Hi Olga, was wondering about how you get a scene ready for the animators. When you storyboard, do you time out the movements to the specific seconds as guidelines for whoever will eventually animate your scene. How specific does your work have to be?
It doesn’t.
XD Storyboard artists are not required to perfectly time out their boards. My job is to create a storyboard. Someone else will then time it and get it ready for the animators.
But in the digital age of boarding, Storyboard Pro gives us the option to time the scene - and many of the artists I have worked with take that option. And run with it. X) I myself prefer to do rough timing even though it is not required.
It is a very valuable tool - to be able to see how your scene plays in real time, catch any wonky camera movements, maybe try out some fancy camera stuff, make sure I’m not horribly over/under allotted time, see if the action reads clearly and any place needs additional pose outs. I think it enables a greater level of sophistication. I almost can’t imagine working without it now.
BUT, yes another but, it is very easy to fall into the trap of perfectionism. Just because I have this new ability to time and pose out my board till it’s practically animated (and some guys do that), there is no room for it in the schedule. Whatever time I spend on tweaking the timing and making sure it plays juuuuuuuust right, is the time that’s taken away from the boarding process itself. Yeah, the board is gonna look great, but at the cost of my personal time.
So, I do time my boards, but I do it because it facilitates my boarding process, and I keep it pretty rough. At the end of the day the director and timers are going to go in and fix it up how they need it.
Thanks, good question!