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A collection of analyses on my current fixations. I go by Nes.
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Comparison of Steven’s and Nora’s Tapes

For Steven:

Isn’t it remarkable, Steven? This world is full of so many possibilities. Each living thing has an entirely unique experience. The sights they see, the sounds they hear, the lives they live, are so complicated and so simple. I can’t wait for you to join them.

Steven, we can’t both exist. I’m going to become half of you. And I need you to know that every moment you love being yourself, that’s me loving you and loving being you. Because you’re going to be something extraordinary, you’re going to be a human being.

Take care of them, Steven.

For Nora:

Isn’t it wonderful, Nora? This world is full of so many possibilities. Each living thing has an entirely unique experience. The sights they see, and the lives they live, are so complicated and so simple. I can’t wait for you to join them.

Nora, we can’t both exist but i won’t be gone. I’m going to become half of you. And every moment you enjoy yourself, that will be me loving being you. Because you’re going to become something extraordinary, you’re going to be a human being. And that’s my favourite part, a human being. A human being, a human is an action. i wonder who— how you’ll be, what you’ll think, what you’ll want... I’m so happy for everybody who’s going to know you. I’m rambling. if they look to you, trust yourself.

Take care of them, Nora.

From what we can see, comparing the two videos, Steven’s was shot first. Not only are Greg and Rose more unsure about what they’re going to say and do, they’re also figuring out what should go into the video in the first place.

The first few scenes, which show Greg’s sleeping, messing around, and meeting the seagull for the first time, as well as Rose’s not knowing what the buttons do and experimenting with them, reveal that whatever practice they did going into the video shoot ultimately didn't prepare them for it fully.

At the same time, when comparing what’s being said between Steven’s and Nora’s tapes, they have the same substance; the same message is being delivered: Rose hoped her child would get to live life to the fullest and make experiences that were fun and happy. She wanted to assure her child that she cared, even though she wouldn’t be there. Most of all, she wanted to assure them that being human was a great thing. 

The thing is, Steven’s message is much more brief, and a little more formal. Rose clearly practiced what she wanted to say, and in the first tape, she went for it, likely because of nerves.

By the second filming, she seemed more comfortable in front of the camera and that’s also why she could clear up her nerves and keep expounding on her ideas.

So Steven, who read very deeply into the words of his mother, may have picked up on her saying he would be extraordinary and a human being. And he fixated on becoming someone worth calling extraordinary, when in fact, Rose had always meant to say by virtue of living, one could be extraordinary. 

And we can’t really blame him, because he went from being another Beach City kid to being at the centre of an intergalactic conflict. It’s hard to accept that these things would happen to him if he weren't destined for something.

I’d go as far as to say that hoping he was part of some magical destiny gave him strength at times, despite how bleak the situation could be.

The thing with this line of thinking though, is how much it wears on someone. The responsibility of being accountable for all these people and all these systems that were quite obviously out of his control and consequently responsibility in the first place was heavy on him.

Steven does want to be a hero. He does want to help people. But he felt more comfortable with this being his choice and his decision, not some destiny thrust upon him, not a tradeoff between his life and the many others he’d have to save.

I think Greg’s talk with him helped him process those feelings, which he’d been keeping inside for a while now. Steven thought everyone expected him to be like Rose, and that may have been true at some points in the show, but his father never did. And that’s what made Greg’s words so reassuring, because his sincerity could be felt in all of them.

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Initial Thoughts: Lion 4

This moment is so artfully rendered. The build-up to this scene was the boiling over of Steven’s feeling Rose’s presence and pressure in his life. 

And then as Greg reassures him of Rose’s desire (that all the best parents deep down want for their children) for Steven to find himself, embrace it, and be happy, Rose is there, watching from behind them.

It’s very much like the scenes we usually get in the temple, when Rose’s portrait hangs over everyone. But over there her eyes are closed and she’s frozen in a picture-perfect moment. 

This scene dispels the lasting tension brought about by that version of Rose, the individual who was perfect and could do no wrong, the gem who must have had a motive for having Steven.

The Rose behind Steven and Greg had fully accepted her role as mother. She giggled, rambled, and admitted to her imperfections and inadequacies. She hints at the regret of not being able to really meet her son.

Her eyes are wide open in the paused video. It’s as if she herself became more aware and at the same time more open about herself. The resolution is blurry, because we can never really get the entire image of someone else, not even in video. It’s not the clean pastel colours that we see in her portrait.

