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#ratio – @nickkahler on Tumblr
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el laberinto

@nickkahler / nickkahler.tumblr.com

chronicling an eclectic labyrinth of architectural contemplation based in new york city
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When a hermit crab that has grown too large for its current home locates a new one, it determines the structure’s suitability via a process called fondling. During this activity, the hermit crab will explore the shell’s surface and its internal volume-to-weight ratio by rolling the shell over and gently rocking it back and forth.
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'Hambidge's illustration of the construction of root rectangles. The lengths of the horizontal sides of the original square and the four root rectangles derived from it, are respectively . According to Wolfgang von Wersin's The Book of Rectangles, Spatial Law and Gestures of The Orthogons Described (1956), a set of 12 special orthogons (from the Gr. ορθος, orthos, "straight" and γονια, gonia, "angle"; "a right angled figure", which, as a consequence, is rectangular and tetragonal) has been used historically by artists, architects and calligraphers to guide the placement and interaction of elements in a design.' These orthogons are:

  1. Square (1:1 or 1:√1, 1.000)
  2. Hemidiagon (1:½√5, 1.118)
  3. Trion (1:⅔√3, 1.155)
  4. Quadriagon (1/2 + √2/2, 1.207)
  5. Penton (1:√φ, 1.272)
  6. Diagon (1:√2, 1.414)
  7. Hemiolion (2:3, 1.500)
  8. Auron (the golden rectangle, 1:φ, 1.618)
  9. Hecton (1:√3, 1.732)
  10. Doppelquadrat (1:2 or 1:√4, 2.000)
  11. Root 5 Rectangle (1:√5, 2.236)
  12. Bipenton (1:2√φ, 2.544)
  13. Biauron (1:2φ, 3.236)

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