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Olga Ulanova

@olgaulanova / olgaulanova.tumblr.com

>> Storyboard tag   >> Art tag   >> DeviantArt
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Anonymous asked:

Hi Olga, was wondering about how you get a scene ready for the animators. When you storyboard, do you time out the movements to the specific seconds as guidelines for whoever will eventually animate your scene. How specific does your work have to be?

It doesn’t. 

XD Storyboard artists are not required to perfectly time out their boards. My job is to create a storyboard. Someone else will then time it and get it ready for the animators.

But in the digital age of boarding, Storyboard Pro gives us the option to time the scene - and many of the artists I have worked with take that option. And run with it. X) I myself prefer to do rough timing even though it is not required.

It is a very valuable tool - to be able to see how your scene plays in real time, catch any wonky camera movements, maybe try out some fancy camera stuff, make sure I’m not horribly over/under allotted time, see if the action reads clearly and any place needs additional pose outs. I think it enables a greater level of sophistication. I almost can’t imagine working without it now.

BUT, yes another but, it is very easy to fall into the trap of perfectionism. Just because I have this new ability to time and pose out my board till it’s practically animated (and some guys do that), there is no room for it in the schedule. Whatever time I spend on tweaking the timing and making sure it plays juuuuuuuust right, is the time that’s taken away from the boarding process itself. Yeah, the board is gonna look great, but at the cost of my personal time. 

So, I do time my boards, but I do it because it facilitates my boarding process, and I keep it pretty rough. At the end of the day the director and timers are going to go in and fix it up how they need it.

Thanks, good question!

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Anonymous asked:

Hi Ms. Ulanova, any plans for convention appearances this year?

Nope, no convention plans this year, cozin.

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Anonymous asked:

Hi Olga, Big fan of the work you guys produced in Korra. Was truly inspirational for aspiring animation artists such as myself. Was wondering for you which specific scenes were your favourite that you storyboarded? Also the same question for Young Justice and Green Lantern TAS? I make it a habit to study the work of people i admire ... :P

Thanks for the kind words! I really enjoyed boarding the beginning of 308 (season 3, episode 8), the first 4 minutes. And also the very first scene I’ve done on the show is still one of my all-time favorites – episode 302 where Korra attempts to recruit the slacker Ryu. 

On Young Justice I’ve only done the one freelance - so it wins by default. XD

As for Green Lantern… y’know, I was just learning storyboarding at that time (and figure drawing, and perspective…), which was very challenging and frustrating. So I can’t say I really like anything I produced… early work, ya know? But I do remember having a lot of fun boarding for “Prisoner of Sinestro,” cause we got to play with suspense staging and it was something different from the usual fare. 

And sometimes a scene is fun for totally weird reasons. There was one on Beware the Batman where he fights a bunch of thugs in a warehouse. YAWN, amirite. You know who’s gonna win, so it’s just a rote action scene. But it takes 2-3 weeks to draw it all out, so you live with it for a long time. I made it interesting for myself - I gave all the thugs names and personalities, and backstories about how they got into the life. So I wasn’t just drawing blank extras trying to take on Batman, I was drawing some misguided, desperate guys try to take on Batman and fail miserably! By the end of those 2 weeks I was a little sad to see them go… XD Make your own fun, is what I’m saying. 

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Anonymous asked:

Hey! I saw your amazing co-work of the anime+Korra stuff. I was curious, would it be okay to do a cosplay of the Korra+Kamina mix? It was SO COOL and I'd love to walk the convention floor in that getup!

You don’t even have to ask. :D Totally go for it! 

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Batman Unlimited: Nightwing And Red Robin Vs Thieving Shmoes Who Really Should Know Better By Now I Mean Seriously

Directed by Jake Castorena | Storyboard by Olga Ulanova

Hey guys, hope you’re enjoying all the Batman Unlimited shorts that are coming out! Here’s one that I boarded -- it’s been a blast drawing my favorite heroes have some fun! Robin & Nightwing should team up more often. ^__^

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reblogged
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kaeos-theory

I’m not sorry. Vacation Tenzin art from The Legend of Korra storyboard artist, Shaun O’Neil

This is the greatest thing to come out of my time on The Legend of Korra. Vacation Tenzin for life!

