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Our Future Is Up To Us

@our-future-is-up-to-us-2 / our-future-is-up-to-us-2.tumblr.com

I'll probably blog random thoughts, musical and writing things... Nothing special! | Thanks for checking out my Tumblr! You're all amazing! :D
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Topics List: Sweets

Word lists may be helpful for some people to overcome writer's block.

CAKES

CANDY

CHOCOLATE

CONFECTIONS

COOKIES

Adding Context (for a few of these, as requested)

PLACENTA CAKE

  • An ancient Roman cake of goat’s cheese and honey layered between a dried semolina pastry (called tracta, which some consider to be an early form of pasta) and an outer wheat pastry shell with a central knob of dough.
  • Other sources state the cake was also flavored with bay leaves before being baked, and then covered in honey.
  • Descended from the Greek plakous, which is normally understood to mean a flat cake, although some scholars believe it was named from the fact that it was “full of individual flat sheets.”
  • The name survives in many European languages, particularly the Rumanian platchynta, which resembles the ancient cake, and the Hungarian palacsinta, which now refers to crepes.
  • At some point in the Middle Ages, the word placenta came to be used for the human afterbirth, which has a coincidental resemblance to the ancient cake.
  • Throughout history the human afterbirth has been cooked and consumed by new mothers; it is said to resemble liver in texture.
  • Currently, the placenta may be dried and rendered into pill form so that new mothers may benefit from the recognized reduction in the incidence of postpartum depression in those who consume the organ.

BIRD'S MILK

  • Small, chocolate-enrobed bars with a soft, marshmallow-like interior, colored white for vanilla, or egg-yolk yellow for lemon.
  • First produced in Poland by the famous E. Wedel company in the mid-1930s; in 2010 the company received a trademark for them from the European Union.
  • From Poland, the candy spread in popularity throughout Eastern Europe, especially Russia, where during the Soviet era of food deficits, obtaining a box of bird’s milk candies was considered a coup, nearly as unlikely as milking a bird.

EGG YOLK SWEETS

  • The most basic form of Portuguese egg confectionery is a sweet, thick sauce of cooked egg yolks and sugar called ovos moles (soft eggs) used as a custard-like filling for tarts and cakes, as a dessert sauce or topping, or as a filling for marzipan sweets.
  • Although egg sweets are also made in Spain, particularly in the Castilian region that shares much of its culinary heritage with Portugal, it is the Portuguese who elevated the egg sweet to iconic status, developing an extraordinarily extensive repertoire of recipes.

In Portugal during the Middle Ages:

  • Food was scarce, and eggs provided an important source of protein. Eggs (from hens, ducks, and other fowl) were readily available, relatively inexpensive, and, at a time when most Europeans spent more than half the days of the year in religious fasting, the devoutly Catholic Portuguese regarded eggs as permissible Lenten foods.
  • Egg whites were widely used in sugar refining (which the Portuguese had learned from the Moors), thus an abundance of yolks were sent to convent nuns, a practice said to have been initiated by the pious king Philip III of Spain.
  • One effective method of preserving so many eggs was to cook the yolks with a large quantity of sugar.
  • Many nuns found experimenting with confectionery a welcome distraction from the routine of contemplative life.

Today:

  • A resurgent interest in traditional Portuguese egg sweets has developed, particularly in the many regional variations that are once again being made in convents throughout the country.
  • Egg sweets and other convent desserts (doces conventuais in Portuguese), often adapted to make use of regional ingredients such as coconut milk and rice flour.
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s-soulwriter

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

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Narcovember Prompt Roulette List

Saalud a mi gente! We in the Narcos Fandom Forever discord server are excited to bring another 30-day challenge: a multifandom event that we’re nevertheless calling Narcovember. Despite its name, this is open to ALL FANDOMS, NOT JUST NARCOS. Creators are encouraged to submit fanworks (fic, art, gifs, vids, op-eds) for any fandom your heart desires!

This event's format is a bit unconventional. Instead of a prompt for each day of the month, there's a Prompt Roulette Wheel and a Prompt Index (☟ below) featuring numbered items with three prompts each. Every day you'll spin the wheel. The number that comes up on the spin corresponds to a number on the index where you can then pick one of the three prompts.

So for example, say on day one, I spin the wheel and get number 8. I’d go to 8 on the index (titled These Damn Restraints). Of those three prompts, I like Yikes best so that's my day one prompt. Next day, I spin and get 14. I find 14 on the index (Decisions, Decisions, Decisions) and pick one of those for day two's prompt. And so on. Note: If, on Day 2, instead of 14 I got 8 again, I’d spin the wheel again to get a new number. If, for whatever reason, you don’t want to spin twice, you can choose another prompt from that "Book of" that you haven't used (e.g. Day 1, I chose Yikes. So Day 2, I’d go for, "Now you know why I never say anything.") Ideally, we think it’s more fun to not repeat index items, but ultimately it’s dealer’s choice. Aka we're not about to get real fascist policing, aint nobody got time for that.

Here's -> the roulette wheel. Or you can make your own! (Just make sure it has 30 slices.)

Use the hashtag #narcovember or tag us to submit your entries so we can reblog them! A note on the masterlist - bc of the Tumblr-imposed link limit, for now we'll only link the fic. BUT at the end of the month, there will be a comprehensive list with all the contributors’ blogs so ppl can find your other work easily. 

Happy spinning, everybody!

Prompt Index

1 — Book of Genesis

  • Fanwork inspired by someone else’s fanwork (be sure to tag the creator of the OG work!) 
  • “The fun begins here.” 
  • Ghosts

2 — Book of Fuck-ups

  • Righteous indignation glo-up aka fanwork that corrects a plot misstep or writing blunder that bugs the shit outta you 
  • “It’s not the what-ifs that fuck you up, so much as the what-might-have-beens.” 
  • Bite

>>>>>>>>>>>>>>>>>>>>>> more prompts below the cut <<<<<<<<<<<<<<<<<<<<<<<<

Yooooo bring it on!!!

So excited >:D

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okay hey real question: what are good ways to describe fat characters?

I see a lot of 'have more fat characters' and I'm Here For It but as someone who is skinny and in a world where most existing literature makes characters fat only as a joke or an indication of some variety of moral badness, I'm not really sure how to describe them in a way that's not objectifying or insulting. like, I've grown up on poetic descriptions of thin characters ('long slim fingers' and 'willow figure' etc etc) but I haven't read flattering descriptions of fat characters and I don't know where to start. I've seen a lot of 'how to describe poc' or 'how to describe disabled characters' or whatever and I've seen art ref posts for drawing fat characters, but no posts about how to write them well. so. open call for advice or for examples you've found and like??

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fraddit

I remember at least two posts about this subject. Alas, I was only able to find one.

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bacchicly

Howdy! Fat short white woman here. I've got some hopefully helpful thoughts on this which I will share a little later (I've got a few things to do first sadly).

In the meantime, OP (or anyone else) if you have specific questions about what it feels like for me to be in a fat body or what I personally do and don't worry / think about... I'm more than happy to answer.

In the meantime - I know you said you've seen ref posts for drawing fat characters...but here's one I like (in case you haven't come across it) that is nicely wordy: https://www.tumblr.com/bacchicly/677854396964634625?source=share

Ok as promised I've written my own post - idk if it will be helpful to anyone - but here's the link:

Happy writing!

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