@nickkahler / nickkahler.tumblr.com
Raymond Briggs, The Snowman, 1978
E. Fay Jones, Thorncrown Chapel, Ozark Mountains, AK, 1980-1 (via connaughton)
Ruth Bader Ginsberg, “On History,” c. 2010 (via notoriousrbg)
Dale Chihuly, "On Glass," 2006
Ricardo Legorreta, On the Renault Factory, Gomez Palacio, Mexico, 1985
Laura Hoptman, "Going to Pieces in the 21st Century" from Unmonumental, 2007
Henri Breuil, The Sorcerer, Trois-Frères Sanctuary Cave, France, c. 1925
"The Sorcerer is one name for an enigmatic cave painting found in the cavern known as 'The Sanctuary' at Trois-Frères, Ariège, France, made around 13,000 BC. The figure's significance is unknown, but it is usually interpreted as some kind of great spirit or master of the animals. The unusual nature of The Sanctuary's decoration may also reflect the practice of magical ceremonies in the chamber. In his sketches of the cave art, Henri Breuil drew a horned humanoid torso and the publication of this drawing in the 1920s influenced many subsequent theories about the figure. However, Breuil's sketch has also come under criticism in recent years. A single prominent human figure is unusual in the cave paintings of the Upper Paleolithic, where the great majority of representations are of animals."
Martin Filler, "NY Book Reviewer on Renzo Piano," 2013 (via nytimes)
Mircea Eliade, "On the Eternal Return," c. 1960
"Promotional Video" for Neverwet, 2013
