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Earlier this year two Mormon missionaries found their way to my doorstep.

I rent a second floor walk up with a lofted bedroom and horrific plumbing. I chose this apartment for three main reasons: the location, the space, and the natural light. I have so many windows, glorious huge windows and they keep me sane. I crave the sunlight but I have the constitution of a withering Victorian socialite so heavy direct UV exposure is a no go.

I use the dining room as my work-from-home office and my desk sits against one of those massive windows. It looks directly onto my front porch walkway and the sidewalk below.

So I saw the missionaries coming. I watched them bounce from front door to front door adjusting their shirt collars and wiping sweat from their brows. The two young men looked about 19 or so. I’m 31 now, but I remember being 19 so clearly. I remember how lost I’d been, but I don’t remember feeling as young as these two seemed to me now.

It was blistering outside, the Texas summer in full, nauseating swing, but they seemed determined to hit the whole complex. I put on a bra in anticipation of their arrival.

When they did reach my door, I was ready. I’d practiced my little speech. I do that. Every important conversation I know I need to have? I talk myself through it over and over until I feel I’ve chosen the right words and the right tone. It’s compulsive maybe, but this was important.

They knocked. My cat sprinted from the living room to the dining room in fear. I opened the door with one hand, two water bottles held in the other.

“Hello there!” One of them said — I don’t remember which. One was blond, the other had darker hair.

“Hi!” I was suddenly very conscious of how much skin I was showing. You could see my bra straps and my cropped tank was front tucked into a pair of shorts that I’m sure most people would think were a reasonable length, but who knows. I’d been out of the Christianity game too long.

“We were just wondering if you had a minute to talk,” the blond one said.

I took a deep breath.

“I’m gay, actually”—I didn’t feel like getting into the minutiae of my identity. Gay was all they needed to know—“and not religious, and not interested in changing either of those things, so I don’t really want to chat.”

They nodded.

“But, it’s so hot out there, would you guys like some water?” I held out the water bottles.

There was a moment of hesitation, but they did take the water.

“Thank you so much,” the dark haired one said, before cracking the lid and gulping down a third of the bottle.

“Of course.” I said. “Please be careful and take care of yourselves,”

“We will,” said the blond.

And that was that. I sent them on their way and shut the door behind them.

I am frequently enraged by injustice. My therapist likes to say that anger is my super power. I spent so many years not letting myself be angry at anyone but myself. So now, when I’m able to harness that anger and channel it toward something righteous I am kind of unstoppable.

Anger is important. Rage can be fuel. But there is a time and a place for it. In that moment, faced with two young men I knew would judge me for my appearance and my lifestyle and my non-interest in their god, compassion was the greater weapon. I could not fault them for their indoctrination. I could only offer a separate narrative:

That I, a queer godless woman, didn’t slam the door in their face or tell them to fuck off or confirm what they have been taught to believe about people like me. I wished them well. I gave them water. I offered them kindness. Maybe it’s stupid. Maybe I’m naive, but I hope I served as a tiny indicator that the world outside their bubble is not as heartless or cruel as they have been led to believe.

In the coming days there will be a time for anger. We will need this fuel to carry on in the face of tyranny. But there will also be a time for a compassion. There has to be. Softness is not weakness. Small acts of generosity are what community is built on. I want to continue to be kind, even as the world seeks to harden me.

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My very first office job (and my third job ever) was as a grunt level employee for a small insurance company in my hometown. I made geographical determinations for them, and I would explain that further, because “making geographical determinations” is an insanely vague job description, but the truth is the logistics of this job were boring and you do not care about them. Just know I spent lots of time looking at maps and searching databases for old land surveys and it was very dull.

But I liked it. It was a great job for a 19 year old kid. I worked part time in a quiet, air-conditioned office building. I never had to deal with customers. I had my own little cubicle and I was left to my own devices. I did a lot of writing during that time. No one cared and no one bothered me.

I was, however, not very good at my job. In my defense, I wasn’t trying to be good at my job. It was a way to pass the time and earn some money while I went to community college. I was devastated to be back in my parents’ house following a disastrous first semester at a state school. I had returned home depressed and disillusioned, tail tucked firmly between my legs.