Leading up to his, Steven did feel alone. He felt he was carrying the weight of his destiny by himself. This scene beautifully shows that both his parents are there to support him. Rose may have left behind a repository of “junk,” both the literal and metaphorical, but Steven wasn’t entirely wrong.

Rose was indeed leaving things behind for him. But they weren’t necessarily leading to a big revelation of his destiny. Each time we encountered something Rose meant for Steven to find, it was only a tool and not a determinant towards what Steven would do next. 

And in this episode, we recall those places all over again, reinforcing this theme. The armoury, the fountain, the room. Even Lion.

All these things Rose left behind were left without instruction. That’s why Steven became confused and certain it was a cryptic message left for him. In reality, it was because she never wanted anything of her son. She wanted to share so much of her life and her history but she knew she wouldn’t be there to do it.

It was precisely because Rose didn’t want him to feel the pressure to take up her mantle that she left things largely unexplained.

There were definitely flaws to her approach, but her intentions, seen very clearly in her two videos, stayed true throughout her journey to becoming Steven’s mother.

From day one, that neither knew who Steven would be is a reflection of what every parent feels when having a child. 

What I feel this episode really cements is Steven’s decision-making as an individual. The significance of his life’s choices rests on him. And I hope these are themes we get to explore more in the rest of the Steven Bomb and in the show.

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Room Analysis: Rose Quartz

Anonymous said: What is the point of Rose Quartz’s room? Not as a narrative device, which it functions wonderfully as a reflective and therefore revealing mirror, but in universe, what was its purpose? Why would Rose Quartz have her room be able to form simulations?

I think this is a good question. When we look at the rooms of the gems, they are their rooms in every sense of the word. Not only do the Crystal Gems own these spaces, but as we’ve seen from Barn Mates, all gems want to feel as though they have a space of their own. 

What I think is that it isn’t necessarily having a physical space itself that really makes the room compelling. Rather, it’s the idea that in a world that is still foreign, sometimes hostile, and always uncontrollable, a room is a space in which freedom and control can be exercised at the same time.

This is more prominently observed in some Gems’ rooms over others. But it’s a recurring thing that is evident enough to warrant further analysis.

Because the space is so personal, we get to see something of the characters that at times, aren’t even revealed to the characters themselves. With that, let’s kick off this new series with Rose’s room.

1. The Imagery of Pink Clouds

When we look at Rose’s room in particular, it does indeed appear consistent with her character, by the sheer colour scheme alone already tells us how much of Rose’s the room is. 

And I think this contrasts with the way the other Gems’ rooms are presented. Characters who maintain a physical presence in the show, like the other Crystal Gems and the Homeworld “defectors” have a more subtle sign that a room is theirs. For instance, Pearl does have the whitish blues in her room, but it could also be mistaken for a room in the Sea Spire without proper context. Amethyst’s room in the temple has piles of purple but the dominant background colours also involve blue. And the Burning Room, which is Garnet’s space, is largely devoid of the colours in her aesthetic. The same can be said for the Barn, Peridot, and Lapis.

On the other hand, Rose doesn’t have her own presence in the show. Her influence in events and the way characters interact is in no part facilitated by present actions. Instead, reminders of her exert a strong influence on the cast. And it would then make sense that each reminder is very prominent and very apparent. 

Part of this presentation involves how the clouds are the same pink as her hair, and her gemstone. I would say that thematically, the overtness of colour indicates a reinforcement of Rose’s identity. While the other Gems are more comfortable with the subtlety of their identity being revealed in their space, Rose needed to be reminded of it every time she entered her comfort zone. 

That the other main motif is clouds reinforces this. Clouds are transient. They form through condensation and they dissipate. They are moved around by external forces such as the temperature and wind. 

In that, it would make sense that Rose had nothing in her room. It shows that her person was not beyond just letting things go, and letting the forces around her show her what her next step would be. 

We know that’s just the surface though. We know that Rose did struggle with the things she did, that she wanted to make things right but really didn’t know how. Rose wanted to be able to let go. And to some extent she was successful. She didn’t rock the boat she was on too much and was able to leave a lot of loose ends untouched. Chief among them was her own friend and comrade.

Nonetheless, she couldn’t completely shut off how she felt about the past. Her many attempts at healing the corrupted gems show that her past did weigh on her. Trying to heal them may have been a way to assuage herself of the guilt, dragging everyone into the war she started.

