Flannery O’Connor, “The Geranium,” 1946
He was the man in the house and he did the things a man in the house was supposed to do. It was a dull occupation at night when the old girls crabbed and crocheted in the parlor and the man in the house had to listen and judge sparrow-like wars that rasped and twittered intermittently.
The role of the artist is to see what is in the world today.
Robert Rauschenberg, “On Art and Collaboration,” c. 1980
One of the most hopeful lines of explanation is to assume that an electron does not continuously traverse its path in space ... that it appears at a series of discrete positions in space which it occupies for successive durations of time.
Alfred North Whitehead, “On Continuity,” c. 1930
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out the garbage can, surely a prosaic occupation, but I enjoy my part, my little clang, as the droves of junior high school students walk by the center of the stage dropping candy wrappers. (How do they eat so much candy so early in the morning?) … When I get home after work, the ballet is reaching its crescendo. This is the time of roller skates and stilts and tricycles, and games in the lee of the stoop with bottletops and plastic cowboys; this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher’s.
Jost Amman, "Schalksnarr" from the Book of Trades, 1568
Jost Amman, "Laternenmacher" from the Book of Trades, 1568
nickkahler reblogged
four-months-deactivated20150929
First there are the utopias… They are sites that have a general relation of direct or inverted analogy with the real space of society.… There are also, probably in every culture, in every civilization, real places - places that do exist and that are formed in the very founding of society - which are something like counter-sites, a kind of effectively enacted utopia in which the real sites, all the other real sites that can be found within the culture, are simultaneously represented, contested, and inverted… I shall call them, by way of contrast to utopias, heterotopias. I believe that between utopias and these quite other sites, these heterotopias, there might be a sort of mixed, joint experience, which would be the mirror. The mirror is, after all, a utopia, since it is a placeless place. In the mirror, I see myself there where I am not, in an unreal, virtual space… such is the utopia of the mirror. But it is also a heterotopia in so far as the mirror does exist in reality, where it exerts a sort of counteraction on the position that I occupy. From the standpoint of the mirror I discover my absence from the place where I am since I see myself over there.
Michel Foucault, Of Other Spaces (Heterotopias), 1967 (via fourmonths)
All architecture is what you do to it when you look upon it.
Walt Whitman, Excerpt from "A Song for Occupations" in Leaves of Grass, c. 1855 (via gutenberg)