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#everyday – @nickkahler on Tumblr
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el laberinto

@nickkahler / nickkahler.tumblr.com

chronicling an eclectic labyrinth of architectural contemplation based in new york city
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The normal is often irrelevant. Almost everything in social life is produced by rare but consequential shocks and jumps; all the while almost everything studied about social life focuses on the 'normal,' particularly with 'bell curve' methods of inference that tell you close to nothing. Why? Because the bell curve ignores large deviations, cannot handle them, yet makes us confident that we have tamed uncertainty.
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During my trips along European coasts, I grew more and more selective, picking up only traces of the defense system. Everyday life at the seaside had disappeared. The space I was charting with surveys and measurements of different types of casemates was the space of a different historical time than that of the moment of my trip; the conflict I perceived between the summer of seaside bathing and the summer of combat would never again cease. For me the organization of space would now go hand in hand with the manifestation of time.
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The idea that we can “green” a capitalist economy without radically rethinking the basic premises at the heart of neoliberal economic theory is truly an example of misplaced politics. The system is premised upon a model of endless growth, competition, private property and consumer citizenship, all of which combine to produce a terribly exploitative, oppressive and violent structure that has come to infuse all aspects of everyday life.
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Modern architecture is based on a deterministic coincidence between form and program, its purpose no longer an abstraction like 'moral improvement' but a literal inventory of all the details of daily life.

Rem Koolhaas, “Revision: Study for the Renovation of a Panopticon Prison, Arnhem, Netherlands,” in SMLXL, 1979-81

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Books are not only the arbitrary sum of our dreams, and our memory. They also give us the model of self-transcendence. Some people think of reading only as a kind of escape: an escape from the “real” everyday world to an imaginary world, the world of books. Books are much more. They are a way of being fully human.
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The hearer of myth, regardless of his level of culture, when he is listening to a myth, forgets, as it were, his particular situation and is projected into another world, into another universe which is no longer his poor little universe of every day. . . . The myths are true because they are sacred, because they tell him about sacred beings and events. Consequently, in reciting or listening to a myth, one resumes contact with the sacred and with reality, and in so doing one transcends the profane condition, the "historical situation." In other words one goes beyond the temporal condition and the dull self-sufficiency which is the lot of every human being simply because every human being is "ignorant" — in the sense that he is identifying himself, and Reality, with his own particular situation. And ignorance is, first of all, this false identification of Reality with what each one of us appears to be or to possess.
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The way that an artwork brings materials together is incredibly powerful. Sculpture is its materiality. I work with materials that are already charged with significance, with meaning they have required in the practice of everyday life…then, I work to the point where it becomes something else, where metamorphosis is reached.
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