Terry Riley – Songs For The Ten Voices of The Two Prophets - LP
Terry Riley - Descending Moonshine Dervishes - LP
"Great for meditating to the cosmos" -- Thurston Moore
Dominions is the second full-length release from Canadian electroacoustic composer Sarah Davachi, following 2015’s Barons Court. A slightly more demure approach is at work here, shifting from the brooding textures of her previous work to softer tones and more delicate movements in structure, as in side openers ‘feeler’ and ‘ordinal’. Recorded primarily at her home base in Vancouver, Davachi returns with her typical assembly of electronic equipment, mostly consisting of vintage synthesizers as well as the Orchestron, a rare optical sampler known for its low fidelity charms. The five compositions on this release breathe new life into these obsolete machines, pausing only for the stringed cacophony of the album’s closer. Melodics emerge almost as an after thought, suggesting something farther and more distant, echoed in the disjointed imagery of local artist, Daniel Presnell.
Source: Bandcamp
Earliest recordings from the modular synthesis project of Ryan Martin (Dais Records, York Factory Complaint, On A Clear Day). 30 Minutes of continuous buzzing sequential pattern work compounded with chilling, rattling industrial electronics and private documentation preserved and manipulated on magnetic tape doused in a muddy layer of lo-fi, delayed reverberation along the lines of early Maurizio Bianchi. hansonrecords.bigcartel.com/
Source: SoundCloud / Hanson Records
Keith Fullerton Whitman - PAN ACT Festival - Goethe Institut - Boston, MA - June 20th 2013
Non-Event and the Goethe-Institut Boston present PAN_ACT BOSTON: A festival featuring artists at the forefront of underground dance and experimental music from Germany, the UK, Japan, and Boston from the PAN Records roster. NIGHT ONE: June 20 Keith Fullerton Whitman About the artist: KEITH FULLERTON WHITMAN is a Boston-based electronic musician who has recorded albums informed by a wide array of genres, including ambient music, drone, early electronics, drill and bass, musique concrète, and krautrock. He studied computer music at Berklee College of Music, where he was exposed to modern electronic music composition and synthesis. His studio and live setup usually consists of a modular synthesizer, sometimes augmented with computers or analogue instruments, such as guitar or oud. Whitman has released albums on Pan, Planet Mu, Kranky, No Fun Productions, Root Strata as well on his own Entschuldigen and (now defunct) Reckankreuzungsklankewerkzeuge labels. Soundboard audio provided by Ernst Karel http://www.keithfullertonwhitman.com/ http://www.pan-act.com/ http://nonevent.org/ http://ek.klingt.org/