Harold Rosenberg, “Pop Culture: Kitsch Criticism,” 1958
nickkahler reblogged
In America kitsch is Nature. The Rocky Mountains have resembled fake art for over a century.
nickkahler reblogged
Leaning Tower of Pizza, Green Brook, NJ, 1978 (via archiveofaffinities)
The monumental is aesthetically suspect because it is tied to nineteenth-century bad taste, to kitsch, and to mass culture. It is politically suspect because it is seen as representative of nineteenth-century nationalisms and of twentieth-century totalitarianisms. It is socially suspect because it is the privileged mode of expression of mass movements and mass politics. It is ethically suspect because in its preference for bigness it indulges in the larger-than-human, in the attempt to overwhelm the individual spectator. It is psychoanalytically suspect because it is tied to narcissistic delusions of grandeur and to imaginary wholeness.
Andreas Huyssen, "Monumental Seduction" in Present Pasts, 2003
#favorite#monument#monumental#totalitarianism#nationalism#quote#architecture#art#kitsch#mass culture#culture#history#taste#aesthetics#suspect#sociology#politics#representation#expression#bigness#spectacle#spectator#overwhelming#human#scale#psychoanalysis#psychology#andreas huyssen#delusions of grandeur#narcissism
Jay Sarno + Jo Harris, Interior of the Cabana Motel at 7th and Peachtree, Atlanta, GA, c. 1974 / 2005 (via clatl; atltimemachine)
Brett Herbst of Maize Inc., Kansas City Power & Light Distict, MO, 1996
Jeff Koons, Untitled (Girl with Dolphin and Monkey), 2006
nickkahler reblogged
Mastunami Mitsutomo, Number House, Hozumidai, Ibaraki-shi, Osaka, Japan, 2007 (via kevinnuut; archdaily)