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#island – @nickkahler on Tumblr
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el laberinto

@nickkahler / nickkahler.tumblr.com

chronicling an eclectic labyrinth of architectural contemplation based in new york city
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There has to be this kind of combination of prospect and refuge with a dwelling. Either you have to understand the world around you, and feel protected—eyes on the world. ... In a way, we think, I would say, a house is not a house without focus. Charles Moore talked about the aspects of a room. Enclosure, light, focus. What makes a house a house is a sense of being centered in the world and a totemic element like a hearth or a kitchen island. There has to be this sense of centering-ness about a house.
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The series of weapons tests had fused the sand in layers, and the pseudo-geological strata condensed the brief epochs, microseconds in duration, of thermonuclear time. Typically the islands inverted the geologist’s maxim: the key to the past lies in islands was a fossil of time future, its bunkers and blockhouses illustrating the principle that the fossil record of life was one of armour and the exoskeleton. The landscape is coded.
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archatlas
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nickkahler

Tobias Wüstefeld, Prison Islands, c. 2014 (via archatlas)

“Prison Islands are Islands, that are used completely as a Prison. The Island itself replaces the traditional safety barriers. Water around the Island builds a natural barrier for potential refugees. Also rumors about Sharks or drifts can be used as psychological deterrence.”
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Over the last two decades or so, a variety of writers have been sketching the contours of a new urban form, a phantasmagorical landscape characterized by fragmentation, near-instantaneous communication, privatized public spaces, highly stylized simulations, and the subordination of locality to the demands of a globalizing market culture. Atlanta is in many ways paradigmatic of this ageographic and generic urbanism. Its twenty-county metropolitan area encompasses a polynucleated sprawl of sylvan suburbs, slums, and shopping malls surrounding a central archipelago of fortified fantasy islands rising out of a sea of parking lots - the whole tenuously linked by expressways, television, and a fragmented sense of imagined communitas. As such, it provides a fertile ground for investigating the play of culture, power, identity, and place within a 'non-place urban realm.'
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