Flannery O’Connor, “The Comforts of Home,” 1960
Eric Mazur in Molly Worthen, “Lecture Me, Really,” 2015
Le Corbusier, “Architecture as Ethics,” c. 1940 (via johnson)
Gilda Williams, "On Art Writing," 2014
Freidrich Nietzsche, Thus Spake Zarathustra, 1883-5 (via reinert)
Jorge Luis Borges, "On Infinity," c. 1960 (via quote)
John Boorman, "Ethical Aphorism" from Zardoz, 1974
Tony Cragg, "On Sculpture," 2008 (via artinfo)
Richard Jackson, Bad Dog at Orange County Museum of Art (OCMA), Newport Beach, CA, 2013 (via buildahome)
'A 28-foot-tall sculpture of a black Labrador relieving itself is currently installed on the side of the Orange County Museum of Art (OCMA) in Newport Beach, California. The installation, known simply as Bad Dog, is a new outdoor piece by artist Richard Jackson that is claiming its temporary territory throughout the run of the 74-year-old artist’s first retrospective exhibit titled Richard Jackson: Ain’t Painting a Pain. The sculpture of the giant naughty pup leaving its golden mark on the building is made of 52 digitally cut pieces of fiber glass and composite materials that were assembled on-site. Once the structure was intact, Jackson entered the sizable sculpture with a bucket of yellow paint to be splattered on the wall. Now, the mechanized sculpture squirts a stream of yellow paint on its own. It is one of Jackson’s many “painting machines” that excretes pigments in an unusually creative fashion.'
Victor Hugo, c. 1870 (via umich)
Jacques Lacan, The Ethics of Psychoanalysis, 1959-60 (via proustitute; skibinskipedia)