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#answer – @nickkahler on Tumblr
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el laberinto

@nickkahler / nickkahler.tumblr.com

chronicling an eclectic labyrinth of architectural contemplation based in new york city
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“Noooo,” she said and leaned her round red face between the two nearest poles. She looked down into the stairwell and gave a long hollow wail that widened and echoed as it went down. The stair cavern was dark green and mole-colored and the wail sounded at the very bottom like a voice answering her. She gasped and shut her eyes. No. No. It couldn’t be any baby. She was not going to have something waiting in her to make her deader, she was not.
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My work was clear, cold-headed logic. I wanted to learn about what architecture was, and I thought the best way to do that was to teach students. They began asking me questions about why this was good and that was bad, and I didn't have any answers. Slowly I evolved an idea about what architecture was and I wanted to experiment with it, and I happened to find some clients that allowed me to experiment and to build houses and build something experimental. I never thought I was evolving a theory, I thought I was trying to make architecture.
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reblogged
The answer of course is that the ship doesn’t exist, that “ship” is an abstraction, a conception, an imaginary tarp thrown across the garden of the real. The answer is that the cheap peasantry of things toils all day in the kingdom of  language, every ship like a casket of words: bulkhead, transom, mast steps. The answer is to wake again to the banality of things, to wade toward the light inside the plasma of ideas. But each plank is woven from your mother’s hair. The blade of each oar contains the shadow of a horse. The answer is that the self is the glue between the boards, the cartilage that holds a world together, that self is the wax in the stenographer’s ears, that there is nothing the mind won’t sacrifice, each item another goat tossed into the lava of our needs. The answer is that this is just another poem about divorce, about untombing the mattress from the sofa, your body laid out on the bones of the double-jointed frame, about separation, rebuilding, about your daughter’s missing teeth. Each time you visit now you find her partially replaced, more sturdily jointed, the weathered joists of   her childhood being stripped away. New voice. New hair. The answer is to stand there redrawing the constellation of   the word daughter in your brain while she tries to understand exactly who you are, and breathes out girl after girl into the entry- way, a fog of   strangers that almost evaporates when you say each other’s names. Almost, but not quite. Let it be enough. Already, a third ship moves quietly toward you in the night.
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The true essayist prefers a more cumulative approach; nothing is ever really left behind, only put aside temporarily until her digressive mind summons it up again, turning it this way and that in a different light, seeing what sense it makes. She offers a model of humanism that isn’t about profit or progress and does not propose a solution to life but rather puts endless questions to it.
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Our individual and social connections to the past are critical, for without an understanding of them, we cannot understand ourselves. Thus history is the key to three questions: Where did we come from? Who are we? And where are we going? History, properly understood, affords no ultimate answers to any of these questions, but the constant process of asking, probing, learning and asking again is the only way by which man can move forward, surmounting his own limitations and foibles.
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