Timothy Morton, “On Object-Oriented Ontology,” 2016
Architecture has since about 1900 been based on vectors of pollution flow—gotta keep the bad air out, for instance, so you need air conditioning. But when you think about things at Earth magnitude, at that scale, where does it go? It doesn’t go 'away,' it just goes somewhere else in the system. Nature, if you like, is a sort of fourth wall concept (you know theater?) by which we try to separate the human from everything else.
I aspire to be a vector. I don’t want people to look at me, I just want to be a sign pointing to other things.
nickkahler reblogged
Stephen Willats, Surfing With The Attractor, 2012 (via grupaok)
Source: southlondongallery.org
Tristan Al-Haddad, Ruptures in Running Bond, Boston, MA, 2010
"Ruptures in Running Bond transforms the existing apertures in the brick walls of the Mills Gallery at the Boston Center for the Arts into a serious of modulated penetrations which transform the ‘southern exposure’ of the building into a series of ‘light vectors’, pulling the natural light through the wall and into the space during the day and drawing artificial light out of the gallery and into the city at night." He used thermoplastic vacuum forming to mold flat plastic sheets into light-grabbing tubes that illuminate the interior of the gallery.