Nicholas Korody, “On Timothy Morton and Object-Oriented Ontology,” 2016
Laura Hoptman, "Going to Pieces in the 21st Century" from Unmonumental, 2007
Kendall Buster, "Interview with Katie Geha," 2013
Grolier Society, Colossus of Rhodes in the Book of Knowledge, c. 292-80 BCE
Colossus of Rhodes, c. 292-80 BCE (via resobscura)
Alfred Eisenstaedt, A man standing in the lumberyard of Seattle Cedar Lumber Manufacturing, Seattle, WA, 1939 (via hold this photo)
Thomas Cole, The Titan's Goblet, The Metropolitan Museum of Art, Manhattan, NY, 1833
'The Titan's Goblet is an oil painting by the English-born American landscape artist Thomas Cole. Painted in 1833, it is perhaps the most enigmatic of Cole's allegorical or imaginary landscape scenes. It is a work that "defies full explanation", according to the Metropolitan Museum of Art. The Titan's Goblet has been called a "picture within a picture" and a "landscape within a landscape": the goblet stands on conventional terrain, but its inhabitants live along its rim in a world all their own. Vegetation covers the entire brim, broken only by two tiny buildings, a Greek temple and an Italian palace. The vast waters are dotted with sailing vessels. Where the water spills upon the ground below, grass and a more rudimentary civilization spring up.'