jew­ish life in the Ottoman Empire, or life in colo­nial Brazil, or in medieval Iraq.
The intent of this book is to broad­en the hori­zon of Jew­ish his­to­ry — in terms of sex­u­al­i­ty, gen­der, tem­po­ral­i­ty, and loca­tion. I think peo­ple might be surprised to dis­cov­er just how many areas of Jew­ish life can be enriched through the incor­po­ra­tion of these mar­gin­al­ized voices.
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"[A rabbi in 1969] looked at his Jewish 'bookshelf.' And he said 'I don't see anything that deals with homosexuality.' [He concluded] that homosexuals don't exist in Jewish history. But the mistake that he makes is that he looks at what happens to be on his 'bookshelf' -- the Mishnah, and Talmud, and Medieval compilations of Jewish law, all written by men, mostly written in Europe -- and thinks 'that's everything I need to know about Judaism.' But that bookshelf is just a sliver -- the '1%.' As soon as we move the spotlight over a bit, we see an entirely different picture of Judaism."

Listen in to the latest episode of Judaism Unbound, featuring Noam Sienna, author of A Rainbow Thread: An Anthology of Queer Jewish Texts!

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ברוך שהחינו וקימנו והגיענו לזמן הזה / Blessed is the One who has enlivened us, sustained us, and brought us to this moment. 

Not much more to say at the moment except acknowledge the overflowing gratitude to all the mentors, colleagues, scholars, activists, lovers, and friends who contributed to making this book possible. Looking forward to sharing it with all of you! If you’d like to bring me to your community to share the stories of A Rainbow Thread, please get in touch!

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[Image Description: a black and white photo of Salim Halali, an Algerian-Turkish man wearing a suit with a white flower and bow tie and a fez.]

The life story of Salim Halali is one with countless branches. His experiences as a gay Jewish man in Paris in the 1930’s are as eventful as one would imagine, and his music career is not only well known but well remembered, what with being crowned the “King of Shaabi” at the height of his popularity. He lived just as extravagantly behind closed doors, often throwing lavish parties with his two pet tigers. There’s much to be said of his storied life. (Read full article)

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Photo of Simeon Solomon (1840–1905), Jewish painter and member of the Pre-Raphaelite Brotherhood. Solomon’s paintings often explored scenes from the Tanakh or of domestic Jewish life. He was arrested and imprisoned in the 1870s for being gay which destroyed his career, however it also brought him to the attention of famed poet Oscar Wilde who collected his works and referenced him in his final work, De Profundis.

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If any of my followers are in the Northampton area, you can come hear me speak about my forthcoming book project at Smith College next week! The blurb for the talk (for some reason, not on the poster) is as follows:

"A Rainbow Thread: Intersections of the Queer Jewish Past and Future"

Noam Sienna will explore the role of history in queer Jewish life, drawing on his experience creating the first historical anthology of queer Jewish texts (slated for publication this winter). Spanning from the dawn of the Common Era to the year of the Stonewall Riots, Sienna’s book collects over a hundred sources, including poetry, literature, law, midrash, and memoir, which paint a complex and diverse picture of the history of sexuality and gender in Judaism. As Sienna will argue, Jewish texts are not just obstacles to be overcome by queer Jews, but also potential resources in the creation of a queer Jewish future.

[Image description: a poster with a rainbow background and text in white. The title reads, "A Rainbow Thread: Intersections of the Queer Jewish Past and Future," followed by a headshot of Noam looking at the camera wearing a blue and white shawl. Next to the photo it says “Thursday November 8, 4:30pm, Graham Hall, Hillyer, Brown Fine Arts Center.” Then Noam’s bio: “Noam Sienna is a Jewish educator, artist, and doctoral candidate in Jewish History at the University of Minnesota, specializing in the Jewish communities of the Islamic world. He also holds degrees in Anthropology and Religious Studies from Brandeis University and the University of Toronto. He has taught and lectured about Jewish cultural heritage at academic and community venues around the world; his first book, A Rainbow Thread: An Anthology of Queer Jewish Texts, is slated for publication in Winter 2018 with Print-O-Craft Press.” At the bottom of the image, it says: “Free and open to the public. Sponsored by the Programs in Jewish Studies and the Study of Women and Gender, Smith College.]

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alexbohs

Hope. What a beautiful, vital thing that can fuel any negative into a positive - any setback into action. However, like most vital things in life, hope cannot merely exist without a cost - often the cruel reminder of what we’ve either lost, still don’t have or could potentially lose. After all, there’s got to be something to hope for and against.

