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#mouth – @nickkahler on Tumblr
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el laberinto

@nickkahler / nickkahler.tumblr.com

chronicling an eclectic labyrinth of architectural contemplation based in new york city
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The boy raised the Bible and tore out a page with his teeth and began grinding it in his mouth, his eyes burning. ... The boy rose and picked up the Bible and started toward the hall with it. At the door he paused, a small black figure on the threshold of some dark apocalypse. 'The devil has you in his power,' he said in a jubilant voice and disappeared.
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Outside my window the wasps are making their slow circle, dizzy flights of forage and return, hovering among azaleas that bob in a sluggish breeze this humid, sun-torn morning. Yesterday my wife held me here as I thrashed and moaned, her hand in my foaming mouth, and my son saw what he was warned he might. Last night dreams stormed my brain in thick swirls of shame and fear. Behind a white garage a locked shed full of wide-eyed dolls burned, yellow smoke boiling up in huge clumps as I watched, feet nailed to the ground. In dining cars white table cloths unfolded wings and flew like gulls. An old German in a green Homburg sang lieder, Mein Herz ist müde. In a garden in Pasadena my father posed in Navy whites while overhead silver dirigibles moved like great whales. And in the narrowing tunnel of the dream’s end I flew down onto the iron red road of my grandfather’s farm. There was a white rail fence. In the green meadow beyond, a small boy walked toward me. His smile was the moon’s rim. Across his egg-shell eyes ran scenes from my future life, and he embraced me like a son or father or my lost brother.
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There were stores within of wheat and barley and vegetables, and wine made from barley in great big bowls; the grains of barley malt lay floating in the beverage up to the lip of the vessel, and reeds lay in them, some longer, some shorter, without joints; when you were thirsty you must take one of these into your mouth, and suck. The beverage without admixture of water was very strong, and of a delicious flavour to certain palates, but the taste must be acquired.

Xenophon, "On Brewing" in Anabasis, c. 370 BCE

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I’m an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility. I’m in constant movement. I approach and pull away from objects. I creep under them. I move alongside a running horse’s mouth. I fall and rise with the falling and rising bodies. This is I, the machine, manoeuvring in the chaotic movements, recording one movement after another in the most complex combinations. Freed from the boundaries of time and space, I coordinate any and all points of the universe, wherever I want them to be. My way leads to the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you.

Dziga Vertov, "On the Eye," 1923 (via palethrough)

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