On their own, the absence of anything in the room may have served the purpose of centring  Rose. The quiet of her room may have helped her cope with the clutter in her mind. There were so many things that she didn’t say and didn’t try to say.

The room is a sharp break from who she was as a character: Complicated. Even when the weather in the room becomes tumultuous, there is still nothing there. Nothing to get whipped by the wind or tossed around by the draft. But it does show us who Rose wanted to be, or at least what she was trying to become.

2. Projections, Fabrications, and Simulations

This is all really good, and well worth your time to read!

I have a personal headcanon for Rose’s Room that goes beyond reliving memories or roleplaying social situations, though. I think it was a place where she could cut loose, physically, without hurting anyone.

Because, at the end of the day, Rose was still a Quartz Soldier, and, like all Gems, she felt a strong affinity for her designated purpose, for the job she was literally made to do: fighting.

But, especially after the war, she would have had no safe outlet for that, aside from rounding up corrupted gems (which doesn’t seem like it was a major priority until very recently). That’s where the room comes in: she can fight cloud enemies all day long, with her sword or her bare hands, because they weren’t real. They couldn’t be harmed.

If she needed a place to fight, a substitute for the old Cloud Arena, then her room would have been an ideal spot. She could have spent time in there meditating, or sleeping, or stargazing, but those are things the other Crystal Gems do–she could have done those with Pearl, or Amethyst, or Garnet, respectively. And I think she would have. Her room would have been for things she could only do alone.

Although it is telling that the other gems seem to have a sense of the room’s capabilities and limits. They know it can’t replicate an area as large as Beach City safely. Which suggests that they have been in there too, presumably at Rose’s invitation.

This is a really interesting addition to that and it makes a lot of sense! And yes, I do agree with you that the other gems have been in the room before.

To me, this is one reason why the room can never truly be considered Steven's, even if it's to serve as a memento of Rose. If we think about it, the gems now know that Steven can open the room and as mentioned in both yours and my post, anyone can make use of it once opened.

But they have not made any attempt to recover anything from the room and I really think it's because there's nothing you can recover from there. That the room is so devoid of personality and personhood aside from the most shallow sense of it, means that it can never really be a "thing of Rose's." She left no mark of herself in the room aside from its creation. And it's telling that each time the room is used in the show, the focal point is never Rose anymore, but whoever is doing the reflecting.

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Room Analysis: Rose Quartz

Anonymous said: What is the point of Rose Quartz's room? Not as a narrative device, which it functions wonderfully as a reflective and therefore revealing mirror, but in universe, what was its purpose? Why would Rose Quartz have her room be able to form simulations?

I think this is a good question. When we look at the rooms of the gems, they are their rooms in every sense of the word. Not only do the Crystal Gems own these spaces, but as we’ve seen from Barn Mates, all gems want to feel as though they have a space of their own. 

What I think is that it isn’t necessarily having a physical space itself that really makes the room compelling. Rather, it’s the idea that in a world that is still foreign, sometimes hostile, and always uncontrollable, a room is a space in which freedom and control can be exercised at the same time.

This is more prominently observed in some Gems’ rooms over others. But it’s a recurring thing that is evident enough to warrant further analysis.

Because the space is so personal, we get to see something of the characters that at times, aren’t even revealed to the characters themselves. With that, let’s kick off this new series with Rose’s room.

1. The Imagery of Pink Clouds

When we look at Rose’s room in particular, it does indeed appear consistent with her character, by the sheer colour scheme alone already tells us how much of Rose’s the room is. 

And I think this contrasts with the way the other Gems’ rooms are presented. Characters who maintain a physical presence in the show, like the other Crystal Gems and the Homeworld “defectors” have a more subtle sign that a room is theirs. For instance, Pearl does have the whitish blues in her room, but it could also be mistaken for a room in the Sea Spire without proper context. Amethyst’s room in the temple has piles of purple but the dominant background colours also involve blue. And the Burning Room, which is Garnet’s space, is largely devoid of the colours in her aesthetic. The same can be said for the Barn, Peridot, and Lapis.

On the other hand, Rose doesn’t have her own presence in the show. Her influence in events and the way characters interact is in no part facilitated by present actions. Instead, reminders of her exert a strong influence on the cast. And it would then make sense that each reminder is very prominent and very apparent. 

Part of this presentation involves how the clouds are the same pink as her hair, and her gemstone. I would say that thematically, the overtness of colour indicates a reinforcement of Rose’s identity. While the other Gems are more comfortable with the subtlety of their identity being revealed in their space, Rose needed to be reminded of it every time she entered her comfort zone. 

