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#incredible – @orbmanson7 on Tumblr
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the endings are often a little bit gory

@orbmanson7 / orbmanson7.tumblr.com

This be Orb. I don't bite. 32 and just trying to do something with the time I have left. I post a lot of different stuff, but it almost always relates to animation in some way or another.
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vanrougenui

WHYY DID THEY CHANGE KOUS GAYASS NIGHTMARE (i know its spoilers but still 😭😭)

i am so salty when i get to you studio lerche when i get to yall

#okay so#FIRSTLY i dont think they did this to be homophobic or anything#but i def dont buy that they did this to avoid picture perfect arc spoilers - bc What spoilers?#there isnt enough detail in the original scene to truly hint at that#we the audience by this point know theres two mitsubas better than kou does at that point anyway#oh god unless people mean anime onlys that never watched the original first season bc in that case why watch ashk at all??#i just... whatever#i dont like that they changed it bc it says so much about the very specific shit kou is dealing with throughout a good chunk of the series#but i did find the change genuinely funny so they do get a little bit of kudos#you know what? maybe its because ashk is supposed to be all humor no angst and that bit technically bleeds the line#boom answer solved#too much implied angst yall they had to remove the gay shit so it wasnt subconsciously sad#incredible#anyway#ashk#tbhk
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niee-chaan
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saccharinescorpion

if you’re keeping up with Mob Psycho 100, you may have noticed that some scenes will occasionally shift to a more abstract, “paint-like” art style. you’ve almost definitely noticed this in the ending sequence

what you may not have known is that that’s not just a style– that’s actual paint.

“paint-on-glass” animation is a very uncommon animation technique, in no small part due to the fact that it’s incredibly difficult and labor-intensive. it’s remarkable – and possibly, until now, unheard of – to see it in a big budget animation series like MP100, not only for small scenes but for an entire 90 second sequence– and it’s even more remarkable that it’s all done by one person

Miyo Sato specializes in paint-on-glass animation, having created several short films with it. she created the entirety of MP100′s ending sequence as well as several notable scenes like the appearance of the first spirit in episode 1. 

it’s really inspiring to see so many talented artists not only given work to do on a big project like MP100 but given so much freedom with their style and art direction. i really hope the success of this series will inspire other animated projects to be more creative and try new things in regards to art and animation

you can see some of Miyo Sato’s work on her website, as well as her twitter and tumblr

#i love her work#incredible#mp100
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