Tilda Swinton in Wittgenstein (Derek Jarman, 1993)
Costumes designed by Sandy Powell.
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Tilda Swinton in Wittgenstein (Derek Jarman, 1993)
Costumes designed by Sandy Powell.
THE GARDEN (1990) dir. Derek Jarman A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous. (link in title)
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CLIP DESCRIPTION: At the filming of her water ballet, Eddie (Josh Brolin) gives DeeAnna (Scarlett Johansson) some PR advice on getting married before she has her baby.
FILM DESCRIPTION: Slick Hollywood fixer Eddie Mannix (Josh Brolin) is pressed into action when superstar actor Baird Whitlock (George Clooney) is kidnapped and held for ransom by a mysterious group. Mannix races to quietly collect the ransom money without gossip columnists Thessaly and Thora Thacker (Tilda Swinton in a dual role) catching wind of the scandal. Alden Ehrenreich, Ralph Fiennes, Scarlett Johansson, Jonah Hill, Frances McDormand, and Channing Tatum co-star in this comedy set in Hollywood's golden age. Directed by Joel and Ethan Coen.
CREDITS: TM & © Universal (2016)
Cast: Josh Brolin, Scarlett Johansson
Directors: Ethan Coen, Joel Coen
Producers: Tim Bevan, Ethan Coen, Joel Coen, Eric Fellner, Robert Graf
Screenwriters: Joel Coen, Ethan Coen
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Tilda Swinton, Jake Gyllenhaal and Paul Dano star in this drama about a girl who must keep a powerful company from abducting her pal, a gentle beast.
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Photo: Twentieth Century Fox Film
Wes Anderson’s latest film The French Dispatch purports to be a fictionalized triptych of stories based on early New Yorker pieces, but really, it is about fashion. No, I am not referring to Owen Wilson’s tube socks, though those merit their own investigation. I am speaking of one outfit in this movie that has refused to dislodge itself from my brain. It is the caftan worn by Tilda Swinton’s character, a fiery orange number that has birthed its own style moniker: canastacore.