“Noooo,” she said and leaned her round red face between the two nearest poles. She looked down into the stairwell and gave a long hollow wail that widened and echoed as it went down. The stair cavern was dark green and mole-colored and the wail sounded at the very bottom like a voice answering her. She gasped and shut her eyes. No. No. It couldn’t be any baby. She was not going to have something waiting in her to make her deader, she was not.
That’s the whole purpose of art, that it doesn’t answer anybody’s question, it gives them the means to answer their particular question at that moment.
Lawrence Weiner, “On Art,” c. 2016
My work was clear, cold-headed logic. I wanted to learn about what architecture was, and I thought the best way to do that was to teach students. They began asking me questions about why this was good and that was bad, and I didn't have any answers. Slowly I evolved an idea about what architecture was and I wanted to experiment with it, and I happened to find some clients that allowed me to experiment and to build houses and build something experimental. I never thought I was evolving a theory, I thought I was trying to make architecture.
Peter Eisenman, “American Architecture Now,” 1984
nickkahler reblogged
The answer of course is that the ship
doesn’t exist, that “ship”
is an abstraction, a conception,
an imaginary tarp thrown
across the garden of the real.
The answer is that the cheap
peasantry of things toils all day
in the kingdom of language,
every ship like a casket
of words: bulkhead, transom,
mast steps. The answer
is to wake again to the banality
of things, to wade toward
the light inside the plasma
of ideas. But each plank
is woven from your mother’s
hair. The blade of each oar
contains the shadow of
a horse. The answer
is that the self is the glue between
the boards, the cartilage
that holds a world together,
that self is the wax in
the stenographer’s ears,
that there is nothing the mind
won’t sacrifice, each item
another goat tossed into
the lava of our needs.
The answer is that this is just
another poem about divorce,
about untombing the mattress
from the sofa, your body
laid out on the bones of the
double-jointed frame, about
separation, rebuilding, about
your daughter’s missing
teeth. Each time you visit
now you find her partially
replaced, more sturdily
jointed, the weathered joists
of her childhood being stripped
away. New voice. New hair.
The answer is to stand there
redrawing the constellation
of the word daughter in
your brain while she tries
to understand exactly who
you are, and breathes out
girl after girl into the entry-
way, a fog of strangers that
almost evaporates when
you say each other’s
names. Almost, but not quite.
Let it be enough. Already,
a third ship moves
quietly toward you in the night.
Steve Gehrke, “The Ships of Theseus," 2013 (via mythofblue)
The true essayist prefers a more cumulative approach; nothing is ever really left behind, only put aside temporarily until her digressive mind summons it up again, turning it this way and that in a different light, seeing what sense it makes. She offers a model of humanism that isn’t about profit or progress and does not propose a solution to life but rather puts endless questions to it.
Our individual and social connections to the past are critical, for without an understanding of them, we cannot understand ourselves. Thus history is the key to three questions: Where did we come from? Who are we? And where are we going? History, properly understood, affords no ultimate answers to any of these questions, but the constant process of asking, probing, learning and asking again is the only way by which man can move forward, surmounting his own limitations and foibles.
nickkahler reblogged
iconographica-blog-deactivated2
There are no answers, only cross references.
Norbert Wiener, Vita Mathematica, 1989 (via mythofblue)
Source: en.wikiquote.org
nickkahler reblogged
Science strives for answers, but art is happy with a good question.
James Turrell, c. 2010 (via ummhello)