There has to be this kind of combination of prospect and refuge with a dwelling. Either you have to understand the world around you, and feel protected—eyes on the world. ... In a way, we think, I would say, a house is not a house without focus. Charles Moore talked about the aspects of a room. Enclosure, light, focus. What makes a house a house is a sense of being centered in the world and a totemic element like a hearth or a kitchen island. There has to be this sense of centering-ness about a house.
The series of weapons tests had fused the sand in layers, and the pseudo-geological strata condensed the brief epochs, microseconds in duration, of thermonuclear time. Typically the islands inverted the geologist’s maxim: the key to the past lies in islands was a fossil of time future, its bunkers and blockhouses illustrating the principle that the fossil record of life was one of armour and the exoskeleton. The landscape is coded.
J.G. Ballard, The Terminal Beach, 1964
nickkahler reblogged
Section of the Mont Saint-Michel, Normandy, France, c. 1900 (via archimaps)
nickkahler reblogged
Hein Architekten, Visitor’s Center and Restaurant, Mainau Island, Germany, 2014, (via wortmeyer)
nickkahler reblogged
Tobias Wüstefeld, Prison Islands, c. 2014 (via archatlas)
“Prison Islands are Islands, that are used completely as a Prison. The Island itself replaces the traditional safety barriers. Water around the Island builds a natural barrier for potential refugees. Also rumors about Sharks or drifts can be used as psychological deterrence.”
Painting is an island and I have only walked along its shoreline.
Jean-Baptiste-Simeon Chardin, "On Painting," c. 1750 (via koons)
Over the last two decades or so, a variety of writers have been sketching the contours of a new urban form, a phantasmagorical landscape characterized by fragmentation, near-instantaneous communication, privatized public spaces, highly stylized simulations, and the subordination of locality to the demands of a globalizing market culture. Atlanta is in many ways paradigmatic of this ageographic and generic urbanism. Its twenty-county metropolitan area encompasses a polynucleated sprawl of sylvan suburbs, slums, and shopping malls surrounding a central archipelago of fortified fantasy islands rising out of a sea of parking lots - the whole tenuously linked by expressways, television, and a fragmented sense of imagined communitas. As such, it provides a fertile ground for investigating the play of culture, power, identity, and place within a 'non-place urban realm.'