Works Architecture, Slate Mixed Use Complex, Portland, OR, 2016
Kazuyo Sejima, Kitagata Apartment Building, Gifu, Japan, 2000 (via subtilitas)
'A complex modular system based on a variety of environmental, contextual, and habitable considerations.'
Yoann Mescam, Paul-Eric Schirr-Bonnans, and Xavier Schirr-Bonnans, Flat Tower, eVolo Skyscraper Competition, 2nd Place, 2011
"The construction of skyscrapers has been an architectural solution for high-density urban areas for almost a century for its ability to combine height with a small footprint. Today there is a constant race between large metropolises and nations to build the tallest structure, but it has been proven that this typology is sometimes not desirable for medium-size cities where skyscrapers destroy the skyline and disrupt the infrastructure of a specific location. The Flat Tower is a new high-density typology that deviates from the traditional skyscraper. It is based on a medium-height dome structure that covers a large area while preserving its beauty and previous function. The dome is perforated with cell-like skylights that provide direct sunlight to the agricultural fields and to the interior spaces. The dome’s large surface area is perfect to harvest solar energy and rainwater collection. Community recreational facilities are located at ground level while the residential and office units are in the upper cells. An automated transportation system connects all the units, which are different shapes according to their program. It is also possible to combine clusters of cells to create larger areas for different activities. Although this proposal could be adapted to any medium-size city around the world, it has been designed for the city of Rennes, France, in an old industrial area."
FTA Studio, Nomad: Off-Grid Modular Structures, Abitare Competition, 2010 ( via mfdp)
"The aim of competition was to propose new structures and facilities for tourism and recreation on the Sardinian coast. Our proposal was created for the Liscia beach, located on the north part of the island between the town of Santa Teresa di Gallura and Palau. The project’s context in the protected natural area of the river of Liscia, posed inherent challenges, creating the need confront and resolve the environmental limits of the area through an energetically self-sufficient structure, harmoniously integrated in the existing landscape. To reach this ambitious aim the project branches three different scales:
1. masterplan: the area is divided in functional zones according to various users (pedestrians, bicycles, vehicles) in order to reduce the visual impact of the new structures within the natural landscape, 2. building:the design principle responds to need for maximum flexibility and a simplified the assembly process 3. module: the elements proposed are a contemporary reinterpretations of traditional,local,construction materials and guaranty maximum resistance to the coast’s aggressive climate"
Constant Nieuwenhuys (1920-2005), New Babylon, Concepts, 1974
'New Babylon ends nowhere (since the earth is round). It knows no frontiers (since there are no more national economies) or collectivities (since humanity is fluctuating). Every place is accessible to one and all. The whole earth becomes home to its owners. Life is an endless journey across a world that is changing so rapidly that it seems forever other. In New Babylon, where the nature and structure of space changes frequently, one will make much more intensive use of global space. The volume of social space and of social activity in space has two consequences: the space available for individual use is greater than in a society with a sedentary population; yet there is no more empty space, space unused even for a brief time, and, as one makes creative use of it, its aspect changes so much and so often that a relatively small surface offers as many variations as a trip around the world. Distance covered, speed, are no longer the yardsticks of movement, and space, lived more intensely, seem to dilate. But this intensification of space is only possible due to the creative use of technical means, a use that we, who live in a society where use has a finality, can hardly imagine.'
Modular Apartment Complex, Shinjuku, Tokyo, Japan, c. 1960s (via photoidias; to)