The Fairly OddParents: Channel Chasers

Best idea ever

How come they could make them look good in all these different styles, but not in the Jimmy timmy power hours

My Adventures with Superman | SEASON 2 TRAILER

Season 2 of My Adventures with Superman will premiere on Adult Swim on May 25, 2024 at Midnight (effectively May 26, 2024), followed by streaming on Max the next day.

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The Disposable Era of Cartoons

There exists many cartoons in the world that a vast majority never really bring up, and that's okay. Not everyone can watch everything all the time and you can argue that we only scratch the surface since the beginning. I've always had this deep seeded thought however of how animation's been treated, notably of tv shows. Browsing my usual "streaming" sites, I often come upon a show I've never heard of before. One just recently was Zokie of Planet Ruby, a series made by Nelvana, hosted by Nickelodeon, with its entire first season dropped on Amazon Prime on the last day of 2023. Overall, it's not a show I'm interested in, but how it was just dumped onto streaming upon other factors like that got deep seeded thought resurfacing into a theory. A theory regarding the potential era where excess is reaching its apex.

Animated TV shows I say are more arduous to make than films. Not to say films are more effortless to produce, god no, but have better limits given you'll have a set script and runtime to work off of as opposed to having to constantly produce multiple at a time for episodes ranging from 7 to 22 minutes. We work on a timeline where it's hard to believe any new story isn't derivative of already told stories, but the beauty does come in how we're able to transform them with new purposes and concepts. The workload however can be a lot many recognize but don't grasp themselves only as outsiders. The pitch getting greenlit is just the big toe in the door, finally stepping in is a matter of juggling multiple episodes a day, revising and editing, deliveries to the animators, all for the hope that it gets back in time to air. This is where I've come to appreciate The Simpsons, good and bad. Regardless of a recent season's quality, it's undoubtedly difficult to schedule fresh ideas that can stick with the same concepts for 30+ years, all to meet the quota by the beginning of the autumn season. Things have shifted thanks to streaming.

In retrospect, what felt like a novel idea was inevitably gonna turn into a capitalistic nightmare. It makes some sense that Netflix wouldn't have a monopoly on hosting every show from cable TV to be put on their newly founded streaming site in 2007. It wouldn't have been long before every other studio threw their hat in, developing their own stream sites with the properties they made and owned themselves. Competition is natural, but now you're basically spending the same prices as cable or satellite if you wanted to watch every show you remembered seeing on TV. Sites like Tubi and PlutoTV I say are the saving graces where you can shockingly find a ton of film/shows old and new for free, but you've probably seen shows and films getting removed from the sites they originate from, either to be traded to another site or written off for good because investment returns weren't a shake 'n bake. All this is because of rights ownership and a complex web of cost cutting against the people behind said shows and films. What does this mean for cartoons, though?

Like TV shows, you're gonna have a few poster boys upon a ton of shows nobody beyond avid seekers are gonna bother remembering. This has been a trend long in the making, but while many shows can be greenlit and made it can be a crapshoot as to whether the company actually believes in that show enough to market it. For Nickelodeon, it's an open secret that any cartoon not an instant hit like Spongebob, despite little promotion from the company, would be chucked onto the Nicktoons network to run out their remaining episodes. With streaming however, you'd either get something like Zokie of Planet Ruby where everything's dumped without warning or Glitch Techs where it's stuck in development limbo with half its episodes un-aired or incomplete. This isn't just with Nick however. Disney and Cartoon Network has had its fair share of duds everyone's slept on if they weren't massively eyecatching regardless of quality. The fates of their existence is dependent on who's keeping an eye on the companies. This isn't to say shows like Infinity Train and Final Space, which got removed digitally back in October and December respectively, didn't have their supporters who expressed outrage. It's to say other shows couldn't get that level of reported support, and I feel it's only going to get worse.

