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#watercolour – @popsixsquishcicerolipschitz on Tumblr
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POP! SIX! SQUISH! CICERO! LIPSCHITZ!

@popsixsquishcicerolipschitz / popsixsquishcicerolipschitz.tumblr.com

Victor Victorious, Around the World in a Day ~
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bastiaan-mol

Here`s the second ever portraitpainting I painted of Peruvian singer Yma Sumac. She had an incredible 4,2 octaves-voice and was named Queen of Exotica music.She claimed being a descendent of the last Inca emperor Atahualpa and thus being an inca princess. The first portrait was made in 2010 (under) and was sold to a huge fan of Yma sumac, in Los Angeles .

The new portrait is a mixedmedia painting, of watercolours, gouache and some softpastelwork , on coldpressed cottonpaper. Size is 50x42cm .                           www.bastiaanmol-art.com  and  www.bastiaanmol.com 

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Norman Lindsay - Strange Seas, watercolour; Maids of Atlantis, oil on canvas

Norman Alfred Williams Lindsay (1879 – 1969) was a versatile and prolific Australian artist, working as a painter, cartoonist, illustrator, etcher, sculptor and author. Lindsay was masterful with his drawing and painting technique, but his talent was often overshadowed by the controversy created by his works depicting paganism, eroticism, and attacking society’s attitudes and morals. Lindsay was born in Creswick, Victoria and moved with his family to Melbourne. He tried attending drawing classes at the National Gallery School but quit after a few months. He began drawing for newspapers and worked as a ghost illustrator for his brother Lionel. Norman later attended life drawing classes and Lionel taught him how to etch. Norman focused on light and colour as he developed proficiency in watercolour and oils. Lindsay moved to New South Wales in 1901 where he worked for many years as the chief cartoonist for the Sydney Bulletin, his works often commenting on politics and society. His first novel was published in 1913. Lindsay became the highest paid Australian artist of is time.

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mariaslozak

The suite assigned for Empress Eugénie’s private use in Buckingham Palace during the French Imperial couple’s state visit to the UK in April 1855. The lower image shows the Tapestry Drawing-Room, also known as the Centre Room.

Watercolours by James Roberts, 1855; Royal Collection Trust.

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