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Punky-Red

@punk-drummer-chic / punk-drummer-chic.tumblr.com

Sanguine PJO/GO own my ass
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tlirsgender

Victor Frankenstein experienced misogyny

You might think this is a joke but it's not. That happened in the book. He's like repeatedly dismissed as hysterical when he tries to warn people about the creature & then the creature gets them. You know who this is always happening to? Women.

I don't necessarily headcanon Victor Frankenstein as trans, in any particular direction, but there is something undeniably gendery afoot. The themes of it all. Why are you as a man giving birth

To be so fr though people have a tendency to point out he was written by a woman & while it's 1000% true that Mary Shelley's personal experiences definitely heavily contributed to the narrative in frankenstein & Victor's character in particular, there's a certain Way people say it that kind of implies that she did that, like, by accident? Which feels weird to me. Yes the original manuscript was done in a couple days but she revised it several times, with a level of skill that suggests she Knew What She's Doing. And I honestly find it insulting to suggest that she simply didn't know how to write a man realistically. Especially when there are other male characters in frankenstein who aren't, yknow... filling a very classically feminine literary role. It's Just Victor who's Like That

[ID: a reply from @moob-knight that reads, "my pov on it has always been that she wrote him Like That so that ppl would be upset about his treatment in a way they wouldn't have been if the same things happened to a woman. sort of like shelley doing a 'yeah this fucking sucks doesn't it? doesn't it?? u get it now???' like Fuck yes it was purposeful" /end ID]

Right literally. Victor is a man for the same reason why women would usually publish under a man's name

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losergender

"nico di angelo would lose his ability to speak venetian after bianca dies" is a very understandable headcanon but minoritarian languages losing speakers makes me very sad so i personally choose to think nico raises venetian ghosts to practice his venetian from time to time and make sure he doesn't lose it.

This is everything I love it.

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Tell me a soft memory

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inkskinned

we would find out later i had burned off my entire cornea - about 65% of my eye. my doctor told me it is the organ with the highest concentration of nerve endings - i was in an amount of pain that can't be spoken.

and i was blind. for the first time in my life, i was totally blind. i kept thinking about reading, about writing. weirdly, just once, about driving. we had no idea if i would ever see again. just like that - my entire life was different.

it is a strange place to reference for a soft memory, to begin here.

my siblings were taking excellent care of me, but there was a moment in the hospital where, just through bad luck and timing - both of them had to step away for a moment. i was crying at that point; not emotionally. for 3 days after this i would still be crying, my tears, like a mermaid's, a frothy pink with blood.

my brother worried about leaving me. he had another, just-as-bad emergency.

"i got her," someone said. "don't worry."

a soft hand held mine, and then she started talking.

her name was jess. she has a wife named clyde. they live a few blocks up the street. clyde fell down, but the x-rays seem to be coming back better than expected. jess says she's got long dark hair and "more wrinkles than an elephant". jess describes every chair in the room and every person. she talks about her two kids and her cats and her favorite memories from college.

a doctor came. i had to switch to a different waiting room. i tried to stand up to follow the voice - i found jess's hand, following me. she didn't let go. she kept talking the whole way: lamp to your left, just a few more steps, okay to your right is the ugliest painting, good, now a little more walking straight, you got it baby

in the new silence of the next room she sat me down and called my brother for me, telling him where we'd gone to. and she stayed there for a bit, just chatting, her voice echoing in the eerie quiet. gently describing the room to me. and then someone was rude. from the sound of the voice, a kid, i think.

"why is she crying?"

"she just lost her vision," jess said. "she can't see."

"oh." said the kid. "that's scary."

the kid tells me he is here because he has peas stuck up his nose. that makes me laugh, his mom (?) groans. she tells me about the kid (he's 6, he likes paw patrol and eating cheese), about herself, about moving from cali.

jess says she's sorry, but she has to leave now, she's gotta go check on her wife.

"don't worry," says the mom. "i got her." and then i felt her hand press into mine.

for hours like that: i am taken care of by strangers. each person just talking with whatever comes to their head - not for any reward or celebrity or real reason, i guess. just because i am scared and alone and in the hospital and blinded and need to be distracted. not everyone even got told the story - they would just pick up in the silence with - oh by the way the television is playing HGTV - do you like that kind of a thing? yeah, me too, but could never quite get into those open-floor plans, i'll tell you -

by the time my brother is able to come back, the room is buzzing. we talk to each other like old friends, laughing, cracking jokes about if you don't like hospital food wait until you get on an airplane and can't believe i'm up past two in the morning what a party animal i'm becoming. i am holding the hands of someone named drew, who likes my crow tattoo and making crochet snails.

there are many dark moments full of pain in this world. this - in the low of absolute-dark, absolute-pain: people find a way to paint in it anyway. the color splash of their voices: this triumphant, radiating kindness of - let's be here together, let me help you, let's keep going.

i never saw their faces. i can't remember many of their names. but i think about them often, and the way we all took a deep breath - and did something gentle amongst the pain.

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adruze

Most of us could probably stand to benefit from reading this. I did. It’s really lovely.

