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Aspiring Equal Oppertunity Feminist Granola girl.

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reblogged

Thoughts on Moon and Eclipsa as Queens

Think of the wand as thematically tied to Star’s role as the princess of Mewni. While the wand transforms into a design that best fits and reflects the personality and aesthetic of the current wielder, it’s also tied to the heavy responsibility, expectations, and history of Mewman royalty. A Mewman queen benefits from being imaginative and creative, but she’s limited by the expectations of her role as queen and the needs of her kingdom. The tie-in book showcased that most queens had difficulty walking on this particularly shaky tightrope: Every one of them was molded by the current status of their kingdom, their perspective on what it took to be a proper queen in some way, shape, or form, and how much they personally cared about/were invested in their role as queen. Some weren’t fit for the crown period because of how flighty or selfish they were. One queen was totalitarian. And some queens did what they felt was absolutely necessary.

Discussing Queen Moon

Queen Moon was an example of the last category: She was thrust into the role at a very young age and molded herself into the idealized picture of what she believed a proper Mewman queen should be. She followed every rule and mandate as closely as she reasonably could. She’s elegant, coiffed, and stern, but fair. She tries to be calm and collected for the sake of her people; to maintain a comfortable, but efficient status quo for her kingdom. But, a problematic part of maintaining this status quo was either burying and/or upholding the previous policies/effects of previous queens in regards to monsters.

Though, as the series has continued, viewers discover that Moon isn’t entirely rigid or unsympathetic. The bumbling, doofy King River is an example of the warmer, more tender side of Moon’s personality. River is a terrible king, but his importance as Moon’s partner shouldn’t be understated. His kind words, goofiness, and warm personality played a big role in helping Moon settle into her role and responsibilities as queen; he’s her ongoing emotional rock and moral support. The reason I bring this up is that it’s an example of Moon trying to balance personal happiness with being queen. She could have picked a king that was beneficial for strictly political relations or even specialized in overseeing a specific part of the kingdom. She even could have chosen to stay an independent, self-sufficient queen (ala Solaria). Instead, she chose to take on River as a figurehead while she runs the kingdom. It’s the one decision that she, arguably, received a lot of criticism for. In short, there’s a breathing, feeling person behind the crown.

When Queen Moon relates to Buff Frog on the common ground that they’re both parents, it shows a shift in her thinking. She’s not an unapproachable, unsympathetic figure. This is further showcased when she tries to reach out to Ludo and even tries to help Eclipsa with Meteora. Moon knows what it takes to be an effective and liked ruler, but apparently, she’s also willing to change and adopt new ideas. Moon was definitely willing to work on means to improve relations between Mewmans and monsters. She might use her reputation/influence as queen to slowly and carefully convince the people this is a very needed, very positive change for the kingdom.

The caveat is the controversy surrounding Moon and her lineage as the “imposters” in the royal bloodline. The first two episodes of season 4 reveal that Moon has become the poster child for the Piefolks’ very open, blatant contempt towards Mewni, if not all Mewmans. They readily hand-wave and mock River and Star for being ‘full-blown’ Mewmans while praising and aggrandizing Moon. Confirming that Moon is Piefolk validates their prejudices in some kind of twisted, backwards way. Of course they want to keep Moon herself around to push and fuel propaganda (which could lead to Piefolk trying to ambush and overthrow Eclipsa).

River’s comments about ‘dirty peasants’ and Piefolk comments about Mewmans bring up questions about what other peoples have race tensions/conflict with Mewni and what kind of impact/fallout Mewni’s class system has had. Mina Loveberry’s introductory episode pokes at some of these ideas, too. Since Mina was a super-soldier during Queen Solaria’s reign, she’s a living relic of previous Mewni sentiments and ideas: She approached Earth with a very imperialist, Manifest Destiny kind of mentality. “Mewmans are superior, so it’s our right to conquer!” Star’s response is indicative of how much Mewni has changed since those times. At the very least, Mewni royalty try to approach most kingdoms and peoples with some measure of decorum, diplomacy, and respect. The sad thing is that this approach was rolled out by the time there was a deeply cut, ingrained series of ideas such as “Monsters are inferior” and “Certain peoples are and always will be lower class by default.” 

