Some festive doodles to celebrate the holiday. Please enjoy my latest masterpieces: The Grinch Glaring Down at Whoville and Shoot This Santa with a Gun Immediately if You Catch Him Sliding Down Your Chimney!
To celebrate A24's re-release of Stop Making Sense (which I highly recommend catching on the big screen if you have the opportunity), here's a doodle of David Byrne that I drew a few years back.
Hope everyone is having a better Good Friday than Bob Hoskins had that one time.
Looking forward to seeing The Super Mario Bros. Movie this weekend!
In honor of Halloween, I am unveiling this exclusive concept art for a horror project that I’ve been developing for the past five years.
Investors, please leave any donations in a sealed envelope behind the Slurpee machine in the 7-Eleven on the corner of 34th and Madison.
Happy Halloween from Wednesday Addams! Doodled this at work earlier in the year (back when I actually had free time; the new job isn’t nearly so kind to my creative energy), and today just felt like the perfect occasion to share it.
Check back later for some more spooky treats… and maybe even a trick or two!
Recently Viewed: Edo Avant Garde
Watched Edo Avant Garde, a fascinating documentary about the innovative byobu (folding screen) art produced during Japan's period of extreme cultural isolation under the reign of the Tokugawa shogunate—with a particular emphasis on how its proto-impressionistic style would eventually influence Western modernism in the twentieth century.
The film is, of course, quite informative and educational, but it is first and foremost a sensual experience. Director Linda Hoaglund utilizes a variety of cinematic techniques in order to immerse the viewer in the featured Sumi ink and watercolor landscapes. For example, she frequently intercuts between recorded images of nature—birds, flowers, trees, rivers, et cetera—and their painted equivalents, juxtaposing objective reality with abstract representation. The movie’s sound design is equally impressive; such auditory delights as the fluttering of a crane’s wings, the whisper of a gentle breeze through grass, and the thunderous crash of ocean waves lend the otherwise static visuals a sense of weight, energy, and movement.
Thus, much like Sotatsu, Okyo, and Shohaku, Edo Avant Garde doesn’t settle for merely depicting its subjects; it transforms them, recontextualizes them, captures their innate "spirit" and elevates it to the level of the divine. It is, in short, absolutely sublime.
Sorry about the recent lack of content; I’ve been on vacation with my family. My next post will probably be a review of Spider-Man: Far From Home. In the meantime, here’s a picture I drew on a paper tablecloth to entertain my cousins’ kids (they were not entertained).
Exactly five years ago today, I designed several superheroes based on suggestions from my younger cousins. I had a whole lot of fun evoking my favorite comic book styles, from the pulp serial-inspired Golden Age to the more sic-fi flavored Silver Age. And despite the technical shortcomings of my... “artwork” (the kids didn’t seem to mind too much), I’m still proud enough of the end results to share them in commemoration of this momentous anniversary.
I’m also including a random doodle of Kingpin creeping up on Daredevil. Because why not?
Recently Viewed: Loving Vincent
Fantastic Planet reawakened my appetite for nontraditional animation, so today, I ventured out to Sunshine Cinema to see Loving Vincent, a beautifully-crafted tribute to Vincent van Gogh in the style of his own work.
Akira Kurosawa attempted to capture a similar visual aesthetic in a segment of Dreams—with the artist portrayed by Martin Scorsese, of all people—but the evolution of cinematic technology (at least some of the rotoscoping seems to have been digitally assisted) has allowed directors Dorota Kobiela & Hugh Welchman to create a truly living, breathing oil painting. Many frames exhibit a wonderfully tactile quality, as though if you touched the screen, your fingertips might come back wet and stained phthalo blue. In the era of CGI, it's refreshing to find a movie in which you can literally see the filmmakers' painstaking effort in every brushstroke.
In terms of plot, the screenwriters adopt a narrative structure reminiscent of Citizen Kane: following Van Gogh's alleged suicide, the troubled young man tasked with delivering his final letter tracks down and interviews several of his friends and acquaintances—a haughty housekeeper, the gossipy proprietress of a modest inn, and more than one eccentric doctor, to name a few—in the hopes of unraveling the mysteries and contradictions surrounding his life and death. To be completely honest, this type of story has been better told elsewhere, but the myriad conflicting perspectives and lack of any easy, concrete answers ultimately add up to one of the most complex, nuanced, and thoroughly captivating portraits of the revered painter ever committed to celluloid.
From My Notebook: Jake Sketch
Well, after driving four hours through some world-ending thunderstorms, I'm finally in Orlando, pumped up and ready to supervise the stuffing out of this script.
To celebrate my safe arrival, I'm posting a little something I scribbled on the back of a call sheet during the last shoot I worked on. I tend to doodle quite a bit on the longer (by which I mean "entering my twenty-fifth hour of being awake") days of filming, and Jake from Adventure Time has such a fun, simple design... well, he popped up all over my script notes. This is one of his less vulgar appearances.
Peace.