I was bored and angry and dealing with a level of trauma I wouldn’t fully begin to unpack until I was well into my twenties.

I worked there for about a year, applied to a different university, got in, and quit the insurance job when I moved cities to attend school. A lot of shit happened over the following four years, which I could go into but we’d be here all day. I’ll sum it up thusly: after a number of mental breakdowns and professional failures, I wound up right back at my parent’s house in my hometown and I called up my old insurance gig to see if I could have my job back.

They tried to offer me a different job working in their call center. I gave it a shot for a single shift, had a massive panic attack, and quit the next day. I asked the woman in HR if there was any way I could go back to making determinations like I had in the past. She let me know it wouldn’t be possible as I had been so bad at the job the first time around, they couldn’t justify hiring me in that position again.

At the time, this was so fucking shameful. I felt humiliated and worthless. I sobbed on the way home and told virtually no one. It was a deeply painful experience.

It’s been almost a decade since that happened and just now, while getting ready for bed, I thought about that old insurance job and I laughed. I fucking laughed. Remembering 19 year old me sitting at that dumb little cubicle putting in zero effort and writing short stories on the clock is a joyful memory now, tinted rosy with age. Getting told I couldn’t have that job back because I was such an abysmal employee is hilarious to me in retrospect.

Being a human is equal parts comedic and sorrowful, but it always shocks me how these parts so easily coexist. There was a time in my life when I couldn’t fathom not being shattered by the rejection of that stupid insurance company and now it’s a delightful anecdote I giggle to myself about.

The past is so often painful for me, but it seems important to remember that I will not always feel the same way about that pain. I will still see it and know that it existed, but the pangs themselves will dull over time and someday I may not feel them at all. I am temporary, my experiences fleeting, and there is both heartache and beauty to be found in that.

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I want to be soft and lovely.

To enjoy things for the sake of it.

I want to take off my armor and feel the tall grass against my bare knees.

And to catch the children before they tumble off the edge.

To shield them with the warmest parts of my soul.

To build a fire from my regrets and tell them only the kindest of fairytales.

Let the smoke rise as a signal for lost things:

Come.

Find us.

We wait for you.

I'm half this and half taking Osamu Tezuka's writing for children philosophy of (show children reality, then speak to them of ideals), because shielding children too much makes them naive and that's a very scary and dangerous vulnerability in this world which the worst of people love to exploit... stories will ring false if their worlds are too happy, perfect, and unmarred by any evil, sorrow, or pain.

It's better to let them know how to protect themselves and recognize evil and danger, but also teach them beautiful ideals to keep them hopeful and make the world a kinder place. Raise them so they'll be the kind of people that'll make people regain hope in humanity, that sort of thing...

Idk why I never responded to this. I’m perpetually desperate for people to engage with my writing lol.

See I think you’re right. Absolutely. We cannot shield children from the horrors of the world. It is a privilege to be able to shield them at all, given that many children experience these horrors on a daily basis. Too much coddling leaves kids vulnerable and sometimes lacking empathy.

I think the poem (if you can call it that) was intended to be more about the urge to protect than the actual repercussions of protection. It’s about wanting my vulnerability and my pain to be useful and helpful to others. It’s about not wanting to be hardened by the things that have happened to me. It’s about seeing myself in kids who have not yet been hurt by the world for being different like I was and wanting to offer them a safe place to land.

I’m also specifically referencing Catcher in The Rye. The lead character, Holden, is a mentally ill teenager who describes his ideal job as being someone who prevents kids from tumbling over the edge of a cliff. It’s this very idealized and abstract thing he wishes he could do and of course it’s a projection. No one prevented him from falling off his own cliff and he is trying to navigate life at the bottom of it.

Which is not to say there’s anything wrong with how you’ve interacted with the poem (again I’m being lose with the term poem lol). Your interpretation and the way it made you feel is important and interesting and I’m glad you shared it.

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There's something gutwrenching about parasocial attachment. The deep, endless, human rot in me that longs to be witnessed reaches out to the same rot in another and it finds camaraderie. It does not, however, find reciprocity. I witness and see and feel seen without being visible at all.