In short, Queen Moon’s rule was the textbook definition of what’s expected of a Mewman queen. Without the context of her personal new revelations about Buff Frog or Ludo, her reign was the last example of a classic Butterfly queen.

Discussing Queen Eclipsa

When Eclipsa was next in line to be queen, she was already high-key rebellious by dating monsters in secret and practicing “controversial” magic. In some ways, her role as queen was peripheral to her personal pleasure and hobbies. She had very progressive ideas and the potential to dramatically overhaul then-current kingdom policies, but it feels like she couldn’t or didn’t act on them. It’s a bit ambiguous what her personal take on being queen is, but she seems content with the idea of just being able to live a peaceful, quiet life with her baby and monster husband. When she encountered rampaging and fully realized Meteora, note that she was trying to talk Meteora down and explain the delicate, complicated mess behind why Meteora couldn’t just stomp in and declare herself queen. Eclipsa was willing to help stop Meteora despite the fact that Meteora, technically, was the rightful royal princess. She realized how different current circumstances were in Mewni and what has to happen to keep the peace.

When she was an upcoming queen, Eclipsa was already locked into bureaucratic obligations when she was expected to marry Prince Shastacan. Her chapter in the official spellbook reveals that Globgor gave her an ultimatum: Run away with him or stay in Mewni. She chose to run away with Globgor and, presumably, start a new life among monster society until she was caught by the Magic High Commission. Globgor’s ultimatum shows that Eclipsa was forced to chose sides at the time. Globgor is the unknown variable for what Eclipsa’s reign would have been like. While I don’t have a lot to work with for determining the nature of their relationship, I get the impression that Eclipsa would insist on them being equal in regards to ruling; either that, or Globgor is the more assertive, dominant party in their relationship.

By herself, Eclipsa seems to just be going with the flow. She opened Mewni to monsters and her reign so far has been reshaping Mewni’s culture and encouraging a melting pot between peoples. Though, beyond that, the concern about dissatisfied peoples like the Piefolk or even the continuing tensions between Mewmans and monsters has been brushed under the proverbial rug. Eclipsa isn’t dumb, but she needs some pretty intensive PR to back her up. As far as Mewni is concerned, she’s an unabashed monster lover and would pick monsters over Mewmans in a heartbeat. In short, she’s going to be viewed in pretty black and white terms without the gravity or nuances of her personal story and circumstances. From the episode titles released thus far, Eclipsa’s definitely going to work on just that. But, again, the atmosphere surrounding Eclipsa’s current reign is tied pretty heavily to what Globgor is like. He has enough importance in Eclipsa’s personal life that she’d weigh his opinions and her happiness with him that she might not act as rationally as she would solo.

Ending Thoughts

There’s so much emphasis on the balance between a queen’s personal life and her role as queen. For Moon, there’s glimpses of the role being a mandate or obligation. In the episode where Moon was wandering around the pure magic dimension, viewers see a surprisingly carefree, almost childlike side of her. Moon was allowed to “cut loose” for an episode and it poses the question of what she’d be like if she weren’t bogged down with royal responsibilities.  For Star, there’s been hints at what personal hobbies and freedoms she feels like she’d have to give up as queen. Her mom gave up everything; Star is fighting for a balance between her eccentricities and living up to expectations. For Eclipsa, the biggest issue was her decision between duty and following her heart.

Most of Star Vs. queen characters’ stories study the pressure of being born into a position of power and responsibility. Having a list of previous queens to compare and contrast opens the floor for discussing the importance of having the right person in a prominent political office and how their personal morals affect what they do while in office.

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