Steve Brudniak, Heirophantic Aperture (Samsara), 2012
Willie Brown, “On Megaprojects,” 2013
Henrique Oliveira, Transarquitetônica at Museu de Arte Contemporânea da Universidade, São Paulo, Brazil, c. 2014 (via little)
Erick van Egeraat + Tim Van de Velde, Incineration Line, Roskilde, Denmark, c. 2014 (via ryanpanos)
"The plant will incinerate waste, from nine surrounding municipalities and from many places abroad to produce electricity and heat power for the whole region of Roskilde. To provide the huge new incinerator line, planned in a relatively flat landscape and next to the relatively small city of Roskilde with a suitable appearance, an international design competition was organized. In 2008 the jury unanimously selected the design proposed by Erick van Egeraat. The design presents an iconic expression for the otherwise functional architecture of the local waste management company Kara/Noveren’s next generation incineration line. The façade consists of two layers: the inner layer is the skin which provides the actual climatic barrier, allowing the second skin to be treated more freely – raw umber-coloured aluminium plates with an irregular pattern of laser cut circular holes. The aluminium plates are treated to give them the desired colour and patina at day time. At night, the programmable lighting, installed between the two facades, gives the building an additional metaphor."
Christian de Portzamparc, Cite de la Musique, Paris, France, 1984-95
Yoko Ono, "Cloud Piece" from Grapefruit, 1964
Danae Stratou, Alexandra Stratou + Stella Constantinides, Desert Breath, Egypt, 1997 (via vnews)
Chris McNulty, 20,249 Days, 2006