And if all of that is also true for a doll just representing a woman, then...I don't even know. BARBIE (2023) dir. Greta Gerwig
THE INNOCENTS (1961) THE OTHERS (2001) CRIMSON PEAK (2015) THE GHOST AND MRS. MUIR (1947) THE VVITCH (2015) THE BLOOD ROSE (1970) BEAUTY AND THE BEAST (1946) THE HOUSE THAT SCREAMED (1969) THE HORRIBLE DR. HICHCOCK (1962) THE SPIRAL STAIRCASE (1946)
TRAP (2024) dir. M. Night Shyamalan
AMANDA SEYFRIED as NEEDY LESNICKI
JENNIFER'S BODY (2009) dir. Karyn Kusama
MATCH TITLE CARDS Challengers (2024) dir. Luca Guadagnino
Little Women (2019) | dir. Greta Gerwig
While working on the film, Bong Joon-ho called Parasite a “staircase movie”. It is an upstairs-downstairs film that explores every available rung on the ladder of class aspirationalism. The movie starts in the half-basement apartment of the Kim family, with windows that barely peer above the ground. Half-basements are distinctively Korean spaces in urban centers like Seoul, and while the Kim house is firmly below ground, it still “wants to believe it’s above the ground.”
A story about two homes — the upstairs family and the downstairs — reveals yet another lurking underneath. The original housekeeper confesses that her husband has been stowed away in a secret bunker underneath the Park house for four years. The Kims are shocked by the state of his living conditions.
In the end of the film, the father becomes the new resident in the bunker, hiding from the police in the last place they’d look to find him. The Parks move out, only to be replaced by a German family. The particularities may have changed, but everyone’s station has remained the same. There would always be a wealthy person to live upstairs, just as there would be another poor person positioned beneath them. - by E. Alex Jung
Parasite | 기생충 | Gisaengchung (2019) dir. Bong Joon Ho, production design by Lee Ha Jun
No More Lies.
The Batman (2021) dir. Matt Reeves
According to Marshall, the 23-year-old Roberts would sometimes show up to the set a bit sleepy after a night of partying. “I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her.”
It wasn’t until the last moment of editing that they decided to use the scene. “We put it in… and it became like the trademark of the movie,” said Marshall.
PRETTY WOMAN (1990) dir. Garry Marshall
Music in Film: Glass Onion: A Knives Out Mystery (2022) dir. Rian Johnson original score by Nathan Johnson
Aftersun (2022) dir. Charlotte Wells
Scarlett Johansson as Kelly Jones in Fly Me To The Moon (2024) ↳ Costume Design by Mary Zophres
PRIDE AND PREJUDICE (2005) dir. Joe Wright
# it’s sweater Ransom season again
→ hall of mirrors in film
1. Candyman (2021) dir. Nia DaCosta 2. Black Swan (2010) dir. Darren Aronofsky 3. The Lady from Shanghai (1947) dir. Orson Welles 4. Zola (2020) dir. Janicza Bravo 5. Enter the Dragon (1973) dir. Robert Clouse 6. Us (2019) dir. Jordan Peele 7. Skyfall (2012) dir. Sam Mendes 8. Inception (2010) dir. Christopher Nolan 9. X-Men: First Class (2011) dir. Matthew Vaughn 10. Citizen Kane (1941) dir. Orson Welles
DYLAN O'BRIEN Saturday Night (2024)