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reblogged

Hi Geneva, I was wondering if you had any resources to how unionization works for the animation industry in California? Animation unions are a thing that can't even be breathed about up in Canada, but we rely heavily on tax subsidies to keep it together and it's a broken system etc. Anyway if you have any explanations or links that would be great. Thanks for your time.

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~~~

I don’t know if I’m fully qualified to explain the guild in its entirety. I’m no historian! BUT I am a proud member, and I think that there isn’t enough talk on these parts about the Animation Guild or what it does on tumblr and among people who aren’t working in LA in major union studios. It’s a great thing to ask about! Also, I am super pro-union politically (with a couple exceptions), so I am going to take the opportunity to get on a bit of a soapbox, here.

What is the Guild and who is in it?

The Animation Guild is the USA animation industry’s only thriving union (to my knowledge). Most of the major studios you hear about are obligated to have all their in-house productions be union productions (think Cartoon Network, Nickelodeon, WB, Disney, etc.) Sometimes it varies by production (for example I don’t think Starburns is usually a union studio, but recently Rick and Morty became a unionized production thanks to the hard work and bravery of the artists who won the right to be unionized).

Even workers at studios that aren’t union benefit from the unionized productions being nearby. To stay competitive and not lose their workers, companies end up having to live up to a reasonable standard. Animation in LA isn’t perfect, but without the guild’s presence, LA animation’s industry standards could very easily be a race to the bottom, simply because there is so much eager talent out there that can be exploited (I’ll come back to this point).

What does the Guild do?

The union offers medical insurance, a route to a 401k savings account (though studios are not required to match/contribute), gives workers a route to speak up about unfair labor practices (though due to the small size of the industry and how fast reputations travel, people in my experience don’t take that route lightly. That’s another topic, I guess). It also establishes minimum wage for every job in the pipeline.

The union makes sure we in the industry are paid living wages and receive benefits that reflect the value we bring the companies we work for! Animation makes a ton of money for studios by providing them with libraries of entertainment, and and beloved characters to merchandise. The union sees to it that we are fairly compensated for our valuable work even in an environment that is very competitive.

What’s the catch?

You have to start working a union job, and your employer has to file paperwork for you to get in. You also have to pay an intitial fee to join (it’s quite substantial– often thousands– and depends on how much money you’re making in your first guild job). It seems like a lot at first, but you pay it down in installments. After that, there are modest quarterly dues. It’s very fair, in my opinion, considering that it covers the health insurance and upholds fair industry standards. With fair industry wages, you can afford to pay it. 

You can find out more info here!

Not bad! Wait, almost no other industries have this. How did it happen?

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reblogged

Legend of Korra Key-Animation frames by Lee Dae-Woo (이대우) from Book 1: AIR (Pt 2) ! Episode 3 & 7: “The Revelation" & The Aftermath" ! The Historic/epic cut of Asami wearing Hiroshi’s electrified glove for the first time, before using it on her father (not persuaded to join the Equalists). Korra, Tenzin, Bolin and Mako bending vs Equalists.

#Brought back memories for sure

Guys, I don’t think you understand how incredible it is that we got this level of quality on an American TV budget. The system is structured to NOT allow shows to look this good, but the talented crew on Korra said “F that system” and did it anyway.

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Anonymous asked:

can you please confirm that korra is not homosexual. i mean c'mon it's a nickelodeon show

Sorry, bro! I cannot confirm your apparent prejudices because I’m too busy picking out my outfit for the Korrasami wedding (it’s gonna be so fun, but air travel to the spirit world is soooo expensive… And a gift! Man. There better be an open bar or I am gonna LOSE IT)

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reblogged

Korrasami is canon. You can celebrate it, embrace it, accept it, get over it, or whatever you feel the need to do, but there is no denying it. That is the official story. We received some wonderful press in the wake of the series finale at the end of last week, and just about every piece I read...

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olgaulanova

Beautifully said!

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