It’s that very reason why I felt the need to commemorate the end of this month’s Pride festivities using the visuals I recently captured (during SF Pride Weekend 2018) mixed with the final testimonial of Harvey Milk - recorded mere days before his assassination on November 27, 1978.

There’s just something rather uplifting, somewhat bittersweet and certainly intriguing to me about hearing the raw audio of Harvey’s last intentions while also observing the now mainstream, present-day Pride Parade, for there are things to rejoice about (overall acknowledgement of the LGTQIA+ community) while also making sure we keep some aspects in check (branded consumerism disguised as support).

For me, queer pride lasts all year and is far more than a simple hashtag or rainbow-colored-product. Queer Pride is a reminder of all the sacrifice, loss and struggle that has come before me. That’s always at the forefront of my celebrations and I hope you feel a bit of that bittersweet energy in this vignette as we move into July and the remainder of this year - told through the voice of someone who genuinely believed in the power of hope.

In short, I do believe that hope fueled us then and that more hope will reaffirm us now and into the future. We just gotta stay vigilant while we also “give [‘em] hope.” -Alex

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“It was oddly liberating. You identify yourself more as a gay man, or whoever you are, and it helps you to realize who you are as an artist,” said Ross Bleckner. In honor of Pride Month, celebrate with the artist’s Double Portrait (Gay Flag) on view now. As its title suggests, this self-portrait raises the conceptual issue of doubleness: the stripes form the gay pride flag, referring to the artist’s own identity as a gay man, and his Jewishness is symbolized by the Star of David, in subtle low relief at upper center of the painting.

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10 LGBTQ Jewish Women from History You Should Know

Another sneak preview from my anthology, in honour of International Women's Day! Preorders will be coming soon: to sign up, go to the Print-O-Craft website! And of course this isn't a comprehensive list... These are just entries for which I happen to have photographs (and so it’s very 20th-century heavy, and Ashkenazi-heavy — but trust me, there’s more in the book!).

Clockwise, from top left:

1. Rina Natan (b. 1923). The first trans woman known to have transitioned in Israel. Born in Germany, she made aliya in 1946, and began advocating for her case for transition in 1953, inspired by Christine Jorgensen. She finally underwent sex affirmation surgery at Assaf Harofeh Medical Center in 1956 and received a new te'udat zehut [identity card], but continued to face discrimination and suspicion. In 1958 she left Israel for Switzerland; further details of her life are unknown.

2. Emma Lazarus (1849-1887). Born to a prominent American Portuguese-Sephardi family, Lazarus is most well known for her poem, "The New Colossus," written in 1883 and inscribed on the base of the Statue of Liberty in 1903. In several of her other published and unpublished poems, Lazarus openly expressed a yearning desire for emotional and erotic connection with other women, but nothing is known about her own sexual or romantic life; Lazarus died of Hodgkin's disease at the age of 38.

3. Charlotte Wolff (1897-1986). A German Jewish physician, psychologist, and sexologist. In 1933 she fled Nazi Germany to Paris, and then to London, where she lived the rest of her life (with a brief return to Germany in the late 1970s). Her first publications dealt with cheirology (the study of the hand), but in the late 60s she turned to the study of sexuality, and began a series of in-depth interviews with lesbians and bisexual women that resulted in her groundbreaking study Love Between Women (1971), followed by Bisexuality (1977).

4. Vera Lachmann (1904-1985). A renowned classicist, poet, and teacher. Born in Berlin, she graduated from the University of Berlin in 1931; in 1933, she opened a school in Berlin for Jewish children, and maintained it until the Nazis closed it in 1939. Lachmann managed to escape Germany in November 1939 to the US, and taught at Vassar, Bryn Mawr, Yale, and finally Brooklyn College, until her retirement in 1974. She also founded a boys' educational summer camp, Camp Catawba, in the Blue Ridge Mountains of North Carolina; Lachmann directed the camp until its closing in 1970. In 1950, Lachmann met the woman who would become her lifelong partner: American composer Tui St. George Tucker (1924-2004), to whom Lachmann dedicated her 1969 book of poetry, Golden Tanzt das Licht im Glas [Golden Dances the Light in the Glass].