That the other main motif is clouds reinforces this. Clouds are transient. They form through condensation and they dissipate. They are moved around by external forces such as the temperature and wind. 

In that, it would make sense that Rose had nothing in her room. It shows that her person was not beyond just letting things go, and letting the forces around her show her what her next step would be. 

We know that’s just the surface though. We know that Rose did struggle with the things she did, that she wanted to make things right but really didn’t know how. Rose wanted to be able to let go. And to some extent she was successful. She didn’t rock the boat she was on too much and was able to leave a lot of loose ends untouched. Chief among them was her own friend and comrade.

Nonetheless, she couldn’t completely shut off how she felt about the past. Her many attempts at healing the corrupted gems show that her past did weigh on her. Trying to heal them may have been a way to assuage herself of the guilt, dragging everyone into the war she started.

On their own, the absence of anything in the room may have served the purpose of centring  Rose. The quiet of her room may have helped her cope with the clutter in her mind. There were so many things that she didn’t say and didn't try to say.

The room is a sharp break from who she was as a character: Complicated. Even when the weather in the room becomes tumultuous, there is still nothing there. Nothing to get whipped by the wind or tossed around by the draft. But it does show us who Rose wanted to be, or at least what she was trying to become.

2. Projections, Fabrications, and Simulations

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Anonymous asked:

I think some of the negative response to "that" one moment in Storm in the Room is that it can come across as emotional abuse. "You were a liar, mom!" "Did I lie when I said how much I loved you in that tape? Was that a lie Steven?" See, that comes across as her manipulating him, playing the guilt card, whatever. But then, I'm sure you have your thoughts on that.

I talk about these thoughts at length in this post. And as much as I don’t like quoting myself, I feel it would be clearer if I did here:

The point of her saying that, was to reaffirm Steven’s belief in Steven. To show that it wasn’t about Rose anymore, that Steven’s birth wasn’t about Rose but about him.

When we talk about manipulation, then there needs to be a point to it. Manipulating Steven into doing what exactly? Into forgiving her? That wasn’t what the dialogue was leading up to. 

If anything, the episode reinforced the idea that Rose was an individual. And individuals can make mistakes and do selfish things and hurt a lot of people, sometimes without meaning to; sometimes the intention was the exact opposite.

And by the time the discussion gets to that, I stress the same thing I stress in the post Steven wasn’t talking about the things Rose did anymore. He was talking about himself already

In all the lies and the wrong things Rose had done, was Steven one of them?

That was the question.

And Rose provided the answer a long time ago in the only medium she had to actually talk to her son directly: The tape.

When parents make mistakes, they do because they’re flawed. Many parents hurt us precisely because they tried to do things to make us happy. But because they didn’t understand us, themselves, or the bigger picture, we’re often left feeling betrayed. Parents who take out loans to put their children through school, and then pass away, leaving their children to pay their debts, is a relevant example.

And the point is, we don’t know what Rose was thinking when she made all those decisions. Neither did Steven. So he doubted why he was here. It’s the very foundation of his existence, which is a terrifying thing to grapple with at any age. He was searching for reaffirmation about him not Rose.

Rose doesn’t apologise because she’s not real. The real Rose is gone and unable to see the events that have spiralled in her absence, that she set off. She didn’t look ahead and now her son is paying her debts.

Steven is under no obligation to forgive Rose for what she’s done. Cloud Rose doesn’t say anything about it. All she did was remind Steven she loved him. Despite hurting him. That’s what Rose already told him in the tape.

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Some Thoughts: Storm in the Room

With the reactions post-Storm in the Room, I feel that Steven doesn’t get enough credit. Going to Rose’s Room, searching for answers, and comfort even though he didn’t know that yet, Steven wasn't setting out to create a perfect mother or project himself the ideal version of Rose. He starts, the moment he enters the room, by saying he knew it wasn’t real.

Everything Steven did with Cloud Rose, everything that happened between them, were reasonable assumptions we could make of Rose. And this is because the Rose we saw was from Steven’s expectations of what she would be like. And Steven was wary about idealising Rose the way the Crystal Gems did. He says this explicitly several times. Also, Steven’s view of Rose was tempered early on by Greg’s stories of her. 