It's strange, like a childhood crush. You scrawl their name in a diary over and over again like repeating lines on a chalkboard. You're sick with it, a voyeur, watching and sighing. It's not a dark thing, but it lives in darkness.

The only words to describe it are the ones found in sonnets and poems for lovers, but they aren't adequate. They aren't accurate.

Their hand is your hand. Their troubles are yours. You experience your one and only lives separately, yet your woes cross great distances to mirror each other in this broken, one-sided way.

My body was never designed for this. I was never meant to love someone I'll never know.

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I have to scrape a deep layer of freezer burn off the pizza before I can pop it in the oven. I peel off chunks of ice and cheese into my freshly scrubbed sink. There is no garbage disposal so I’ll have to don my rubber gloves later and scrape the half melted cheese out with a paper towel.

But I’m doing it. And I defrost the pizza and I add more cheese and I plop it on a cookie sheet and I slide that in to bake at 400 for exactly 18 minutes. By that time I’m a bit nauseous from the heat of the oven and I have to sit down. This happens now. I get over heated or winded. I’m low on iron. My breaths come in sharp heaves and my heart races and I have to rest. It is frustrating, this entropy of the body. I take supplements, and they’re helping, but I still have to give myself a kind of grace I never did before.

I’m not cooling down and my cheeks are bright red and flushed and hot. I think back to last year at this time. I was living in a house that was foreign to me, sleeping on a thin rubber mattress, crying five times a day in group after group while I tried to find some way to get better. It was so fucking cold outside that the recovery coaches sometimes had trouble making it to the center. A handful of them would blast the heat, and the whole house would begin to sweat. I’d have to take a step outside. I’d lounge out in the frozen air by the smoker’s benches for as long as I could stand it, or pace around the barren garden looking at clusters of painted rocks.

So I go outside of my apartment, the smell of pizza wafting with me, and I sit on the concrete slab that is my porch. It’s been sleeting for two days, but it’s raining now, the crystal sidewalk slick with water and reflecting the night back to me. I’m barefoot. I sit and I inhale air so crisp and clean I feel brand new. I watch rain drip down the icicles hanging from the eves and I have this thought.

I’m so glad I’m alive.

I nearly cry. Because sitting on my porch in the sleet feels like being a part of something bigger than me. Because I know I’ll go inside and make myself a salad and eat pizza and read before I go to bed and set up a second date with the girl I just started seeing. Because the way the lamp light reflects off the frozen ground is so profoundly beautiful I can feel it break my heart, but in a good way, the best way. Because it smells like Christmas somehow, but the Christmas before my mom and I got distant. Because I have that thought and I think of what a beautiful poem it could make.

And I smell ozone. And I’m glad I exist.

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I feel restless and anxious. Probably because it’s nearly 3 in the morning - GO TO BED TORI. 

All the same, I gots the anxiety. That gnawing existential feeling. Right now I’m thinking about cognitive dissonance. It’s a concept I think about a lot these days. I have a very hard time with it. Even if I rationally know that it is ok to believe and feel totally different things simultaneously, there’s a part of me chomping at the bit to return to a binary. This or That. Black and White. I know that’s a huge part of my mental illness. Living somewhere in the middle is important. 

But when it comes to lofty concepts like justice or ethics or morals, the middle isn’t always comfortable. The middle isn’t always right. And I feel shame sometimes for not operating as a %100 Guaranteed Good Person. 

I know this is like, the human condition or whatever, but sometimes I just wanna stop being painfully aware of how flawed my quest for perfection is. 

I obsess over perfection. I have always obsessed over perfection. When I stop myself from obsessing over perfecting one thing, I transfer the perfection to another. And it’s just fucking dawned on me that in the same way I used to obsess about having the perfect body or being the perfect student, I obsess about being the perfect moral entity. And like, feeling shameful over a less-than-moral decision isn’t the worst thing in the world, but ALSO humans are known to do bad shit sometimes. That’s fucking living. Everyone does something immoral every now and again. Shaming myself for this to the point where just the potential of doing someone wrong ties my gut in knots isn’t fucking helpful. 

