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I'm with you 'til the end of the line

@ohmypreciousgirl / ohmypreciousgirl.tumblr.com

Naty. 33. Multi-fandom. Brazilian. Shipper. Chaotic Neutral. INTP. Feminist. Sarcastic. Writer. Demi Bi. Pisces. Witch. English teacher. Acafan. Dog Mom. EXO-L. Bunnyzen. Saturday. Babii. GMMTV whore I guess 🤷🏽‍♀️
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tronmike82

I don’t mean to be rude; but I don’t think I’ve ever seen this, does anyone have any examples?

  • Supernatural
  • Doctor Who (Steven Moffat specifically)
  • Sherlock (Steven Moffat specifically)
  • Actually Steven Moffat is basically just this sentiment given human form.
  • A version of this happened with The Magicians, tbh. Though instead of expectation: men, reality: women it was expectation: smug nihilists, reality: mentally ill queer folks.
  • Arguably Game of Thrones.

If we broaden it outside of television…I think Star Wars falls into this, at least the sequel trilogy. Maybe the MCU as well. And I can’t help but think of every band that’s ever complained that their fanbase is mostly women. 5 Seconds of Summer comes immediately to mind.

In general, most white male creators seem to have this massively entitled mindset where they want–and think they deserve–the time, attention, and enthusiasm that creative fandom (i.e. the side of fandom more dominated by women) is known for.

They want our eyes for ratings, our word-of-mouth for free publicity, our metas for social media buzz, and our spending power for merch and cons. But they don’t want us. And they don’t really want the responsibility of telling a story to a thoughtful, engaged audience, regardless of that audience’s demographic makeup. They just want to be praised for whatever schlock they cough up.

And like any other spoiled brat, they will break their toys before they share them.

It goes all the way to the top for kids shows. Toy sales will crash a show. Makes sense, but if those toys are gendered for boys instead of the female viewers, they won’t usually switch up the marketing and move them to the girl aisle. They cancel the show outright.

Mind you it is perfectly possible to make the switch in marketing, but execs would rather throw it all out than have something that doesn’t perform well with male viewers. For example the Rey merch was not expected to be popular, for some reason, there had to be public outcry to get merch of one of the main 3 protagonists. A PROTAGONIST. The fact that she wasn’t a huge part of the 1st launch says a lot already.

And what happened when female fans got too invested in the Sequel Trilogy? The entire writers room didn’t necessarily lash out, but they sure forgot how to behave.

#WhereIsRey (initial)

#WhereIsRey (ongoing)

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drunkenhills

You’re all sitting on the hot take of the decade tbh

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vbartilucci

And yet when they fond out that boys were watching MLP:FIM in droves, they had NO PROBLEM with it.

The 100 too. I’ll never forget how Jason Rothenberg would attacked female fans on Twitter and mock them in interviews, and then post links to male fan discussions on Reddit to praise and thank them. In his goodbye letter to the show he SPECIFICALLY thanked Reddit and it was so disgusting.

Star Trek from TNG on was also a boy’s club, even though the TOS fans were mostly women. Women, in fact, who literally created modern fandom with their zines. But after TNG it was all, “Women don’t understand Star Trek, only smart men hur dur.”

I think it would be harder for us to find examples of when this DIDNT happen than when it did. It happens all the time.

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nova-arcania

Doesn’t stop it from boggling the mind

(though it could probably start to make some sense if you follow the money past audience bases to maybe a couple of investors or like a rich patron … 🤔)

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ridleymocki

Stooooop I just wrote a masters thesis on this shit. Media creation and distribution is a means by which dominant power structures consolidate their hegemony. Dominantly situated creators get upset when the audience they attract isn’t the audience they wanted, because they view the whole creation and sharing of the fiction as an exercise to sustain kyriarchal conditions that benefit themselves. When the audience is Other, they see it as a failure of those efforts and lash out.

Simply, they’re trying to assert a particular worldview via fiction, and upon getting confronted with something else, begin foot stamping. It’s not just men wanting male attention and gatekeeping. It’s that the fiction in the first place was an attempt to curate dominance and whoopsie! they miscalculated.

(anyway if anyone wants to read 35k words of philosophy about this, hmu)

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