#obviously she’s not the only creative involved

I have like, a small flicker of hope for the revamped version of the Shaina Taub/Elton John *Devil Wears Prada* musical because it’s clear from Shaina’s work on *Suffs* that she’s willing to kill her darlings and compromise on ideas if it will help the show work better for the audience, which *Devil* needs badly because from the reviews the Chicago production got, basically none of their original approach landed well so there’s a lot of work to be done.

#her article for Playbill about how she took Suffs from The Public to Broadway is suuuuper interesting #obviously she’s not the only creative involved #but it’s a good sign that someone in the room has experience turning around a weakly received production