So the Rose we see isn’t a sad Steven’s attempt at finding the perfect mother figure. Steven’s attempt at a reasonable and believable portrayal of Rose deserves to be acknowledged. Had it not been the case, the Rose we saw could not have evoked the feelings she did. It’s because of the depth Steven introduced to her from all his memories of her that it was made possible.

And what I want to talk about in this post, is how the images of Rose reflect which narratives he’s channeling as he tries to piece together, quite literally, the image of Rose.

The first appearance of Cloud Rose shows her with messy hair, parts of it stick up and around her. Her facial expressions are often wiggly, for lack of better word, and she shows her thighs a lot more than in the succeeding scenes, either in cross-sitting or running. 

This Rose is goofy and funny and casual. And it’s the Rose whom Greg’s stories have constructed in Steven’s memories. 

The same scenes we see Rose hitch up her dress in the same way (such as when she’s reading books with Greg on the bed) or similarly goofy, like stopping a ferris wheel with her bare hands, she’s with Greg. 

Even the line Steven takes from her video in Lion 3: Straight to Video, about “every X being unique and beautiful” is shot in Greg’s presence. Without realising it, Steven is remembering this image of Rose.

And she cares about Steven. She engages in his interests. It’s not so far a stretch because some episodes back, Bismuth was willing to do the same thing. Rose was a fun person. There’s a running joke that she would have loved cheesy and corny jokes. She probably told a few in her day. 

She probably wasn’t always as poised as presented in her portrait. Greg remembers the Rose he changed, when she was starting to understand human beings in earnest and come to terms with how they could exist with gems on the same level. 

Rose at that point still didn't want to talk about her past, and Greg never made her. So Greg and Rose made new memories and didn’t dwell on the old. And those memories were filled with fun and laughter and love.

The moment sobers when it is Rose not Steven, who gestures the latter to sit down and stare at the expanse of clouds.

And we should know that what we’re about to see means something has changed. The first hint is that Rose’s body language changes. She sits perfectly straight, even though she’s cross-sitting the way she was earlier. And we don’t see her legs anymore. Her hair neatens and her expression calms.

What’s more, her hands assume the position Garnet did in Here Comes A Thought in Mindful Education. And that emphasises the kind of role Rose plays in this moment. Steven felt Rose taught Garnet how to manage her feelings, because it was a motherly thing to do. In a very Steven Universe fashion, the music changes from the bright xylophone to a quiet piano music, which is the mark of another Crystal Gem, Pearl. 

And when we go back to the senior Crystal Gems and their image of Rose, it is exactly the way she’s presented.

Cloud Rose is a huge presence, with Steven a small child by her side. She speaks deliberately, every word is one of wisdom. She is magnanimous and comforting at the same time. 

She tells him, “But we’ve been together the entire time.” And it brings back the idea of how our parents are always with us, and a part of us, because one way or another they’ve left a mark on us.

At the same time though, the similarities of the scenes between this moment and the one at Rose’s Fountain in An Indirect Kiss, lead to the same end.

Rose is viewed as a godly icon, very distant from Steven. She’s not sitting beside him, playing with him, kneeling on the ground anymore. He looks up to her, and he can’t reach her.

In both times, he realises she’s not really there. That he talked to the statue of Rose in the fountain, confided his deepest insecurities about how he didn’t know how to feel about her when everyone else did, parallels the empty image on his phone.

And it segues into the next scene perfectly.

Because Steven doesn’t know how to feel about Rose. Now, he’s more certain than ever that he doesn’t even know who she is. The Rose we see at the end has a blank face, because Steven can’t project anything on it. He’s thinking of Pink Diamond’s shattering, Bismuth, and the Rebellion, and all the people hurt by them.

When he sees Rose, he can no longer see himself, which is why her eyes, one of the facial features most like Steven’s, (next to his nose) are nowhere to be seen.

And this Rose is distant, because there’s no mitigating narrative linking him to her. In the other scenes, the room remained the same, because these stories he was told of Rose and who she was firmly rooted the first two Roses as part of the real Rose’s identity.

This Rose is foreign, because nowhere in those narratives did Steven think it possible to for her to do the things he learned she did.

And in that moment he begins to doubt. 

Because he can no longer see the image of his mother, he doesn’t know where he himself stands. A huge part of his identity is being Rose’s son. What happens when the “Rose” part becomes fuzzy, blurry, and unintelligible?

What happens to the Steven?

Notice that this Rose is silent. She offers no response to the accusations Steven hurls at her, about all the people she hurt and her act of leaving them all behind. 

