First Line Game
Rules: List the first lines of your last 20 stories (if you have less than 20, just list them all!). See if there are any patterns. Choose your favorite opening line. Then tag 10 of your favorite authors!
Okay this sounds pretty fun, but I want to include other fandoms, so I’m not doing my last 20 exactly, since those are all Jonsa. Reaching back just a bit here. Also excluding drabble series.
Tagged by @swaps55. Thanks so much! Loving this! Tagging @foofyschmoofer, @thedandiestoflions, @theoriginalsuki, @barbex, @missfaber, @amymel86, @riptidemonzarc, @joufancyhuh, @szajnie, @fedonciadale, @ladyalice101, @goddesstiera and anyone else who thinks this is fun.
From Instep to Heel: Sansa Stark is brought to the capital by her father and brothers, a train of Stark banners flying behind them, and it's the first glimpse of the North Jon has ever truly seen.
Red Curtain: "No, no, but you see, gravity doesn't matter here," Theon argues. "You're up in space. It's like a fucking swimming pool up there, just, you know, minus having your trunks hauled halfway down your ass every time you surface."
His question stills her hand at his temple, the words gruff and choked off, voice cracking from disuse.
Bruises: They reach for each other like practiced pain – like pressing on a bruise.
An affirmation of survival.
Hallowed: "Even a simpleton could see the way he looks at you."
The smooth, dry voice of Baelish stops Jon just before he rounds the bend to the corridor hosting Sansa's chambers. His spine locks, jaw clenching with unease.
What Grows in Winter: He weds her in winter, as Starks have done for generations. And he is now – he well and truly is – a Stark.
Ghosts in Our Bed: Castle Black is bleak and cold-stoned and strangely hollow. This is not the North she remembers.
Wool and Tallow: Sansa finds that sewing flesh is not so very different from sewing cloth, perhaps, except, for the shrieks and groans that accompany her new needlework.
Rocks and Shoals: "I've got an important assignment for you, Krios." Commander Bailey leaned back in the chair of his office, one hand tapping out a rhythm on his desk.
Smokescreen: "I'm telling you, they're together together," Ino urges from her spot beside him along the bridge, her legs dangling over the ledge, her arms wrapped around the guardrail as she leans forward, watching Kurenai and Asuma walking down the far street.
Instead, it goes like this:
Her white kimono is pristine, the length of her sleeves just right, the arch of her collar a graceful, delicate thing. She is all this, and yet, he does not have eyes for her.
Cenozoic: "How many more do you have?" Kakashi asks, peeking across the table at her.
Kurenai rifles through her reports for a moment, then looks up at him. "Only two more." She grabs another takoyaki from the plate between them and pops the doughy ball into her mouth.
"You can smell the snow, you know," she says, fingers curling around her tea cup, nose red and runny. She sniffles, staring down into her cup. She swirls the tea slowly, grazing the cup's edge with every rock of her wrists, but never really going over.
"You can't smell snow, Hinata." He frowns at her across the table.
Carrion: Ino comes home quietly, unobtrusively, and with the smell of blood that is not her own faintly trailing her.
Silent, (Blaring): From root to sprout to stalk to trunk to branch to leaf to sky. There is an order to these sorts of things.
"Plant each seed with meaning," her mother had told her once, calloused hands covering her own tiny, inexperienced ones.
Rust: Through the filter of her visor's read-out, the clinic is dimly lit and red-hazed. Static to the eye, but Shepard has only one focus.
Mordin Solus says many things and nothing all at once. His hands are anything but stagnant, his eyes blinking rapidly as he paces through his single-minded monologue. He passes under a cone of light, his skin like rust, pock-marked, leather-lined.
Ghost Forest: "They call it a ghost forest," she says, standing with her back to the trees, just at the edge of the brush, her gaze raking over the coast before her.
Elegy at Draxis Major: In the end, the Cosmic Imperative has proven its truth. It was apparent in his cycle, and it is apparent in this one, as well. The universe rewards strength. And the weak are rightfully shunned.
Stain: She doesn't have time to wash her hands.
As soon as the Council is safe and the Cerberus assassin deemed lost, Shepard sprints for the hospital. Still in her armor. Still with a chamber-hot pistol. Still with bloody palms.
And she doesn't have time to wash her hands.
I feel like there’s definitely a pattern to my openers but I can’t accurately define it. I know I tend to rest on dialogue for my opening lines a lot. That much I’m aware of, at least. I don’t know. I think maybe my pattern is that I often bring the theme up in the first immediate lines of a story, either figuratively or literally. What do you guys think?
This was actually pretty fun. Love doing these kinds of writing memes. :D