Today, we have too many choices. Like, when they built Sienna, they built the whole city out of terra di Sienna. They had the bricks out of the soil from the place, right? Or in the Dogon regions of Africa. Everything is made out of the local dirt there—traditionally there was not a lot of choice of what you built out of. So there was a tremendous amount of coherence to the place because it was built out of local materials. Today, we can buy stuff from any place. Get marble from China or whatever, and so the world is starting to look the same everywhere, kind of like the tower of Babel. These consistent, simple places are disappearing
Every act of preservation is inescapably an act of renewal by the light of a later time, a set of decisions both about what we think something was and about what we want it to be and to say about ourselves today.
Every animal breathing today under the sun owes the survival of his species to adroitness, to courage, or to speed. Now, in the age of atomic energy opening up, of these three prerequisites, it is speed that is the most important.
J.F.C. Fuller in Paul Virilio, Bunker Archaeology, 1975
Chinese tactics revolved around prolonging the time of war as opposed to the extreme shortening of that time to the Occidental apparatus. ... This overlay of these two strategic ways of thinking in today' world is not limited to geography, that is to say, to a more or less declared opposition of the Occident to the Orient. The overlay is found especially in the more fundamental opposition of the rural to the urban, between those who are territorialized and those who tend ceaselessly to dissipate in their conquest of elemental totality, in pure spatiality: sea, sky, and empty space.
Paul Virilio, Bunker Archaeology, 1975
Nightfall, with its deep, remote baying of unseen ships, the rumor rising from the sea, and the happy tumult of the crowd—that first hour of darkness which in the past had always had a special charm for Rieux—seemed today charged with menace, because of all he knew.
Albert Camus, The Plague, 1947
It is often said today that the most-successful businesses are those that create experiences rather than products, or create experiences (environments, relationships) around their products. So we might also say that under producerism, in the age of creative entrepreneurship, producing becomes an experience, even the experience. It becomes a lifestyle, something that is packaged as an experience—and an experience, what’s more, after the contemporary fashion: networked, curated, publicized, fetishized, tweeted, catered, and anything but solitary, anything but private.
Philosophy, the discipline concerned with the deeper sense of the totality of human endeavor, today - in a world far more differentiated and complicated than that of past centuries - fails to render this service satisfactorily, as it is principally based on the word as the dominant medium of communication. Scientific and other concepts have progressed into a realm of abstraction. Words alone cannot always illustrate the ultimate meaning of such concepts.
Xanti Schawinsky, Spectodrama, 1968
To many people today I am an old fool, who happens to be a famous writer.
Jorge Luis Borges, "On Perception," c. 1980
Architecture today is little more than cardboard.
Rem Koolhaas, "On the Venice Biennale," 2014 (via guardian)
In Uruk he built walls, a great rampart, and the temple of blessed Eanna for the goddess of the firmament Anu, and for Ishtar the goddess of love. Look at it still today: the outer wall where the cornice runs, it shines with the brilliance of copper; and the inner wall, it has no equal. Touch the threshold, it is ancient.
N.K. Sandars vs. Anonymous Akkadians, The Epic of Gilgamesh, c. 2500 / 2100 BCE
Art, in its conspicuousness, in its recognizability, is an indication of failure. If it were truly consumed, no longer visible or conspicuous, if there were only a few manifestations of art left, it would actually be where it belongs - that is, within the people for whom it was created.