I am flawed. That’s okay. I am going to fuck up. I am going to make mistakes. I am going to hurt someone without meaning to. I am going to hurt someone intentionally. I don’t anticipate any of those circumstances leading to grand or disastrous results. Probably I’ll just feel guilty and apologize. That’s healthy. That’s living. 

Go to bed Tori. Stop freaking out over all the bad things you haven’t even done yet. 

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I have epiphanies like Meryl Streep has acting credits. Often times I have to have the same epiphany more than once for it to really sink in. This can be frustrating for those who know me well. They have to put up with my “aha!” moments when they’re fresh and then also have to say “yeah no fucking shit, Tori” the second and third times around.

I have had epiphanies about my relationship with empathy numerous times. On the whole, I consider myself an empathetic person – to a fault at times. It’s hard for me to separate what I feel from what is true. I may feel like the girl who just left the outdoor table beside me was judging me when the lid to my yogurt flew toward her in the wind. I may worry she left because of me or because of something I did. But the truth is, I have no clue why she left her seat. Though, it’s probably because of the aforementioned wind.

Humans like to fill in gaps. It’s how our brains operate on a basic level. But I fill in more than just the logical gaps. I fill in emotional gaps. I try to predict an outcome. I make assumptions about the behavior of others in a backwards attempt at self-preservation. That’s pretty much just what anxiety is, airtight sealing the gaps of reality with the worst case scenarios. In doing this, I at least become focused inward to a degree that some would call self-obsessed. Now, I’m not egotistical. Quite the opposite, actually – but I am inclined to believe that every action others take around me must, in some way, be because of my actions. Usually this skews negative, See: The Girl Who Left Her Table.

Rather than protect me from cruelty, which I imagine is my brain’s goal in its own primitive way, this alienates me. It’s not ALWAYS about me. I’m just not that important, and thank fuck I’m not. In the same way we find vain individuals exhausting to be around, this negative vanity is equally tiresome. It also limits our ability to empathize. If you’re busy demonizing yourself through the false lens of those around you, that doesn’t leave much time to listen and respond to other people.

I’ve understood this for a long time, the inherent selfishness in how my mental illness operates. It’s something to be overcome as much as any other symptom. There’s another way, though, in which my mental health interacts with empathy and this one is harder to deny: Comparison.

This has been a bitch for me in recovery. I have this kneejerk reaction to anyone presenting any sort of positive aspect of their life. I envy them, even if I already have the thing they have. Somehow I am missing out. Somehow I do not have enough, and by association I am not enough. That idea, that I am not enough, is the root of a lot of my issues. It’s certainly where my eating disorder comes from (a combination of “I am not enough” and “I am too much.”) For a long time I lived so steeped in what other people had, what other people were doing, what other people were achieving, that I only functioned from a place of what I lacked. It didn’t matter what I did. It would never be enough. There would always be someone out there doing more and being more. In a lot of ways I am still learning how to operate from a place of what I am instead of what I’m not.

I catch myself – feeling the weight of envy in my gut and not knowing why. There is a disconnect sometimes between what I know to be true and that old reaction. I have to stop and collect myself and remember that envy is a choice. I can choose so many other things instead. I can choose joy and appreciation for others. I can choose to compliment instead of silently resent. Those choices are so much more satisfying. They don’t leave me wallowing in what I fear I can never become. But the feeling itself – of wanting what another has – it isn’t wrong. Shaming myself for feeling it is just as bad as living my life by it. So I try to live somewhere in the middle. It’s a sliding scale most of the time. But it’s working for me. It may take a few more epiphanies, a few more blog entries, to really hit the mark, but that’s okay. That’s enough.

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Big Boy: A Tale of Tween Regret

So I was ten or eleven? Somewhere in that range and me and my preteen friends were having some sort of tiff. Someone had said something about someone else behind their back and then word had gotten back to that someone and they were pissed and etc, etc. Typical hormone driven melodrama. I was incredibly upset about the whole thing and so my oldest sister, Sage, invited me over to her apartment to hang and talk. Sage and I haven’t always had the greatest relationship, but this is a moment that stands out for me.