At this point, we see the part of Steven that understands Rose is gone. That he’s never going to get these answers and there won’t be an explanation coming from her.

There are some things he’ll never get to hear about, some memories he’ll never know, some experiences he’ll never share with her.

And it’s sad and disheartening and lonely. In losing his idea of Rose, Steven loses a part of his identity. Such that he felt it would be better if he denounced Rose, cutting off the part of himself he didn’t want to think about: That he was created just to fix her mistakes.

It’s then that we see Rose’s face for the first time since we’ve entered the paradigm of Rose-through-Steven’s eyes. Not Greg’s, not the Crystal Gem’s. Because these new things he’s learned about Rose are things the others would never have known without him. How else would they have heard the Diamond’s song of mourning? How would they have known Bismuth was there all along?

And the things Rose said in the tape were meant for Steven, in a space only Steven could find.

The Rose speaking to Steven at the end is the Rose who’s already spoken to Steven directly before, through the tape.

A lot of negative reaction has been given to this moment, because it feels as though the tape absolves Rose of everything she’s done. It doesn’t and I don’t feel that was the point.

The point of her saying that, was to reaffirm Steven’s belief in Steven. To show that it wasn’t about Rose anymore, that Steven’s birth wasn't about Rose but about him.

And it’s striking that’s the only time we see her face again. Because immediately after, Steven hugs her, and her face is obscured. 

That’s Steven’s recognition that he’s never going to hear any other words straight from his mother for him. He understands and he realises that nonetheless, Rose is exerting a presence in his life. He really is always with her and never alone. 

The past few episodes and everything leading up to them were about Steven’s realising his mother was still an individual, one who could made mistakes and rash, selfish decisions. 

He was afraid that upon realising his mother could be a selfish individual, could do huge selfish things that affected thousands of lives, he feared the act of his birth, the most personal thing about him, was meant to serve her self-interests alone too. He needed a concrete and tangible answer, which was what prompted him to go to the room. 

At the end of the episode, he didn’t think that anymore. He knows he has a lot of work ahead in figuring out Rose’s place in his life, but the lingering doubt of the very foundation of his existence is gone.

And because of that, he finally feels comfortable letting her go.

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On Greg's Age

After the Character Analysis post on Holly Blue, I just wanted to bring up something about age and SU characters.

From Adventures in Light Distortion:

Greg + 70 years = 110th birthday Greg is 40 now Steven is 14 years old 40-14= 26 Greg had Steven at 26

Given this information, the interactions between young Greg and Rose and also young Greg and baby Steven are clearer now.

It’s not to say that age is a determinant of maturity. But in most societies, certain ages are accompanied by life milestones. People are ushered into a new social environment at the dawn of certain years in their lives. We mark these years and generally we are able to pinpoint the kind of experiences someone has had by the time these years roll around.

Like how Greg was about done with college when he decided to drop out and be a rockstar.

Or how Rose may have been his very first serious relationship. And how he was Rose’s. 

And how Greg is still really young and is at the age most people are starting to reap the benefits of their work. Greg finally getting his royalty checks is doing just that.

But mostly how Greg gave up the years he was most hireable to raise Steven in a way that entered his son would always get to make his own choices in life, as he did.

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How do you think Andy would react if Steven and the Gems told him how they saved the Earth and the number of times Steven has nearly died?"

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If this scene in Gem Harvest were any indicator, he wouldn’t take it too well, I think. 

At the start of Gem Harvest, Andy viewed Steven as totally human. Even after seeing him pull out the shield, he was only considering how being a gem manifested in Steven. He’s fine seeing the gems do dangerous things because he still sees a clear divide between human beings and gems, and he sees Steven firmly on the human side. Like, Human with Gem Abilities, not human-gem hybrid.

And also, it’s clear to the cast of characters that all gems are adults. They never talk to the gems as if they’re children, which is why Andy was quick to ask which of the gems was Greg’s wife. No one was ruled out as a suspect.

On the other hand, Andy sees Steven as a child. And it’s not that children aren’t capable, but children can be easily pressured to copy or do things that might hurt them without fully knowing the risks yet.

It’s also a good play on the trope of “cool uncle lets you do crazy stuff.” I’d say Andy would give Steven and Greg and earful. Then Greg would explain the magical destiny. And Andy will have none of it. Only after they quiet down and Greg and Andy are alone will Greg explain how he felt when he realised the danger Steven was in too. Then he’d probably bring up the events of Ocean Gem and House Guest.