This is what I believe amounts to the theoretical "Disposable Era" of television, where we aren't just having companies dispose shows but create shows that are purposefully disposable. For websites designed to stream cyclically endless content, this will mean an exponential ton of commissioned projects for cheap that anyone will pick up once, never watch again, and can be written off immediately after a small period because no one outside the crew responsible would notice, incapable of viewing unless someone miraculously torrents everything. While I've brought up TV in general as opposed to just animated stuff, I personally feel the efforts and imaginative possibilities of animation count more for the generations that grow up with them as much as the influences they can have on artists. And I can feel it's discouraging for creators to know that their work can be eventually assembly lined, worst than reality tv, and then erased for tax breaks because nobody thought about them for more than the weekend they binged it all.

This is all if you don't account for anime studios like MAPPA which are a whole other horrifying story

I say "theoretical" because we aren't that far to where it could be possible. Shows do take time to make, and even if companies are pushing AI it's barely able to be anything more than an asset for certain cases. People have their reasonable fears, but an animated show fully AI generated that lasts more than 2 7-minute episodes, at this point in time, is a wet dream from investors. AI will not easily replace the craft, but the craft will be abused year after year with of how many shows get greenlit, made within a couple years, only to be thrown out when the numbers don't appease. This doesn't mean we won't get quality gems, but the rough they come from will pile more and more, and the gems some find that the majority will ignore will be written off and vaulted. I say the inception behind my theory wasn't exactly from the recent stuff like David Zaslav or Paramount's haphazard treatment of their content, it goes a little further back.

Hanazuki: Full of Treasures wasn't a huge series back in 2017, but it was one I enjoyed a lot when it was premiering on Youtube at the time. After its first season finished, Hasbro would produce a theatrical short to coincide with the My Little Pony movie in October. This is where I felt things fell apart. While the film was a commercial success, the short was basically overshadowed and I can't help imagine was what affected the series by the time it got a season two. 2019 was where Hanazuki not only got its broadcast season cut, Hasbro would basically start erasing its existence while supposedly having in development limbo since. While it was all thankfully reuploaded, you wouldn't have been remiss to know Hasbro couldn't even allow it to stay on Youtube after its TV broadcasting.

Everything surrounding rights ownership and royalties has basically developed an endless turmoil of how shows and their crew are treated. I don't blame anyone for not discussing or mentioning everything that gets to exist. Variety is never a bad thing, and sometimes people want certain things because again not everyone thinks or enjoys stuff homogeneously. It's just always increasingly bothered me that so much can get pumped out to be either taken away or left there for people to stumble across. TV's become Youtube but more business heavy where creativity is a tightrope of whether their appeal gets to live for more than a week or not. Like Youtube though, can also be lost to time to no one looking back. Let's just say David Zaslav running WB is only considered the worst because he's become the biggest face of an open secret. He could very well be the beginning of a shift that could lead us into the Disposable Era, and it's anyone guess of how bad it could get.

With all this said, I don't believe preventative hope can't exist, especially without the effort. Piracy is already doing enough for preservation and availability, even if you gotta have adblock to watch them properly. More creators I feel should learn and process the rights they can have with their properties. If there's anything I learned from artists Bill Watterson and Making Fiends' creator Amy Winfrey, is that production syndicates will abuse their knowledge of the law to do as they see fit, especially when it comes down to what you're offering them. The eventual animators and VFX work strikes could provide something more stable, but that's all in due time. How much the average audience member can retain or hyperfixate on is not something to concern, rather that it happens at all. The best solution is finding a middle ground between the disposable and sentimental; more people being vocal about good stuff they found no matter how small. There can be pushback from online lethargic asshats, but it's far better than complaining about the multitude of reboots or how woke everything's become. Something is only as disposable as nobody proclaims otherwise.

but that's all just a theory.

There’s something to be said about voicing what you want to those who are listening.

"Daria!" [S3 Ep07]

Young Sheldon (January 2019)

(images via YouTube)

Clangers (UK, 1969-72).

