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#haute couture – @payslipgig on Tumblr
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Citizens of Tomorrow, Be Forewarned

@payslipgig / payslipgig.tumblr.com

they/them/she in a pinch
Star Trek, Linguistics, Religious Studies, usual odds and ends. Post-college but hopeful pre-grad bc t1 diabetes came for my kneecaps and academia is my chosen form of torment
This feels like a job application claiming I’m a go-getter and lying
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Moschino, spring 2021 RTW

Weeks before lockdown became a reality, Scott had already decided that his spring Moschino collection would celebrate the virtues of haute couture, more relevant now than ever. “I was thinking about how that is such a human, emotional, tactile thing: time, dedication, and the connection to design history,” he noted. After quarantine set in, Scott began to suspect that a runway show would not be in the cards this month. Inspired by the couture-centric nature of his research, he looked to the Théâtre de la Mode, the troupe of miniature couture creations the designers of Paris sent on the road after World War II to save their businesses from financial ruin amid scarce supplies and clients left unable to travel. Then he called Jim Henson’s Creature Shop, the creator of the Muppets.

“What would be the best way for me to give the same experience that you’re used to, coming to see my shows live?” Scott wondered. “How could I give you that whimsy, that magic, that fantasy?” Along with the Creature Shop, he created marionettes of favorite models to wear the 40 looks, which were first made in life-size versions and then scaled down to fit the 30-inch puppets that “walked” the show, violins playing softly in the background. There were also editors for the front row. It may have been miniature, but it was a huge undertaking, more expensive, in fact, than a fashion show. “In April I had to pull the trigger and say, I have to stay with this, even if everything goes back to normal and everyone else has [runway] shows again,” Scott recalled.

Every garment, every fabric, and every motif had to be reproportioned to fit the dimensions of the marionettes without losing the authentic properties of the cloth. Every detail Scott added to the life-size looks had to be re-created in miniature.

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