Fallen Angels, Directed by: Wong Kar-wai (1995,Hong Kong)
I Just saw a vision! I just saw a goddess!
American Graffiti (1973, USA, Directed by: George Lucas)
Frame usage in The Go-Between (1971) (UK) Directed by: Joseph Losey
Lacombe Lucien, 1974, France, directed by: Louis Malle
3-iron [빈집] (2004, South Korea) Dir: Kim-Ki duk
Like Father, Like Son [soshite chichi ni naru] (2013, Japan) Directed by: Hirokazu Koreeda
The Hand (short film, 2004) Dir: Wong Kar wai
Carina Lau, on set and photo stills from Days of Being Wild (1990)
Late Spring (Yasujiro Ozu, 1949)
Ornamental Hairpin (Hiroshi Shimizu, 1941)
On top is the image of Chishu Ryu that most of us are familiar with—fatherly, smiling, and most importantly: under heavy makeup in order to look old. Below, eight years before Late Spring, is Chishu Ryu in the first role I’ve ever seen him play as a man his own, youthful age—in Ornamental Hairpin, aged 36—and hot damn, look at that handsome devil. Black, slick head of hair and all. Unfortunately, there aren’t many close-ups of him despite his position as the leading man and romantic interest, but this is still closer than I’m used to getting to a younger image of an actor I respect very much.
Maggie Cheung on set of Days of Being Wild and screenshot from Days of Being Wild
Ko Nakahira, Yujiro Ishihara and Masahiko Tsugawa in Kurutta Kajitsu (Crazed Fruit), 1956
Uta (Poem), (1972) Dir: Akio Jissoji
Uta (Poem), (1972) Dir:Akio Jissoji
Three Times (2005, Taiwan) Directed by: Hou Hsiao-Hsien
1) A Time for Love
(Chinese: 戀愛夢; pinyin: liàn ài mèng) Set in Kaohsiung in 1966, with dialogue in Taiwanese Hokkien.
2) A Time for Freedom
(Chinese: 自由夢; pinyin: zì yóu mèng) Set in Dadaocheng in 1911, with dialogue presented only through on-screen captions. The theme of freedom joins with the theme of love - the young courtesan dreams of liberty and Taiwan itself at this time was occupied by the Japanese.
3) A Time for Youth
(Chinese: 青春夢; pinyin: qīng chūn mèng) Set in Taipei in 2005, with dialogue in Mandarin.[x]
Turns out lonely people are all the same.
Happy Together (1997, Hong Kong) Directed by: Wong Kar-wai