Because Steven will always be Greg’s son. And Greg knows that even if he can’t always understand why Steven does the things he does, he can try to be there for him and support him and try to minimise the risks as much as possible. Greg steps in when he feels the risks towards Steven are non-mitigable, like in Space Race. But overall, he is trying to gauge Steven’s abilities in a field he can never be part of. 

That’s something I feel Andy can relate to.

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Soldier boy (avatar the last airbender)

This is a beautiful song that is introduced in season 2 of Avatar the last Airbender during a miniseries *Tales of Ba Sing Se*. General Iroh sings in memory of his beloved son, who was killed while in service to the Fire Nation military. The song lyrics reflect the hope Iroh had in seeing his son return to him after battle. In my opinion it even expresses a faint hope that someday in the future (an afterlife perhaps) he and his son will be reunited.
In the scene he sings this song in celebration of his sons birthday, which evokes an extreme sense of nostalgia, even in the few moments we (the viewers) share with General Iroh as he sings this song to the memorial. I was completly drawn in by the mystery of the incomplete story of his son (whom none of the viewers know) And am left with feeling unsatisfied knowing that We’ll never get to “meet” this beloved son of his. Brilliant move! Massive cred. to the writers!! 👌🏾❤️ This song- this brief moment of reflection for the character General Iroh- let’s you know there’s a lot NOT being said or revealed to the viewer. I would love to know how you interpret this whole little shabang.
Randomly made friend, Vashawn :)

Source: Avatar Wiki

Hi there! While I don't think I’ve ever written anything for Avatar, I’ve watched the entire series, and I do recall this episode, so I will give this analysis a shot. :)

For those who haven’t seen it, these are the lyrics (video in link): 

Leaves from the vine Falling so slow Like fragile, tiny shells Drifting in the foam Little soldier boy Come marching home Brave soldier boy Comes marching home

Source: Avatar Wiki

I fully agree with you that there is a lot that can be done just by building a character’s backstory. That we never get a full-length narration of Iroh, but are able to understand his motives and beliefs as a rationale for his actions as the series progresses is a feat. 

Iroh himself is not one of the major characters of Avatar, and initially, we see that he’s a supporting character for Zuko; nonetheless, there is a lot of depth underneath his seemingly calm and relaxed exterior. And that’s related to his backstory. 

When we talk about the death of Lu Ten, Iroh’s son, it happens offscreen, not even within the canon present. And his death happens during the Siege of Ba Sing Se. We imagine a war zone, where Iroh himself was a distinguished general. And he was winning that battle. When we look at the first two four lines of the song, he talks about leaves and shells, and in both cases there is a sense of being lost in chaos and unable to control your own direction.

Recall that before he was the uncle he became, Iroh was slighted as next in line to the Fire Nation throne. He was a terrifying force on the battlefield. He fought dragons. The Siege was just a day in the life for him, and yet, the worst possible, most unexpected thing happened and his son was killed. Suddenly, he lost the will to fight; the celebrated war hero lost. He was no longer his father’s favoured heir. He stopped his life of fighting and began to urge others to do the same.

The soldier in war plans and tries everything to make sure his plan is a success, but at the end of the day, war is scary precisely because there is so much that cannot be controlled, and Iroh knows that firsthand. 

But Lu Ten wasn’t just one of his men, he was also his son. And that chaos extends into Iroh’s, and everyone else’s, personal lives. When leaves fall from the vine, they die because nothing nourishes them anymore. The shells that he sings about are qualified by the words “fragile” and “tiny,” and could be crushed by the surf any time. The act of living always puts one in a precarious situation. Death is always a looming possibility. 

In the episode, Iroh is going about his day when he meets person after person going about their own days. And the progression of meeting them could actually give us some insight into the relationship he had and wishes he had with his son.

The first person he meets is a little boy who is crying, and Iroh sings this same song to placate him. This sets up the mirroring for the scene at the end of the episode, with Iroh, much older, but signing to his son who will forever be young.

After that, he meets a group of children who break a window, and he tells them to answer for their mistake. This was the set path. Similarly, he was walking the road that was planned out for him, and his son was doing the same thing as nobility of the Fire Nation, a very military-centric nation. But confronted with the person they were supposed to talk to, Iroh instead tells them to run away because it’s not a battle they can win. It’s a comedic moment, but also one that shows what happened in the Siege. Iroh lost heart and didn’t have it in him to keep walking the path he was supposed to take. Additionally, he ran with those children, and it’s a nod to how he should have run with his son, run away from the conflict and the culture of war and violence that was hurting both of them.