That night we got onto the subject of theatre and acting. I mentioned that I wanted to try it, but was too scared to audition for anything. Sage had done theatre in high school. She was in the first real play I ever saw performed and she was good. Not just passable, but genuinely fucking talented and I was really in awe of her for that. Upon hearing my interest, Sage immediately began looking up local auditions on her laptop. I insisted that I couldn’t do it -- that I would be too scared to get up in front of people -- but she persuaded me to try. We found an audition for the next day at a community theatre. It was a children’s Christmas play, you know the type. Some pastor’s wife had probably written it, clutching desperately to the English degree she never used and taking swigs from the communion wine. The audition was a cold read, so I couldn’t prepare the night before, but Sage talked me through what the process would be like. 

The next day I was T E R R I F I E D. We got up early and swung by my parent’s place to pick out my audition clothes and then Sage drove me to the theatre. I don’t remember much, but I remember Sage getting my sides and reading through them with me. My character was the second eldest child in a group of five siblings. She was practical and intelligent and annoyed with her brothers and sisters - particularly her one older brother. She had a line. God. She had this line making fun of her brother and it ended in with her mockingly calling him “Big Boy.”

So, when Sage and I ran through the scene, I said the line. 

Big Boy

“That was really good, but...” Sage laughed a little “Don’t say ‘Big Boy’ like it’s a sexy thing - he’s your brother!”

OH GOD. I was in a panic. OH DEAR GOD. The last thing I wanted to do as an awkward eleven year old dweeb was get on stage in front of these thespian children - who at the time all seemed to me like haughty, well dressed, Draco Malfoy types, giving me the stink eye and whispering about my hand me down robes - was to IMPLY I wanted to FUCK my onstage BROTHER. 

BIG BOY

I’m sitting in the theatre and I’m shaking in my seat just absolutely losing my goddamn mind and reading the script over and over and practicing that last line in my head “Big BOY? no BIG boy... no BIG BOY.”

BIG BOY BIG BOY BIG BOY BIG BOY

So they finally call me up on stage with the other kids who are gonna be playing my siblings. It’s totally all good. I don’t trip getting up the steps and I line up how they tell me and then -- oh no. Oh. Oh fuck no.

The kid who’s playing my older brother? The Big Boy himself? He was probably 14 or 15 so of course to me he was a distinguished elder gentleman. And poor me. Poor tween me, he’s fucking cute. In my memory he’s like a Shawn Mendes type - as twinkie as twink can be and a regular heartthrob for an eleven year old. It was like Aaron Carter had made his way on stage and I had to call him “Big Boy.” HOW WAS I SUPPOSED TO ACT LIKE I DIDN’T WANT TO MAKE OUT WITH MY STAGE BROTHER WHEN I ABSOLUTELY DID?

And of course the directors position me right next to Zac Fucking Efron and I am just. Sweating. My newly developed adult sweat glands are giving it all they’ve got. 

We start the scene. And it’s good. It’s all good. I can’t fucking see anything past the stage lights and I’m dripping sweat, but I say my lines and I refuse to look Justin Timberlake in the eye. If I don’t look at him, he can’t woo me with his boy band face. 

But the line is coming up. It’s coming. And it ARRIVES and I turn to Jesse McCartney and most of the line comes out. Almost the whole line comes out, but he’s CUTE, and when I hit the words in my script BIG BOY BIG BOY BIG BOY --

Nothing comes out. It’s silent. Chad Michael Murray is looking at me like “bitch say the fucking line” but I C A N ‘ T. The pause goes on and and on and then the next kid with a line realizes I’m a fucking broken human being and continues with the scene. 

It ends, the whole ordeal ENDS and I am GONE. Off that stage and in my seat so goddamn fast no one even sees where I go, just the puddle of sweat I’ve left in my wake. Sage gives me a thumbs up and we head for the door into the lobby to wait for callbacks. But they did not want to cast a pre-pubescent sweat goblin, which I understood, so I did not, in the end, not have to go back on stage and face Orlando Bloom.

Sage was still encouraging. And she was right when she told me now that I had done it, had actually auditioned for something, it would be much easier for me to do it in the future if I wanted. 

