Officer of Monkey Problems

/ Joel Sternfeld, Lake Oswego, Oregon, 1979

A transportation hub in the tomorrow world of 2024, as seen in GM's Futurama exhibit at the New York World's Fair, 1964.

“HEAVEN IS DIVINE” POSTCARD // 1980s [process print, coloured | 14 x 8.8 cm]

Male thot jobs.

Barber Dj Personal Trainer Plug Club Promoter Tattoo Artist Mechanic Foot Locker Fedex/UPS Photographer Warehouse Overnight Stocker @ Grocery Stores Construction Worker EMT Sprint/TMobile Comcast

This is the one

Paul McCartney was deeply depressed about the impending break-up of the Beatles when he recorded "McCartney". So, yep, I think that sometimes a depressed person gets so good at functioning through their affliction that they can end up producing the first low-fi pop record of the 1970s.

Mary Beth Edelson

“Bride of the Fire”, Lithograph, 1975-76

8x06 stills - Buck's loft

Someone explain why they are so far apart 😩

Because they're straight in real life.

Adrian Ghenie - Untitled

Adrian Ghenie (Romanian, 1977), Untitled, 2019. Oil on canvas, 230 x 170 cm.

While the Onion buying InfoWars is indeed extremely funny, very few of the posts I've seen commenting on the sale have mentioned that the families of the Sandy Hook victims apparently agreed to voluntarily reduce their lawsuit payout as part of a deal to ensure that the Onion would acquire InfoWars wholesale, rather than having the company broken up and auctioned off piecemeal, as the latter course could potentially have allowed some of those pieces to end up back in the hands of Alex Jones' cronies.

Like, yes, it is in fact very funny that InfoWars is now a wholly owned subsidiary of Clickhole, but the real props go out to the Sandy Hook families who saw the opportunity and willingly gave up the additional millions of dollars that could have been realised by stripping InfoWars for parts in order to make that happen.

Hana-Rawhiti Kareariki Maipi-Clarke, the youngest MP in Aotearoa, starts a haka to protest the first vote on a bill reinterpreting the 1840 Treaty of Waitangi

Powerful

Brooklyn Boys, New York (early 1960s) photographed by Danny Fitzgerald and Les Demi Dieux

Hernan Bas (American, 1978), Pompeii I, 2005. Acrylic, graphite, and watercolor on paper, 14 ¾ × 15 ⅛ in.

Long live the Amsterdam taxi drivers (mostly morrocan and turkish background) who came out tonight and drove around the empty industrial estate, where we were dumped by the cops, to give free rides to the hundreds of scattered Palestine protesters!

The protesters were detained en masse at the banned pro-Palestine demonstration on the Dam, and were dropped off in the middle of nowhere by the Amsterdam riot police to be chased and beaten, away from the media.

More and and more taxis kept showing up, sometimes flying Palestinian flags, to big cheers and applause from the protesters each time. They were praising us as they drove up but they were the real heroes of today and this whole week. Remember these taxi drivers started handing out the beatings to the far-right zionist Maccabi Tel Aviv hooligans about a week ago. They really restored our hope after the fascist gaslighting spectacle being played out by the entire Dutch political and media class this past week.

Untitled (Hands), Jared Bark, c. 1973, from Photo Booth series

Weegee