From here we move from what happened to what might have been. Having run away from everything, his son may have felt disillusioned, and like he had lost his own honour in failing to take the “right” path that was set for him. In the episode, the next person Iroh meets is a man who attempts to rob him at knifepoint. Upon further probing, Iroh finds out this man is just someone confused and who has lost his way (”drifting”). He then tells the latter to become a masseuse, and the man replies that no one has ever believed in him before. When I was young, that scene was a bit silly but it shows a shift in direction from a life of violence to one of peace, the same life Iroh tries to exemplify now.

That would have been what he wanted for his son. To find meaning in life without hurting other people, to live in peace. The last stop Iroh has in the episode is at his son’s grave. And he says, “If only I could have helped you” before singing the song. To this day he still has regrets and hopes for what might have been. It’s actually rather significant that he pays Lu Ten a visit on his birthday. The last lines of the song, 

Little soldier boy Come marching home Brave soldier boy Comes marching home

Show two things. The first is that he has visited his son again; they are home. And Lu Ten is now peaceful, which is what his father always wanted for him. The second is similar to what Vashawn felt the song evoked, that there will be another time when they are again reunited. 

It might not necessarily be in the “afterlife.” Avatar marries Asian cultures very well, and Iroh’s act of lighting incense had having his son’s portrait strikes a chord with Buddhism. Reincarnation is a possibility then. They could meet again in the next life. And while Iroh has accepted the finality of his son’s death, he hasn’t moved on from it. His coping comes from both living a life he hopes his son could have been proud of, and the thought that they may be reunited in the future.

While these ideas seem contradictory and paradoxical, they exist simultaneously in this man. And again, it’s testament to the depth of his character. 

I hope that this was the kind of analysis you were looking for! :) I hadn’t brought up Avatar in a really long time and I was happy to re-watch some scenes while writing this. 

Submitted by anonymous
Avatar

Here's something slight that is starting to annoy me, but I concede there may be more to it: In Gem Harvest, Greg does not tell Andy that Rose is straight up dead, even though practically speaking, she mostly is, giving up ALL of her physical form and HALF her DNA to become ALL of Steven. Sure, that's a bit more complicated a death than human perishment, but that seems more final than even corruption or shattering (even shattered they're still partially conscious). (cont).

Avatar
flowerapplejacks said:In fact, they never actually say she died, leading to these personally hated theories where Rose is "just hiding inside Steven's gem" and Steven is just this living mirror for Rose until she comes back in a 100 years or so after Steven passes. Then again though, the show isn't giving us any direct answers either.

Right, as I mentioned in this post in which I speculated on how Steven was conceived, it’s not as simple as retreating into her gem for a baby to grow around it. Rose is more than just the information she provided, and that’s precisely what was lost, in the same way our genes are all the same and it’s the specific active parts for encoding that express who we are. The one big thing that makes humans different is that we can create new DNA, new cells that eventually become the embryo. Gems can’t do this. They are more or less a closed system. So when Rose gives Steven her genetic information, that information encodes, synthesises, and expresses Steven.

I’ll be talking more about this in the next post in the Story of Steven series, but again, when we take that raw information, say after Steven passes away, it’ll have to activate and encode and express the exact same way it did for Rose for, well, Rose to come out. And she won’t have Rose’s memories or relationships or experiences should that very small possibility come to pass. 

You’re right to point out how vague the show has been about it, but then again, the show is generally vague when the subject matter is Rose, for instance all of the parallels between Rose and Pink Diamond, but no tangible answer. I feel it’s setting us up for something big but the bottomline for me is the narrative significance of Rose’s passing.

If we’re all so certain Rose is coming back, and if it’s the simplest logic of: information is here, so we’re good. Why does everyone act as though she were never coming back? Why did she let them mourn and hurt in the way they do now? She loved them all so much, so why would she reasonably let them go through all that pain just for her to come back “Ta-da!” as if there were a big reveal? 

In fact, why put Steven through all of this “having to be Rose” feelings when Rose was coming back anyway and he wouldn't have to “replace” anyone. It cheapens their grief and pain. It takes away the significance of a loved one’s passing when they’re just going to be brought back. As someone who has lost three people this year, I feel very strongly about it. 

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