some folks like water

this is a poem to me

IMPERATOR FURIOSA & "MAD MAX" ROCKATANSKY MAD MAX: Fury Road│2015

BENICIO DEL TORO

in SNATCH (2000)

What is your emergency? NORA DURST in The Leftovers | Orange Sticker

#definitly one of the best scene ever in the whole tv history 

there's something very scary about the way we argue and entertain discourse on israel or on settler colonialism when, on the ground, israel has totally isolated northern gaza and is currently systemically liquidating jabalia (a refugee camp in northern gaza) just as they have, from the very beginning, said they would do. just as large swathes of israel came to be in 1948, to 1967, to the west bank today. there's something scary about watching indigenous people undergo a genocide in real-time in 2024 like they're squatters on some prime property while nobody moves except to argue about semantics. there's something scary about people being trapped and killed like fish in a barrel while you can text them and follow them on social media and watch their pleas in video as soldiers and tanks come closer. what the hell is this

jabalia in northern gaza has been under siege for over a week. no food aid in. constant bombing. journalists being openly targeted. the bbc describes israel's plan to use medieval siege tactics to ethnically cleanse and settle the north of gaza as a "controversial plan" while acknowledging that not only does israel not allow people enough time to use the humanitarian corridor to evacuate, they also shoot at people evacuating and are still targeting the south. they have also made it clear that whoever leaves will not be returning.

i don't really understand how the news can describe the process of genocide in such stark terms and call it a "controversial plan" instead of what it is: a horrifying crime against humanity.

han kang, winner of the nobel prize for literature, refused to celebrate because of the wars: 'With the war intensifying and people being carried out dead every day, how can we have a celebration or a press conference?'

toshiyuki mimaki, co-chair of Hidankyo, the A-bomb survivors’ group that won nobel peace prize, said: 'Gaza right now is like Japan 80 years ago' and had thought the prize would go to those working hard in Gaza, not to Hidankyo.

arundhati roy, winning the PEN pinter prize, in her speech at the british library: "Not all the power and money, not all the weapons and propaganda on earth can any longer hide the wound that is Palestine."

alaa abdel fattah, who was named PEN Writer of Courage by Roy, is in egyptian prison. but in 2021 his mother brought his letters from prison on gaza: Free Jerusalem; tranquil Alexandria, Bride of the Sea; Beirut, the Sheltering Tent — the symbols seem more real than the cities. But Gaza and Cairo are both cities that resist romanticization and so elude song. No one sings to Cairo, but it is the capital of the Arabs. No one sings to Gaza either, but it remains the indisputable capital of Palestine. Both are always present in a crisis. [...]

Do I have the right to dream of escaping to Gaza? Do I have the right to dream of a road to Cairo that passes through Gaza? Does a captive have the right to ask for help from the besieged? I know that these questions show how ancient I am, but I’m an Arab and Palestine’s always on my mind. And, in my defense, I’ll say that I refused to be humiliated in my country, and I never lowered my banners, and it should count that I stood in the face of my oppressors: an orphan, naked and barefoot, and my solace is that the tragedy I’m living is but my share of yours. I call out to you: you are always on my mind."

these are the things the brave and intellectual people of our time are saying. it is possible to be principled. it is always possible to be principled. it is also possible to be less than that—look around and you'll see it in all the writers and artists of our time who are abdicating their roles within humanity. we're living in a time of perfect clarity.