She did ask me why I didn’t finish the line and I flat out told her I couldn’t figure out a way to say it that didn’t sound like I was hot for my bro. She found this pretty funny. 

“You still should have said it!”

Not a fucking chance. 

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Anonymous asked:

Hey this might be super weird but a long long time ago (like in 2011) you shared the story of your disastrous first kiss which I found after desperately scrolling the 'bad kissing' tag. I, an unfortunate high school girl, just had a very similar first kiss experience. Face being gobbled. Saliva everywhere. No natural reflexes. 'WTF even is kissing?' So I come to ask you. Does it get any better? Any advice for a poor bad kisser? I know you aren't an dear abby column but pls help what do I do

Oh wow! That is an old post, but I’m glad (and also very sorry) you could relate to it. 

I am here to report that kissing definitely gets better - or at least, it got better for me. Now note it never stops being weird - kissing is a weird thing that humans do. Like the whole conceit of it is just bottom-line bizarre.

That said, it definitely gets better. I doubt very highly ANYONE is good at kissing naturally. Because here’s the thing,  it’s pretty subjective? Some people like lots of tongue. Some people like no tongue. Some people like to take more breaks between kisses than others. Some people like long uninterrupted kisses. Everyone is different. And the key to having a good time kissing someone is mostly to just not take yourself too seriously. It’s okay if you accidentally slobber on someone. It’s okay to say “hold up” when that happens and wipe it away. It’s okay to communicate with your partner ‘hey I like/don’t like this thing,’ and I HIGHLY recommend that communication.

When I was in high school, I wanted to be instantly good at making out and relationship stuff. I felt very insecure about my lack of experience in those matters. I think a lot of high schoolers probably feel similarly. The biggest piece of advice I can pass onto you is this - embrace what you don’t know. Ask questions, make mistakes, let yourself be human and unsure. You don’t have to have it all figured out. 

I kissed a few boys and then figured out I wasn’t really interested in kissing boys and that was part of the reason I didn’t really enjoy it all that much. When I started kissing girls, my enjoyment of it improved immensely. Because I listened to myself.

I also can’t discount the fact that the more kissing you do, the more opportunity you have to figure out what you like and don’t like. It’s different with every partner and you may kiss a new partner completely differently from how you kissed the old one. I spent a lot of time when I was young thinking stuff like that was an exact science. If I could figure out how it all worked then I would be ready and good at it when the time came. But some things in life aren’t like that. They’re far less quantifiable. Kissing, sex, attraction - they’re all a little more amorphous than we’d like them to be. 

My advice to you would be - if you like this person? Keep kissing them. Talk to them. Tell them you wanna try something different. Kiss with your mouth closed for a while. Then add tongue. Or don’t. Tell them what you like and don’t like. There’s nothing unsexy about advocating for what you want. Take the opportunity to go on the journey of that with them. If you kiss them for a while and you’re not sure you want to keep kissing them, that’s okay too. Sometimes attraction isn’t quite what you think it is once you get in the thick of it. There’s nothing wrong with that. 

You also don’t have to kiss this person ever again if you don’t want. Listen to your gut feeling about it. Your gut knows more than you give it credit for. 

In summary: Kissing is weird. Everyone likes to kiss differently. Being unsure or unskilled as a kisser is normal and you should feel free to embrace. I hope this was helpful and I hope your next kiss is better!

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When I was 15 I performed at a local V-Day festival celebrating women and feminism, etc. It was a strange venue for the band I was in. We were used to more niche performances with just our fans in attendance. This festival was putting on The Vagina Monologues in the evening after we performed.

I remember being back stage at the theater where the event was being held. A woman was on before us. I don’t remember specifically what she was doing, she might have been giving a talk or even playing music, but I remember in particular one chunk of a speech she gave. She spoke about having gone to the movies the week earlier. A remake of The Last House on The Left had just come out and she’d gone to it. To her shock and horror there had been an incredibly graphic rape scene in the film – one so bad she had to leave the theater and ask to see a different movie instead.