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my dad, trying to explain the concept of money to me: say you have a sandwich, and i need your sandwich. but i don't have anything to give you. you're not just gonna give it to me.

me: i would just give it to you.

my dad:

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androfembot

in elementary school we had. basically an immersive economics lesson that was "playing City," with different jobs and businesses; it was mostly semi-free time for socializing and selling/buying toys and snacks from each other. one of the lessons we were supposed to learn was the importance of paying a small amount of money into health and/or business insurance, because you had a chance of being hit with the Daily Disaster and a huge bill.

anyway, some kid who didn't buy insurance got hit with a "medical bill" early on, so he was supposed to be bankrupt and have to sit the rest of the game out. the 8 year olds were not having it and spontaneously invented crowdfunding so he could keep playing with everyone else.

kids who don't 'get it' are right, actually

endlessly, morbidly fascinated by how when you're a kid you're constantly having parents, school, religion, media, all drumming it into your head that Sharing Is Good And You Need To Do It, and then you grow up and suddenly they're all like right never mind all that, this is The Real World and it's every bastard for himself

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leaslichoma

Apparently in China peach wood (Along with the rest of the plant) is believed to have properties that repel evil spirits, a little similar to silver in European legends or iron for both European fae and West Asian/Middle eastern Jinn. Taoists sometimes keep swords made of peach wood because of this. This made me realize something. If you took a peach wood stick, and attached studs to it of both silver and iron you'd end up with a club or staff (or mace, flail etc.) that would have the weaknesses of many kinds of supernatural creatures while still retaining effectiveness as a normal weapon (peach is a hardwood and silver's poor edge retention doesn't matter for studs). You could even keep adding new stud materials to get something ridiculous that affects over 120 catalogued folkloric monsters. Since you just need a few little studs you could even get some really expensive materials like meteoric iron (a thumb tip sized meteorite can still cost like 10-20 bucks I think). I could somewhat feasibly make a weapon that affects every monster ever thought to walk the earth, from vampires and werewolves to jinn and jiangshi and even mankind.

Club of Fuck That Supernatural Shit And Also Everything Else

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kosmogrl
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future-crab

[ID: a tweet by quiche @/havingfunon1ine that reads, "i swear im fun and chill there's just a deep ache in me that i truly believe is never going to go away." End ID.]

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kebriones

Hephaestus :D

(yesterday i hadn't eaten all day and then at around 10pm i had a bunch of sugar and the inspiration to draw this hit me like a freight train. The orange side is scarring from when he was thrown off Olympus. His cane is robotic and powered by ichor. He's permanently bent to the side.)

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kallistoi

[image description: a digital illustration of the greek god hephaestus, rendered as a muscular man with grey-blue skin and long black hair. one side of his body is covered in orange-gold scarring. he uses a robotic cane and hefts a pair of blacksmithing tongs over his shoulder. end description.]

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motziedapul

Animation post from an animator (the situation is bad y'all):

Animation "fans" who celebrated the cancellation of Velma actually hate animation as a whole. Here's why:

A successful (many people watched it even if it was disliked) big name celeb show animated series getting cancelled is a bad omen for the animation industry.

Castlevania - popular and generally loved, fantastically animated, is currently on hiatus awaiting renewal, fearing cancellation.

Cartoon Network was closed down. Half the industry is out of work. Cancellations are increasing. Shows are getting removed from streamers.

Indies exist but are working with 20% of actual budgets of animated series and constantly underpaying artists - or the artists are simply not paid at all, working for passion.

LA animators are out of work, studios are laying off thousands. Every cancelled show is a bad sign.

They will never stop at the shows you hate. Everyone saying they wanted Velma or Big Mouth or any number of adult cartoons to end don't understand that IF THESE SHOWS DO END, there's no hope for your faves. They will stop existing.

Because if "profitable" and "popular" isn't enough, "good" and "well-made" isn't gonna be either. They're gonna cancel all your faves as easily, or heck, easier, than they'll cancel those shows you hate.

People who celebrate this don't "love animation". They don't #StandWithAnimation at all. They want it to fail.

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I'm getting the itch again. 🍷🏺🍷🏺🍷🏺🍷🏺🍷🏺🍷🏺🍷🏺🍷🏺🍷🏺🍷

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Percy: so let me just get this clear, Leo speaks three languages, he's super tech savvy, and he's in AP math classes.
Leo: pretty much, yeah.
Percy: and Solace over here is like number one professional doctor with years of training and actual practice.
Will: I'm kinda cheating with the magic, but I read the books to make sure.
Percy: meanwhile Reyna, Jason, Hazel and Frank were/are a teenage war general. That must had required something.
Reyna, jason, Hazel and Frank: way too much leadership skills.
Percy: Calipso can make clothes from scratch, and how to grow her own food.
Calipso: I do.
Percy: Nico knows like six languages. And had years of playing video games.
Nico: I know Italian, Latin, Greek, English, and a little bit of French, so like, four and a half.
Percy: Annabeth gained architectural experience when she designed the fucking Olympus.
Annabeth: that was awesome.
Percy: Piper have a famous father, and she speaks French.
Piper: I don't like to talk about it.
Percy: all of you people are actually useful in the mortal world. I am wanted for arson.
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nicolloyd

rachel will and nico trio on top 🙏

i have so many ideas for them pls this is my favourite trio i need them to go on a quest

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