Fionna and Cake theory: Simon the Artist

Nothing like a good old creative panic attack.

Fionna and Cake good. Haven’t been excited about a show like this in a long time, though it being a part of Adventure Time does help quite a bit. I was holding on to some cautious optimism for the show when it was announced as yet another big IP series covering the multiverse (still waiting to groan at THAT scene where Prismo has to explain to us about there being infinite universes), but as usual, Adventure Time’s crew continues to surprise me with its creativity, humor, and thematic resonance.

The most striking part about Fionna and Cake so far is just how deliberately the show wants us to differentiate it from the original Adventure Time.

We’re getting shots where Simon pops an artery from his arm, a theme song that explicitly talks about suicidal ideation, discussions of rent and financial problems, and curses no longer disguised with AT’s usual dialogue. Adventure Time has always had violence, thematic density, and juvenile rating pushers, but they were always reserved at small points. Meanwhile, these are factors that are just casually shown and discussed in Fionna and Cake every 3 minutes or so. This is not an all-ages miniseries, it’s for young adults. (hint: this will be relevant later)

Let’s get right into it. This is much less a speculative lore theory and more on what thematic direction the story may be going.

Before we do, let’s get this out of the way first. This theory assumes that the current Fionna and Cake world is all a part of Simon’s head and not merely a separate multiverse, which… I’m certain is fact for the following reasons.

The immediately obvious piece is that Fionna and Cake was always the Ice King’s fanfiction. Now if you’re versed in AT’s continuity you’re probably going to be asking about the red light in Fionna and Cake + Fionna and… I’ve no answer for it unfortunately. It’ll probably be relevant later in the series and possibly age this post like milk but for now, we’re not here to focus on the how, but the why.

Second is that the intro and the ending of Ep 2 literally show Fionna’s world spilling right out of Simon’s head like an animated world out of a frozen brain. If that isn’t clear enough-

Didn't realize this until writing, but these glasses are just plastic made to look like Betty's

There’s no other explanation for this other than that this world is artificial or influenced by Simon in some sense. Fionna even specifies that the statue went under renovation 12 years ago, but nobody seems to know who it is. Considering how Finn looks in the episode, it’s likely that it’s been that long since Betty’s sacrifice in the finale.

With that out of the way, here it goes.

The reason Fionna and Cake exist in the first place is because the creators found Natasha Allegri’s genderswap designs charming and wanted an in-universe reason to use them the Ice King wanted to create trashy, wish fulfillment through art. It was a phase.

Definitely changed that image for publishing.

Simon can argue if they’re good or bad but it’s undeniably his art. It’s not just a portfolio he left behind in a closet, it’s an experience that was shared with a larger audience.

And even if wasn’t liked at first, the citizens of Ooo seemed to have come around to it. And some of them love it!

Whether Simon likes it or not, he has a fan base that is so endeared to the story he made all those years ago that they demand he makes more. Why let a good story, loved by many, go to rest when you still have some life and creativity left in you?

Can't move on in more ways than one.

Except, the problem is that Simon isn’t Ice King anymore. He’s aged out of it.

His real passion is history, frankly, there isn’t much room for wish-fulfillment and fantasy anymore. Simon has responsibilities, a job, and a daughter in a world that is moving faster than he can process.

And where Ice King wrote about looking for love, Simon has already had it.

And lost it. His mind isn’t focused on the rosiness of finding new love, it’s grieving the one he already thought was the one.

Wasn't he supposed to be good with kids?

Despite his new life experiences, all his peers seem to want from him is to make more of what they’re familiar with.

A story made from wants and wishes that he doesn’t even have anymore.

A story that was literally made by someone else at a different time. It’s a fiction he cannot connect to anymore, art that he’s embarrassed by. Yet also jealous of.

Seeing it again is like experiencing a retrospection of a cringey loser you don’t want to imagine having ever been. It’s not you anymore, and you don’t want to be reminded of that.