I remembered the rape scene. I’d seen the movie myself and I had been beyond uncomfortable during it. But I had known about the scene going in. The original film is grotesquely famous for its own graphic depiction of rape, so I’d known what to expect. She hadn’t. She asked the manager of the movie theater to allow her to see a different movie instead. She then walked into Watchmen - a tedious three hour Zach Snyder adaption of the legendary Alan Moore comic.

Which just so happens to feature a scene of sexual assault and near rape. Even worse, the character who is almost raped later consensually has sex with her attacker and bears a daughter.

The woman on stage’s voice quivered with anger.

“I walked out and demanded my money back. That we live in a day and age where sexual violence toward women is considered such casual entertainment is abhorrent. That two random films in the same opening weekend feature rape as a plot point is disgusting.”

I remember not understanding the degree of her fury. I remember thinking the scene in Watchmen hadn’t been “that bad.” I thought about it in those terms, the severity of the matter making a difference to me at the time. I remember thinking that she should have looked up content warnings before going to the movies. I stood there, at 15, internally defending a societal norm I didn’t fully comprehended. I didn’t ask myself WHY the abuse of women was so common in media. That was just the way it was to me. I put the responsibility to avoid that content on the woman who had been triggered by it instead of questioning its existence in the first place.

The point that woman was making has always stayed with me, even while I didn’t understand it. And now, nearly a decade later, her words have finally hit me.

It’s not that those depictions exist. It’s HOW they exist. In stories that use them as a cheap way to move along a narrative or characterize a victim. It’s the insistence that we record graphic reproductions of these crimes so readily. It’s the casual attitude of it all. It’s the normalcy of it all.

It’s that at 15 I was already conditioned to defend it.

It’s that trauma is an overreaction. That the woman on that stage, yelling into the mic, is overzealous.

It’s that we should avoid discussing it instead of staring long and hard at the way our media influences real life behavior.

It’s who we voted president.

It’s who we hear on the radio.

It’s who we root for on the field, the court, the ice.

It’s who we see playing those well rounded men up on the bright screens in our cinemas.

It’s how we blame and dismiss and give the benefit of the doubt to those who have done nothing to earn it.

I still think about that woman. I still feel ashamed of my naive reaction to someone I would eventually come to feel kindred towards. A woman whose face I never saw. Whose name I cannot remember.

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do you guys ever get to that point where hobbies are literally stressful? like people are like “oh youre depressed and/or anxious? just do something you love!” but literally doing the things you actually do still like doing stresses you out because you don’t know if you’re doing them often enough or right enough or if you’re having enough fun doing them

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Carrie Fisher’s Unsung Legacy

While best known as an actor, it shouldn’t go unacknowledged that Carrie Fisher was also ONE HELL of a writer. As a matter of fact, she had a hand in writing some of the best movies in Hollywood. 

Script doctoring, or script consulting, is a skill that often goes uncredited and unacknowledged in Hollywood. Writers will get hired to polish up an existing screenplay; just like doctors, they diagnose problems and suggest solutions. In the case of script doctoring, that means anything from adding in a few new jokes, to implementing massive structural changes or reworking entire characters and scenes.
Carrie Fisher’s career as a script doctor became the stuff of legend in the 1990s. Fisher was responsible for fixing up Hook in 1991, Sister Act in 1992, Lethal Weapon 3 in 1992 and The Wedding Singer in 1998. In 1992, Entertainment Weekly called Carrie Fisher “one of the most sought after doctors in town”—high praise, and one of the only accolades that Fisher would ever receive in printed form, given that she was not credited by name as a writer for any of the films in which she had a hand.

So now you know. Carrie was a brilliant writer, and her legacy will live on forever in many, many different forms. We may never know just how many movies she worked on and fixed up! 

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sashayed

You guys, you must stop doing this. You must. We cannot keep yelling at you about it because it makes us so angry, and we are already angry all the time, about real things, like how our lives are turning into a real world Handmaid’s Tale, ha ha ha ha ha ha ha haha ha ha ha ha ha. We cannot keep spending our energy being mad at mediocre men for writing mediocre books that inexplicably win awards and that people tell us to read, for some fucking godawful who knows reason.