5. Eve Adams (1891-1943). Born Ewa Zloczewer, in Mława, Poland. Immigrating to the United States in 1912, she moved to New York and opened a tearoom in Greenwich Village, referred to as Eve’s Hangout. It was raided in 1926, and an undercover female police officer confiscated a pioneering book Adams wrote (under the name Evelyn Addams) titled Lesbian Love. For publishing an “obscene” book, and for allegedly flirting with the policewoman, Adams served a year and a half in prison; since Adams was not a US citizen, she was then deported back to Europe. She settled in Paris, where she befriended (and sold the books of) a number of local and visiting literati, including Henry Miller and Anaïs Nin. After the Nazi invasion of France, Adams fled to Nice, but was deported to Auschwitz on December 17, 1943, and murdered there.

6. Dine Libkes (b. 1900). The pen name of Dine Kipnis-Shapiro, born in the Ukrainian shtetl of Slovechno in 1900. Libkes moved to Kiev as a young woman and published a number of stories, poems, and translations there; a number of her poems were republished in Ezra Korman’s Yiddish anthology of women’s poetry, Yidishe Dikhterins Antologye (Chicago, 1928). Her poetry speaks of longings and sensual desires for other women, although without explicit eroticism. Libkes apparently survived WWII in Central Asia, and returned to Kiev after the war.

7. Pearl Hart (1890-1975). One of the leaders of Mattachine Midwest, the Chicago chapter of the national homophile activist organization. Hart was born in Michigan, and raised in Chicago; her father, a Russian-born rabbi named David Harchovsky, served a congregation on the Near West Side. One of the first female attorneys to specialize in criminal law, she was admitted to the Illinois Bar in 1914, and practiced law for 61 years, working until just weeks before her death. A founding member of the National Lawyers Guild, and the American Committee for the Protection of the Foreign Born, she devoted her life to fighting for the rights of the vulnerable and oppressed, especially women, children, immigrants, and gay men and lesbians. She herself had two long-term female partners — singer/actress Blossom Churan, and activist/writer Valorie Taylor — but Hart never publicly identified as a lesbian; she portrayed her involvement with Mattachine as that of a professional legal advisor.

8. Amy Levy (1861-1889). A pioneering novelist and poet, born in London to an acculturated, upper middle class Anglo-Sephardi family. She received an excellent education, and was the first Jewish woman to be admitted to Newnham College of Cambridge University. Her first volume of poetry, Xantippe and Other Verse, was published in 1881, and over the next decade she published two more poetry collections, three novels, and many articles. She travelled throughout Europe, and in Florence met and fell in love with Vernon Lee (Violet Paget), a British lesbian writer and essayist, to whom she dedicated several love poems. Levy struggled all her life with depression, and with alienation as a woman and a Jew; she committed suicide in 1889, just before her 28th birthday. Oscar Wilde eulogized her, saying, "to write thus at six-and-twenty is given to very few... The world must forego the full fruition of her power.”

9. Jo Sinclair (Ruth Seid, 1913-1995). Award-winning leftist American writer, born in Brooklyn to parents who had fled pogroms in Russia. Her first published novel, Wasteland (1946), is a landmark both of Jewish-American literature and LGBTQ literature. The novel focuses on Jake Braunowitz (who also goes by John Brown), an American Jew struggling with his Jewish identity, and his sister Debby, who is both a committed Jew and a lesbian, although she never uses that word for herself — the closest Debby comes to naming herself is when when she tells Jake, "the odd ones, the queer and different ones. They were people. I was people... I was them." Jonathan Ned Katz described Debby as "probably the most complex, human, and affirmative portrait of a homosexual (male or female) to appear in American fiction" until the 1960s. Seid herself was generally quiet about her lesbian identity, although she did discuss it more freely in letters from the 80s and 90s. She published a memoir in 1993, The Seasons, and spent her last years with her partner, Joan Sofer, in Pennsylvania.

10. Jessie Sampter (1883-1938). American Zionist writer, poet, and educator. Born in New York City to an assimilated, middle-class German-Jewish family, at the age of 12 she contracted polio, and lived for the rest of her life with chronic pain, muscle weakness, and limited mobility. Drawn to Zionism, Sampter moved to Mandate Palestine in 1919, and published dozens of books, essays, and educational materials about Zionism. Soon after her arrival she met a Russian immigrant named Leah Berlin, and the two of them lived together, along with a Yemenite orphan that Sampter adopted, for almost all the remainder of her life. Her recollections connect her disability and her own erotic desires through the complexity of her embodied experience.

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”Stories like Behar’s are the reason why I keep looking for traces that will allow me to shine a light on other experiences, outside the heteronormative Holocaust master narrative. Queer studies has been a field that embraces a difficult history riddled with gaps, failures, and difficulties. In the context of Holocaust history, it allows us to see a different kind of history, one that’s unafraid to include ambivalences and hierarchies.” 

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