Herzog & de Meuron, Tate Modern Switch House, London, England, 2016
Carsten Höller, "Test Site Slide" at the Tate Modern Turbine Hall, London, England, 2006
Ai Weiwei, "Artist with Son at Sunflower Seeds" at the Tate Modern , London, England, 2010 (via neversorry)
Rachel Whiteread (b. 1963), Embankment, Tate Modern, London, England, 2005
Embankment "consists of some 14,000 transluscent, white polyethylene boxes (themselves casts of the inside of cardboard boxes) stacked in various ways; some in very tall mountain-like peaks and others in lower (though still over human height), rectangular, more levelled arrangements. They are fixed in position with adhesive. She cited the end scenes of both Raiders of the Lost Ark and Citizen Kane as visual precursors, she also spoke of the death of her mother and a period of upheaval which involved packing and moving comparable boxes. It is also thought that her recent trip to the Arctic is an inspiration, although critics counter that white is merely the colour the polyethylene comes in, and it would have added significantly to the expense to dye them. The boxes were manufactured from casts of ten distinct cardboard boxes by a company that produces grit bins and traffic bollards."