So men. My guys. My dudes. My bros. My writers. I am begging you to help me here. When you have this man in your workshop, you must turn to him. You must take his clammy hands in yours. You must look deep into his eyes, his man eyes, with your man eyes, and you must say to him, “Peter, I am a man, and you are a man, so let us talk to each other like men. Peter, look at the way you have written about the only four women in this book.” And Peter will say, trying to free his hands, “What? These are sexy, dynamic, interesting women.” And you must grip his hands even tighter and you must say to him, “ARE THEY, PETER? Why are they interesting? What are their hobbies? What are their private habits? What are their strange dreams? What choices are they making, Peter? They are not making choices. They are not interesting. What they are is sexy, and you have those things confused, and not in the good way where someone’s interestingness makes them become sexy, like Steve Buscemi or Pauline Viardot. Why must women be sexy to be interesting to you? The women you don’t find sexy are where, Peter? They are invisible? They are all dead?” He is trying to escape! Tighten your grasp. “Peter, look at this. I mean, where to begin. ‘She could have been any age between eighteen and thirty-five?’ There are no other ages, I guess? Do you know what eighteen-year-olds really look like, in life? Do you know what forty-year-olds look like? And not that this is even the point, but why are these sexy, dynamic, interesting women BOTHERING with your boring garbage ‘on the skinny side of average’ protagonist? Why did you write it like this, Peter?” 

And maybe Peter will say at last, “I don’t know.” Maybe he will be silent for a long long long time, and then maybe he will say, “I guess it’s scary and difficult for me to imagine the interiority of women because then i would have to know that my mother had an interiority of her own: private, petty, sexually unstimulating, strange: unrelated to me and undevoted to my needs. That sometimes I was nothing to my mother, just as sometimes she is nothing to me. That I was not at all times her immediate concern.”

“I know, Peter,” you can tell him gently.

“I don’t want to know that my mother was a human being with an internal life, because to know that would be to risk a frightening intimacy with her,” Peter will say, maybe. “Because to know that would be to know that she was only a small, complicated person, no bigger or smaller than I am, and I am so small. To know how alone she was. How alone I am. How alone we all are. That my mother survived with no resources more mysterious than my own. She gave me life. My God: she gave me life. How can I pay her back for that? How can I ever, ever give her enough to repay her for my life, every day of my life?” He will be sobbing probably. “I am frightened of her. I am frightened of dying. O God. My God. I didn’t know. I didn’t know.” Drool will run from his mouth as he cries. The way babies cry. He will be ashamed. You must hold him. You must say, “Shh, Peter. Shh.” Wrap your man arms around him. Hum into his thin hair as your own mother hummed once into your own sweet-smelling baby scalp. Kiss him gently on his mouth. There. You did it, men. You fixed sexism. Thank you. You’re the real hero here, you men, and your special man powers, for making art. 

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I hate this feeling. The moment before it all changes again and you realize all those times Old You fought for what now seems fleeting. I used to cry thinking about going back. When my parents suggested it, I felt only fear. The terror of failing. The terror of losing some sort of fated future. And now I’m just tired. There is a life here. I’ve made it. There are things I want to keep, cling desperately to and never let go, but the things I actually get to keep aren’t nearly as appealing. Why shouldn’t I toss it back where it came from? What is stopping me from baiting my hook with a new lure or an old lure or no lure at all? Maybe I don’t want to cast out anymore. Maybe I’m tired and any notions I once had of needing to appear “successful” and “independent” have been swept away in the river. What if I don’t care if I have to tell old high school acquaintances that I’ve moved back in with my parents. Or that I’m taking classes at TCC. I don’t give one flying fuck about my degree plan or starting a fucking career. I don’t care about the Austin night life or queer community or art scene. Everything here is as plastic and manufactured as Los Angeles sunshine and New York spunk. All the quirks are purposefully generated in a fucking lab to sell t-shirts and the new American Dream. I. Am. Tired. Of pretending I want to keep up with it all. Maybe that’s the best way to be. It’s scary. I feel like something in me has broken and I don’t know yet if I’ll come away from it better or worse. All I know is I can’t stay still anymore. I don’t want to anymore.

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