Because despite him having a new creative passion, no one seems to care about that. All they want is Fionna and Cake. And what is more lonely than other people misunderstanding what you’re trying to express?

If I failed to make it clear somehow, my theory is that: Simon’s relationship with Fionna and Cake is a metaphor for creators growing out of their art. And this new Fionna and Cake world is still comfort art born out of Simon’s current desires and perceptions.

The snippet subtitles this “child holding a phone”. I guess I’m wrong. Essay over.

Episode 1 and 2 both have direct parallels with each other. They’re both about a protagonist that’s feeling displaced from their world, living a phase of losing a significant other, leaving a thankless job, seeking a guru at the heart of the forest, and concluding that they no longer belong in their current world.

But more importantly, Fionna and Cake (the characters, the world, and the show) are no longer for an all-ages crowd. Fionna and Cake now feature young adults, curses, gore, alcohol, partial nudity, financial issues, morning routines, mid-life crisis, and overt suicidal ideation. These are the feelings that Simon relates to and possibly desires to express through art. Thus, his story and our new miniseries have warped that way.

Am I overthinking this? No. How dare you assume that.

Is equating the unconscious writings of his dementia-ridden self to Simon as his younger self seem a bit odd? ….Kinda. Again, it’s not the how but the why that matters in this case. I'm NOT crazy, I have proof that there is some acknowledgment of this directly in the show.

Rewatch the bar scene and apply this reading of the episode to what Simon says there:

“Your old stuff, Fionna and Cake, honest to glob my man, is an inspiration to me.”

“My old stuff, I don’t really want to talk about my old stuff…”

“Why not? You should be proud! You wrote an entire extended universe in a fugue state if you think about it.”

"Simon cringes"

If you have ever shared art with a group of people in the past, you’ve had this conversation.

Not likely, not possibly, no perhapses. You HAVE.

And Fionna and Cake being an epilogue to a massive award-winning, near-decade-spanning, cultural sensation 5 years after it ended, might result in its creators feeling very retrospective about what audiences want from them now.

And how difficult it’s going to be to tell new experiences and tones from what’s come before. Also, come on. “Extended Universe?” That doesn’t sound like Fionna and Cake. That sounds a lot like something else.

Again, seems bad with this kid.

One of the more profound shots in the main trailer for the show features the inconspicuously Finn-like kid crouching at her Fionna and Cake book in Simon’s trash. I believe this character is going to have a major role in two ways. Convincing Simon to be proud of what he’s accomplished and/or embracing that Simon wants to move away from his original work in order to create something new, or perhaps more likely, reinvent Fionna and Cake into what Simon relates to now.

We’ll just have to see what Simon thinks of his new Fionna next week.

PS. Talking as a fan now, WHAT IS UP WITH THE 1000+ TREEHOUSE IN THE INTRO?!!! ARE WE REVISITING THIS TIMELINE AGAIN?

SOMEONE TELL ME NOW!!!

LET’S GOOOOOOOOO

from Stephen Hillenburg’s pitch Bible for SpongeBob SquarePants (1997)

Tiny Toons Looniversity | Teaser Trailer

Tiny Toons Looniversity will premiere on Cartoon Network and stream on Max in Fall 2023.

My Adventures with Superman | Official Teaser

My Adventures with Superman will premiere on Adult Swim as well as streaming on HBO Max in Summer 2023.

Unicorn: Warriors Eternal | Official Trailer

Genndy Tartakovsky‘s Unicorn: Warriors Eternal will premiere on Adult Swim on May 4, 2023 at midnight (effectively May 5, 2023), followed by streaming on HBO Max the next day.

Another show I worked on!! Beyond excited to finally see a trailer out for it! :D This show’s cool as hell

It’s like an anime done in rubber hose Americana animation!

Lynda Carter in Wonder Woman (1975), "Beauty On Parade"

Works like a charm every time.