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#isolation – @nickkahler on Tumblr
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el laberinto

@nickkahler / nickkahler.tumblr.com

chronicling an eclectic labyrinth of architectural contemplation based in new york city
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Architects build in an isolated, self-contained, ahistorical way. They never seem to allow for any kind of relationships outside their grand plan. And this seems to be true in economics too. Economics seem to be isolated and self-contained and conceived of as cycles, so as to exclude the whole entropic process. There is very little consideration of natural resources in terms of what the landscape looks after the mining operations or farming operations are completed. So that a kind of blindness ensues. I guess it's what we call blind profit-making. And then suddenly they find themselves within a range of desolation and wonder how they got there.

Robert Smithson in Jorge Otero-Pailos, “OMA’s Preservation Manifesto” from Preservation is Overtaking Us, 2014

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[The nine changes of warfare are as follows:] Do not encamp on entrapping terrain. Unite with your allies on focal terrain. Do not remain on isolated terrain. Make strategic plans for encircled terrain. On fatal terrain you must do battle. There are roads that are not followed. There are armies that are not attacked. There are fortified cities that are not assaulted. There is terrain for which one does not contend. There are commands from the ruler that are not accepted.

Sun Tzu, The Art of War, c. 450 BCE

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There is private information, where artists choose to limit its circulation, generate smaller quantities and involve more isolated audiences. In order to have access to private information, one needs to be interested and committed to it. In fact, it is precisely this need for active and persistent engagement that makes this strategy appealing to artists. It demands real action. It is the opposite of the internet.
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Today modern architects know that buildings cannot be conceived as isolated units, that they have to be incorporated into the vaster urban schemes. There are no frontiers between architecture and town planning, just as there are no frontiers between the city and the region. Correlation between them is necessary. Monuments should constitute the most powerful accents in these vast schemes. ... A monument being the integration of the work of the planner, architect, painter, sculptor, and landscapist demands close collaboration between all of them.
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The idea that the group is coming together in a community, and that Miller is developing a compound in my opinion is ominous because only the most extreme cults isolate themselves in a compound.... This is when groups become the most extreme, because the leader controls everything.
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